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Berlin


 

Reporting from Berlin on the 68th edition February 15 -25, 2018
Our team of festival ambassadors and reporters bring you the dailies from the Berlin Film Festival and European Film Market and keep an eye on past editions archives.

#berlinale I Berlinale 2017 coverage I Berlinale  2016 I Berlinale 2015 I  Berlinale 2014 I 


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Jakob Lass talks about his film Tiger Girls | Berlinale 2017

© Gerhard Kassner / Berlinale

Jakob Lass talks about his film "Tiger Girl" at the Berlinale 2017.

Jakob Lass

Born in Munich, Germany in 1981, he initially worked as an actor. At the same time, he applied to study directing, but was rejected by all the German film schools. After his short film Bademeister Paul started to win awards, he participated in the 2008 Berlinale Talents, studied at filmArche and from 2009 directing at the Film University Babelsberg Konrad Wolf. In his first year there, he made his debut feature film Frontalwatte. In 2013 his film Love Steaks won the German Cinema New Talent Award in all four categories at the Filmfest München as well as the Max Ophüls Prize in 2014.

Filmography

2011 Frontalwatte 2013 Love Steaks; IFB, Perspektive Deutsches Kino 2017 Tiger Girl

 

 

 

© Gerhard Kassner / Berlinale

Having failed to get into the police force, Margarete takes up training as a security guard. One night she runs into a sexually agressive ex-colleague who insists on hailing a taxi to take her home to his place. Enter Tiger: short brown hair, a tough girl and a fighter, the cab driver. Realising that the situation is far from consensual, Tiger speeds off with Margarete, leaving her companion standing in the street. It won’t be the last time she rushes to Margarete’s aid. Tiger lives in an attic flat with two men. She knows how to wield a baseball bat. Stealing a uniform from security and renaming Margarete ‘Vanilla’, she begins to steer her life in a completely different direction.
Jakob Lass, who scored a hit with Love Steaks, here films according to the rules of his very own ‘FOGMA’ manifesto, which means that much of the dialogue is improvised. In spite of the film’s documentary style, the story is fast-paced and up tempo, with stylised fight scenes. In the beginning it might be about keeping pushy males at bay, but the women’s uniforms and fists are soon put to other uses. The stakes are increasingly raised and moral values are soon being challenged.

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About Berlin

Chatelin Bruno

Berlin 2016: The dailies from the Berlin Film Festival brought to you by our team of festival ambassadors. Vanessa McMahon, Alex Deleon, Laurie Gordon, Ole Schulz Lia Fietz, Aida Amasuno Martin, Martin Petrov and Bruno Chatelin...
Ambiance, film reviews, trailers and podcasts, EFM insider information, and much more.
Feel free to leave us your comments and share the blogs with more fans from the festivals scene.

 

October 30, 2015 Deadline for film entries for the festival (feature length films)
November 17, 2015 Deadline for film entries for the festival (short films)
January 6, 2016 Application deadline for accreditations
February 2, 2016 Programme Press Conference at the "Federal Press and Information Office"; access with invitation only
February 11, 2016 Opening Ceremony of the
66th Berlin International Film Festival
February 11-19, 2016 European Film Market
February 13-18, 2016 Berlinale Talents
February 14-16, 2016 Berlinale Co-Production Market
February 20, 2016 Closing & Award Ceremony of the
66th Berlin International Film Festival
February 21, 2016 Berlinale Publikumstag

 


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