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To The Wonder, Olga Kurylenko. Venice Film Festival. Sketch by Nesta.

To The Wonder, Olga Kurylenko. Sketch by Nesta 2/09/12 Venice.

Boxing Day, Bernard Rose, Danny Huston, Matthew Jacobs. Venice Film Festival. Sketch by Nesta.

Boxing Day, Bernard Rose, Danny Huston, Matthew Jacobs. A waltz between friends, "Master and Man", Tolstoy adaptation. Sketch by Nesta 2/09/12 Venice.

Love Is All You Need, Trine Dyrholm, Pierce Brosnan. Venice Film Festival. Sketch by Nesta.

Love Is All You Need, Trine Dyrholm, Pierce Brosnan. Nesta's Sketch 2/09/12 Venice.

Fill The Void - Lemale et Ha'Chalal, Yiftach Klein, Hadas Yaron. Venice Film Festival. Nesta's Sketch.

Fill The Void - Lemale et Ha'Chalal, Yiftach Klein, Hadas Yaron. Nesta's Sketch 1/09/12 Venice.

The Master, Philip Seymour Hoffman, Paul Thomas Anderson, Joaquin Phoenix. Venice Film Festival. Sketch by Nesta.

The Master, Philip Seymour Hoffman, Paul Thomas Anderson, Joaquin Phoenix. Narration, a crisis in Faith? Set in Peter Markli's room at the Biennale Arsenale, Josephson and Giacometti statues and the Classical Column in the 1950's. Sketch by Nesta 1/09/12 Venice.

Paradise: Faith - Paradies: Glaube director Ulrich Seidl, Nabil Saleh, W.Thaler, Maria Hoffstratter. Sketch by Nesta.

Paradise: Faith - Paradies: Glaube director Ulricht Seidl, Nabil Saleh, W.Thaler, Maria Hoffstratter. Daylight, Day after rushes. Man has a function and responsibility as a power. Spontaneity. Religion and Marriage. Woman has too much power. Ein Frau. Sketch by Nesta 31/08/12 Venice.

Marina Abramovic nose fully grown and big in Bob Wilson's Life and Death of Marina. Sketch by Nesta.

Marina Abramovic nose fully grown and big in Bob Wilson's Life and Death of Marina. Sketch by Nesta.

Marina Abramovic where the Artist is Present in Bob Wilson's Life and Death of Marina. Sketch by Nesta.

Buried in. Marina Abramovic's screen play performance of her own burial. Nesta's Sketch 29/08/12 Venice.

IFFS Paris 2012: Fireside Chat "Adding a Market to your Festival". Jerome Paillard, Laurie Kirby and Bruno Chatelin. by Nesta

Adding a market to your festival, one selection from your own custom, your own religion.

IFFS Paris 2012: It's Complicated: Defining the Relationship between Festivals and Distributors. by Nesta

Of Gods and Men, Le Prophet, Tom Boy, multi contrary. Moulin Rouge. Regine Hatchondo, Unifrance Films; Loic Magneron, WIDE, Eye on Film; Stephane Huard, Universal Film; Steve Rubin, Luc Besson on The Lady.

IFFS Paris 2012: CHRIS FUJIWARA, Artistic Director, Edinburgh Inernational Film Festival, and the Cinematic community dependant

The cinematic community dependent on the off screen. Visions of a community, haunted by a loss of community, drawing characters, incidents, stories from it's audience. The revelation of the irreparable... with advertising instantly saleable! by Nesta

IFFS Paris 2012. FESTIVAL TECHNOLOGY: Implementing New Technology & Software. Speak to your audience! by Nesta

Watch films in the cinema from a cinema perspective, and speak to your audience... the online Red Carpet. You can easily meet your grandmother on Facebook!

Making worlds at Venice 66th Film Festival - Golden Lion award to Lebanon - director Samuel Moaz - by Nesta Morgan

8th September 2009 Samuel Moaz directs Lebanon, a conscious journey reflected through his subconscious soul, imagined by surrealism. Preparation - they were left in dark small containers for hours. Nesta Morgan 

Making worlds at Venice 66th Film Festival - Swarovski's "Passage" - 6th September 2009 by Nesta Morgan

Swarovski go into film with Shekhar Kapur’s short Passage, a 20 minute dream  Nesta Morgan 

Making worlds at Venice 66th Film Festival - ANIMATION MASTERCLASS with John Lasseter - 7th September 2009 by Nesta Morgan

ANIMATION MASTERCLASS7th September 2009withJohn Lasseter (dressed in a shirt alike the Arc of Petals - Arc of Petals mobile by Calder, 1941, Peggy Guggenheim museum, Venice)“Animation is to give life to acting. Voice actor and animator = character. What is he thinking?Pose test. Improvisation. Spontaneity. Thumbnails. A shared direction, never worked a day in our life.Bringing back the hand drawn image with The P

Making worlds at Venice 66th Film Festival - ANIMATION MASTERCLASS with Pete Docter - 7th September 2009 by Nesta Morgan

ANIMATION MASTERCLASS7th September 2009withPete Docter “Art and design, or story. Drawing a feeling. Design = Casting. Model packets. Graphics. Lighting.”  Nesta Morgan 

Making worlds at Venice 66th Film Festival - ANIMATION MASTERCLASS with Lee Unkrich - 7th September 2009

ANIMATION MASTERCLASS7th September 2009withLee Unkrich“Edit before, during and after. 100,000 Storyboards to a reel.Cooking a stock to a delicious demi-gloss. Layout. DOP elevated. Staging.” Nesta Morgan 

Making worlds at Venice 66th Film Festival - ANIMATION MASTERCLASS with Brad Bird - 7th September 2009

ANIMATION MASTERCLASS7th September 2009 withBrad Bird“Eye Level – Wide – Medium– Close UPStoryboard and improvise script. Record. Edit dialogue. Rough Animation. Layout (3-4 CAM). Editing. Refined Animation.” Nesta Morgan 

Making worlds at Venice 66th Film Festival - ANIMATION MASTERCLASS with Andrew Stanton - 7th September 2009

ANIMATION MASTERCLASS7th September 2009 with Andrew Stanton “Storyboard the way our monies are staged, every step is the story, know what you write, build a better movie, setting, empathy and situation, and make the Sequels.” Nesta Morgan 

Making worlds at Venice 66th Film Festival - Nicolas Cage, the Bad Lieutenant . 4th September 2009.

Nicolas Cage commented that film work was like painting and music. In Werner Herzog’s The Bad Lieutenant he takes a leap of faith to rescue a drowning soul, injures his back, and thereafter shapes his character in a disfigured pose “head ahead with eyes in front” and descends into his own world marked by desire, compulsion, and conscience.  Nesta Morgan 

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