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Buenos Aires
The Philadelphia Film Society, in partnership with Friends of the Wanamaker Organ and hosted by Macy’s Center City, announces a benefit screening of the newly restored Metropolis, Fritz Lang’s 1927 silent sci-fi masterpiece. Grand Court Organist Peter Richard Conte will improvise an accompaniment using the full resources of the Wanamaker Organ while incorporating many of the 'signature tunes' from the original Gottfried Huppertz score. Taking place in Macy’s magnificent Grand Court, on Sa...
Director: Jennifer Sims.
A man has an enticing encounter in a library...
Fourteen films have been selected for IFFR's Tiger Awards Competition 2011. The complete lineup, comprising first or second feature films concurring for three equal top prizes of each 15,000 euro, includes three world premieres. Two competing films have been supported by Rotterdam’s Hubert Bals Fund.The Rotterdam Tiger Awards Competition for Short Films 2011 comprises twenty-eight films, ranging in length from six to fifty-two minutes. Five short films will see their world premieres in Rotterd...
With six films invited to the Festival, the first half of the Perspektive Deutsches Kino programme for 2011 has been decided before the holidays. On February 20, Berlinale Kinotag (the Berlinale’s cinema day for the public), it is a tradition to announce the winners of the Max Ophüls Award feature film competition for 2011. And this year for the first time, the winner of the First Steps Award for 2010 in the category documentary film (Ein Sommer voller Türen, directed by: Stefan Ludwig) will...
photo © Roc Herms
by Marc Rickenbach
Argentinian artist Sebastián Litmanovich is the sort of guy that
can’t seem to stay still…creatively speaking. At any given time he is
involved in several projects, putting his many talents that span
different mediums to good use. While performing or releasing his
loveable Spanish-language indie pop, he goes by the name Cineplexx under
which he has released no less than three full length albums, countless
remix EPs and just as man...
14 FILMMAKERS & 9 PROJECTS SELECTED FOR FILM INDEPENDENT’S 2010 PRODUCERS LABFilm Independent, the non-profit arts organization that produces the Spirit Awards and Los Angeles Film Festival just wrapped its 10th annual Producers Lab earlier this week with 14 filmmakers and 9 projects participating. Sponsored by Technicolor and Alfred P. Sloan Foundation, the seven-week program took place in Los Angeles and was designed to help producers improve their craft, and move their current projects into...
Director: Alberto Masliah.
ERNESTO (36) arrives at Trelew, Argentina, from Germany, where he had been living since he was three years old. His grandparents had taken him to Germany after his parents disappeared during the military dictatorship. Now, Ernesto has returned for the first time to his native country to take charge of the negotiations his grandfather had been conducting with an Argentine wool company, until his recent death. When Ernesto arrives at the airport, memories of his last moments with his parents come flooding back. These disorganized and incomprehensible flashbacks affect him to the point of causing him to faint.
Once in the hotel room, he goes to the scheduled meeting. There he meets MR. OSCAR QUIROGA, one of his grandfather’s oldest friends. He gives him a picture in which Quiroga himself appears with Ernesto’s grandparents and father, then a little boy. This is the first photograph he has ever seen of his father, because his grandparents, afraid of hurting him, had concealed his parents’ past in Argentina from him. In the picture he can also see a country house that he had never heard of before and which belonged to his grandparents called “Schafhaus.”
The following day, Ernesto is supposed to come back to Germany, but he can’t take his flight due to a pilots’ strike. With the excuse of selecting the wool bales he has bought, Ernesto rents a car and drives south to the Patagonia, but his real goal is to find the place shown in the picture. In the car he finds a children’s book telling the story of a little sheep called Anita who travels back home. Unknowingly, Anita’s story will lead him to his goal. On the way, Ernesto has an accident and seeks help at a nearby gas station. There he meets FLOR, the owner, and ÉRICA who lives in a motor-home near the gas station. Erica is a divorced anthropologist and mother of MARTÍN, a teenager.
Because of his accident, Ernesto is forced to live with them, and little by little he begins to open up, and tells them his story. As Ernesto and Martín feel so closely identified with each other, they soon become friends. With Érica, instead, tension begins to build up, due to the mutual attraction they gradually start to feel. This brings Ernesto into trouble with GERARDO, the town’s mechanic and Érica’s boyfriend.
During his stay in the town, Ernesto puts his wool selection meetings to good use –he does everything he can to try to find “Schafhaus.” Later on, he runs into a mysterious MAPUCHE OLD LADY who deeply moves him when she calls him by his father’s name. Ernesto sees in her the chance to find what he is looking for, but everybody persuades him to forget all about it, as they say the woman is mentally deranged. Having finished his negotiations, and without any hope of finding the place, Ernesto starts planning to go back to Germany. But one day, to his surprise, he notices the children’s story found in the car mentions the place he has been looking for and therefore could be the key to “Schafhaus.” So Ernesto decides to pay a visit to the story writer, GEORGINA, without suspecting she was a good friend of his mother’s. This knowledge shakes Ernesto’s whole existence. It’s only then when he is able to reconstruct his memories of the last moments he shared with his parents. Georgina, who has been in touch with Ernesto’s grandfather for the last thirty years, gives him the keys to “Schafhaus.”
In the end, Ernesto goes to the place he has been looking for. It is there, in his grandparents’ country house, the place where his father grew up, where Ernesto finally reconstructs his own story.
More than 7,500 spectators attended the screenings of the first edition of the 4 +1 Festival in the five cities where it simultaneously took place: Bogotá (Cinemateca Distrital de Bogotá and Sala Chile –Cine Colombia), Buenos Aires (MALBA-Fundación Costantini), México City (Cineteca Nacional de México), Madrid (Cine Palafox) and São Paulo (Cinemateca Brasileira). The veteran filmmaker Agnès Varda, winner of the 4 +1 Audience Award for Best Film with Les Plages d'Agnès (France, 2008), s...
Registation is open to participate in the 5rd International Short Film Festival to take place in Olavarría, Argentina; April 20th to 24th 2011. Film makers around the world are invited to participate with productions no longer than 25 minutes in the following categories: Fiction, Animation and Documentary.
The Festival will award $ 16,000 in prizes, and the works (free topic) will be received until December 3rd 2010.
Terms and conditions: http://festivaldecortosolavarria.blogspot.com/2010/08/terms-and-conditions-fico-2011.html
25th Mar del Plata Internacional Film Festival From 13th to 21st November, 2010 The only Latin American Film Festival with “A” status was conceived in 1954 due to the need to reflect the Argentinean Cinema universe, as well as the international cinematographic scenario. Year after year, the Festival established itself as a vital exhibition of the development and exchange of the film industry and audiovisual arts. Mar del Plata International Film Festival is today a must for filmmakers, acto...
The Thai director Apichatpong Weerasethakul, winner of the Golden Palm at the last Cannes Film Festival and the Jose Luis Guarner Critics Award at Sitges with Uncle Boonmee who can Recall his Past Lives (2010) -which has also been proposed as a candidate for an Oscar for Best Foreign Film by Thailand -will be the Guest of Honor of the first edition of the 4+1 Film Festival FUNDACION MAPFRE. This event - which will be held simultaneously in Bogotá, Buenos Aires, Mexico City, Madrid and Sao Paulo...
The International Filmfestival Mannheim-Heidelberg, which will celebrate its 60th anniversary next year, is internationally well regarded and sustains its position as being one of the top 100 film festivals worldwide and as being the festival which exclusively presents films by newcomers.From out of thousands of newcomer films the festival selects only roundabout 30 and is thus driven by a very conscious programming process.„We practically fall in love with each single film. The authors and pr...
The 5th Animarte – International Animation Festival is receiving submissions until November 10th, 2010. Animarte is open to animated and mixed media shorts with a duration of 15 minutes or less. There is no entry or registration fee and all animation techniques are accepted.Animarte showcases the best animation shorts from around the world and brings them to cities throughout South America. Already three major cities have been confirmed for our fourth edition: Buenos Aires, Argentina; Mendoza,...
The International Experimental Cinema Exposition will open October 26, 2010 7:00 PM at the University of Wisconsin Milwaukee (UWM) Union Theatre, 2200 E. Kenwood Blvd., Milwaukee, WI (Free Admission)
Join us at The Union Theatre in Milwaukee, Wisconsin for the 2010 edition of TIE, The International Experimental Cinema Exposition on Tuesday, October 26 with an all-new, original program highlighting the work of internationally renowned artists' experimental films in 35mm, 16...
The singular 4+1 Film Festival MAPPFRE FOUNDATION- that will be held
simultaneously in Bogotá, Buenos Aires, Ciudad de México, Madrid and São
Paulo from November 11th to the 14th of 2010- will have 12 movies from 12
countries in its first edition’s competitive section. Prestigious filmmakers
such as Gus Van Sant, Jane Campion or Agnes Varda and new top directors
as Filipino Raya Marin, Cambodian Rithy Pann or Argentinean Pablo Agüero,
among others, will be competing for the B...
12 movies from 12 countries will compete for the Best Film Award in the 4+1 Film Festival Madrid, October 11 2010The singular FUNDACIÓN MAPFRE 4+1 FILM FESTIVAL- that will be held simultaneously in Bogotá, Buenos Aires, Ciudad de México, Madrid and São Pablo from November 11th to the 14th of 2010- will have 12 movies from 12 countries in its first edition’s competitive section. Prestigious filmmakers such as Gus Van Sant, Jane Campion or Agnès Varda and new top directors as Filipino Raya ...
WHAT I LOVE THE MOST is an assured debut by former assistant/editor Delfina Castanigno. Assured because of the risks she takes; the sort of story the film tells, the way it was structured and the way she chose to shoot it all. The film is about two unnamed friends, one lives in the South of Argentina and just lost her father, the other comes visit from Buenos Aires taking a break from her boyfriend of 4 years. The film's structure seems to be chronological, but there is no way of knowing ...
This morning the first edition of the 4+1 Film Festival MAPFRE FOUNDATION was presented in the San Sebastian Film Festival.
The new festival wil show Art House Cinema simultaneously in five iberoamerican cities
This morning, within the framework of the San Sebastián Film Festival, the Managing Director of the MAPFRE FOUNDATION Culture Institute Pablo Jimenez Burillo has presented the first edition of the 4+1 Film Festival MAPFRE FOUNDATION. The idea behind ...
4+1 Film Festival MAPFRE FOUNDATION will show Art House Cinema simultaneously in five iberoamerican cities This morning, within the framework of the San Sebastián Film Festival, the Managing Director of the MAPFRE FOUNDATION Culture Institute Pablo Jimenez Burillo has presented the first edition of the 4+1 Film Festival MAPFRE FOUNDATION. The idea behind this international event, which will be celebrated for the first time on November 11th through the 14th of 2010, consists in bringing back so...
............. WELCOME TO OUR NEWSLETTER N° 477: September 20, 2010 THE SUMMER WRAP NEWSLETTER Follow this LINK if you cannot read the newsletter properly Contact the Editor, Advertise on the sites. Our newsletter...
After nine successful festival years dedicated to German cinema, expectations are high for the 10th edition of the Festival of German Films in Buenos Aires. The jubilee year will see eleven new feature films, a documentary, a children’s film as well as the NEXT GENERATION 2010 program of shorts being shown in the „Hoyts Abasto“ festival cinema between September 23 – 29, 2010. In addition, the program will be rounded off with the screening of the silent film DER LETZTE MANN with musical a...
PASSIONE (John Turturro, Italy)
As the Venice International Film Festival enters its final weekend, the annual overlap between it and the Toronto International Film Festival, which opened this past Thursday, is most keenly felt. It is no secret that the two festivals are major rivals for world premieres and the attention of the world press. Venice's appeal is well, that's it is Venice...one of the world's most glamorous destinations. Toronto, a city that put the ugh in urban, is m...
The Split International Festival of New Film will organize a retrospective with three feature films by acclaimed Dutch avant-garde director Cyrus Frisch. The retrospective includes the films SELFPITY (ZELFBEKLAG, 1993) - according to Cyrus Frisch, the existence of this movie was a good kept secret - , FORGIVE ME (VERGEEF ME, 2001) and WHY DIDN'T ANYBODY TELL ME IT WOULD BECOME THIS BAD IN AFGHANISTAN (WAAROM HEEFT NIEMAND MIJ VERTELD DAT HET ZO ERG ZOU WORDEN IN AFGHANISTAN, 2007). Frisch' lates...
The 34th edition of the Montreal World Film Festival kicked off its celebrations last evening with a world premiere screening of local director Louis Belanger's ROUTE 132. Films from across the European continent dominate the Festival's main competition section....all in contention for Grand Prix des Ameriques, the Festival's highest honor.
France is the country with the most films in the section, not surprising considering the Festival's love of French cinema and cinema stars. Lea...
Director: Ferenc Moldovanyi.
“Expanding upon themes he explored in Children: Kosovo 2000 (SDFF 24), Ferenc Moldoványi’s latest documentary is at once hypnotically beautiful and acutely disturbing. Shot over a two-year period in four countries on four continents—Ecuador (South America), Mexico (North America), Democratic Republic of Congo (Africa), and Cambodia (Asia)—Another Planet unfolds as a cinematic tone poem in the tradition of Koyaanisqatsi, exposing the unequal distribution of wealth around the world as a major humanitarian crisis. Framed by pastoral sequences in which a Tarahumara shaman imparts a dream of paradise on earth, the film moves quickly and seamlessly between the lives of seven children inextricably linked by their shocking and tragic experiences of daily exploitation and abuse. We meet lonely, aimless urchins, barely eking out a living on the streets. We see child laborers toiling in brick factories, garbage dumps, and brothels, only to be beaten when business is down. And perhaps most harrowing of all, we get to know the child soldiers of Congo as they are turned into killing machines.
Throughout this journey, Moldoványi’s unwavering vision reminds us of the eternal coexistence of beauty and horror all over the world. Informed by the haunting cinematography of Tibor Máthé as well as Tibor Szemzö’s ethereal soundtrack, Another Planet crosses cultural boundaries to forge a commentary on the human condition as damning as it is open-ended.” 31st Starz Denver International Film Festival Official Catalogue
"This globe-spanning film hits hard on many levels—visually, intellectually, emotionally. Beautifully shot in Ecuador, Mexico, Africa and Asia, Moldoványi’s film presents images that sparkle in the eye even as they punch you in the heart. Moldoványi introduces us to children in Cambodia, Ecuador, Mexico and the Democratic Republic of Congo, each of whom is struggling to survive. Working long hours, often in dangerous and dirty conditions, these children show us a side of existence that many have never seen or even imagined. While many in the US hold childhood as a special and protected time of nurtured innocence, this film reminds us all that for many children life is a brutal and precarious game of survival. With subjects that include children scavenging dumps for recyclables, child soldiers and child sex workers, this film offers a sympathetic and unblinking eye. The children themselves are our strongest storytellers, and they open up to Moldoványi’s camera to give us their own perspective. Their frankness astonishes as they talk matter-of-factly about their jobs and the consequences of not earning. The children either are at the mercy of adults—often the parents who force them to work and beat them when they don’t earn enough—or have been abandoned by adults altogether. While the film is not a gentle journey, it imagines a better world, a greater one. The filmmaker relies on your humanity and empathy to be moved by these children, while never directly suggesting a call to action. This film offers an unprecedented opportunity to explore another planet, a trip definitely worth taking."
SILVERDOCS: AFI/Discovery Channel Documentary Festival
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