Accompanied by her illegal immigrant companion, Javier Apollinaire, Susan steals some cash and embarks on a secret journey in order to meet the Doctor and begin the procedure.

But can he really do it? Can she even find him?

Enter new, green, bumbling federal agent Carl Wisconsin. Carl’s very first assignment is to track Susan in order to find the elusive Doctor and take him down for his illegal activities.

Meanwhile, a struggling Native American potter named Lonnie is on his own mission: he needs to some raise desperately needed tuition money to send his daughter to college, after her financial aid unexpectedly falls through.

Ultimately, these disparate characters and stories cross paths at one critical moment, and their lives are forever changed as a result.

Gábor is an office cleaner. Wearing overalls and a baseball hat, he seems insignificant. Working on the night shift, Gábor rarely has any contact with his employers, yet he learns everything about them by thoroughly analyzing their garbage. Since he is almost invisible, nobody suspects that Gábor is, in fact, a con man who carefully chooses his victims by the trash they leave behind. His targets are mostly disillusioned, lonely women. In a few months he destroys all their romantic illusions by taking all their savings. Having an unusually high IQ and an ability to assume various personalities, Gábor is an expert in manipulation. When he gets a job at a psychologist's office, Gábor meets Hanna, an injured dancer who happens to be the daughter of a millionaire. Insecure and vulnerable, Hanna seems to be the perfect victim. Gábor pretends to be a doctor who can cure her body and her soul, an irresistible offer for a desperate woman. Everything goes according to plan until Gábor falls in love with Hanna and has to make a hard decision between her and the money.

Dr. Price is a brilliant scientist who has created the ultimate weapon, a Remote-Operated, Nocturnally Aggressive, Lizard Device (R.O.N.A.L.D.)  Once completed, it will be an unstoppable recovery and reconnaissance force, capable of evading high-tech security systems and taking down anyone in its way. But Price has a couple problems. He’s a junkie, he’s in debt to Jonas Caine, Metro Valley’s most powerful gangster who commissioned the weapon for a diamond heist, and the robot’s behavioral aspects are bit on the touchy side.

While Price works in the lab, Jonas Caine is cooking up the robbery plans with his Japanese counterpart, Tokyo crime-boss Takashi Sagawas. The diamonds, stolen from the Sagawas family several generations ago, are being stored in a secret Metro Valley location. As long as the R.O.N.A.L.D. cooperates, damage will be minimal, the crime will be untraceable, and everyone will get paid.

But when the R.O.N.A.L.D. is accidently activated after a routine drug exchange, and two cops are viciously killed in a dark inner-city alley, Price has no choice but to destroy the device to end the killing spree, and now has only days to recreate it.

Meanwhile Metro Valley police force Detectives Jarvish and Shortridge, slighted by their inability to arrest Caine in the past, hear rumors of the heist plans and start investigating. They suspect Caine is somehow tied to the unsolved alley murders as well, and sense a huge career-enhancing bust on their horizon.

With Metro Valley police detectives hot on the case and Caine threatening to kill him if he doesn’t meet the deadline by the night of the robbery, Price is under the gun to deliver a new and improved weapon, or figure out a way to pull off the heist himself!

The Diamonds of Metro Valley is inspired by diamond heist films of the 1970’s, but with an added tinge of the retro-futuristic.  Filmed almost entirely on green screen, the backgrounds for each scene were individually designed shot by shot. Exciting sequences include a twelve inch robot growing to the height of a three story building, numerous gun-battles and explosions, and a thirteen minute car chase created with model cars and live action. Several years in the making, each scene in DMV has been painstaking handcrafted with multiple design and digital effects elements, effectively contributing to the unique look of this hand-made, DIY project.  

A black comedy that explores an accountant's reaction to his new Dominatrix Boss and the methods she employs to keep all her desk bound office zombies in line. His morals and sanity are pushed beyond breaking point.

Cast
Jacob - Jonathan Baker
Demon Dom - Sara Dee
Cheryl - Nikki Michelle Chowen
Jerry / Zombie 1 - geoffrey troth
Receptionist / Scissor Zombie - Ice Wilderose
Dom's Pet - Angela Dee
Stephen - Craig Hamblyn
Salesman 1 / Zombie 2 - Yazid Eid
Salesman 2 / Zombie 3 - Mac Laubscher
TEMP - Tabatha St. Vincent
Diva Zombie - Juliana Reed
Stapler Zombie / Zombie6 - Christopher Davies
Mail Lady - Teresa Garratty
Juggling Zombie /Zombie5 - Oihana Garde
Zombie 7 - Michaelle St. Vincent
Zombie 8 - Derek Elmore
Zombie 9 - Elizabeth Bloom
Zombie 10 - Michael Wooller
Zombie 11 - Victoria Jane Oliver
Zombie 12 - Cullum Austin
Zombie 13 - Sarah Jane O'Neill
Zombie 14 - Gil Martin
Zombie 15 - Lulu Elliot
Zombie 16 - Karen Kangro Crew
Writer / Director - Johan Kruger
Director of photography - Joel Chu
Assistant Director - Angela Dee
2ND A.D - Karen Kangro

Producer - Johan Kruger
Associate Producer - Joel Chu
Assistant Producer - Angela Dee

Production Assistant - Steve Outram
Sound - Andres Montaña Duret
Secondary unit sound - Kota Iso
Boom - Chris Presswell
Key Grip - Gil Martin
Runner - Sarah Kok, Sarah Pemberton

Artistic Director - Lulu Elliot
Lead Make-up - Robb Crafer & Alexandra Chalk
Make-up - Emma Bifield

Location Scout (Zombie Lair) - Lullu Elliot

Original Score & Sound Design - Martin Pavey
Editor - Johan A Kruger
Stills Photography - Kaido Kurrue

Casting; Johan A Kruger, Cobi Siminovitch, Angela Dee

Location - London Kings Cross & High Barnet

Film & Lighting equipment - ETC Films