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Corporal

NYIFF is proud to announce that it will honor the powerful film "LATÚS in a celebration during Cannes

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  "NYIFF TO HONOR BREAKTHROUGH PHILIPPINO FILM ABOUT VIOLENCE AGAINST CHILDREN AT THE 64TH ANNUAL CANNES FILM FESTIVAL"     "An important, unapologetic and poignant look at the effects of corporal punishment. The film's campaign for safe, positive discipline at all times is very important."  (Nicole Holland, IFQ)   The New York International Film Festival (NYIFF) is proud to announce that it will honor the powerful film "...

NYIFF to honor the powerful film "LATÚS in a celebration during Canne

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"NYIFF TO HONOR BREAKTHROUGH PHILIPPINO FILM ABOUT VIOLENCE AGAINST CHILDREN AT THE 64TH ANNUAL CANNES FILM FESTIVAL" "An important, unapologetic and poignant look at the effects of corporal punishment. The film's campaign for safe, positive discipline at all times is very important." (Nicole Holland, IFQ) The New York International Film Festival (NYIFF) is proud to announce that it will honor the powerful film "LATÚS at a special celebration during Cannes Film Festival. NYIFF founder/exec...

Denizen and Blood Fare

  director and actress J.A. Steel on set of Denizen.   FOR THOSE OF YOU WHO LOVE SCI-FI/THRILLER/ACTION/HORROR ALL IN ONE!!!! Co-Producer Christian Koch speaks about Warrior Entertainment's latest film, Denizen (2010) CHRISTIAN KOCH speaks: We have been very busy to get the teaser as well as the KickStarter campaign for our upcoming feature BLOOD FARE running before sever

Tobruk

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Director: Václav Marhoul.
There is only a very thin line between heroism and cowardice. Courage is the will power, which no man has enough to spare. If used, it is soon exhausted. Courage is the capital, which we spend gradually. Thus, the last order may be the order to pay out the account drawing to zero. The deepest fear rises when a man is floundered by a current, all alone, having nothing to hold on and not being able to cope. This is the main topic and the artistic motto of this wartime psychological drama. North Africa, II. WW, Fall 1941. Jiri Pospichal, twenty years old, signs up as a volunteer in the Czechoslovak army. His naive ideas about heroism are rawly confronted with the hell of the African desert, complicated relationships in his unit and the ubiquitous threat of death. All this takes its cruel toll in the shape of his gradual loss of self respect and courage. He is full of self-confidence and patriotic ideals, yet at the same time is deeply frustrated by his father, whom he views as a collaborator. His closest companion is a Jewish soldier, Jan Lieberman, in many ways more mature. Their opposite, in turn, is Corporal Kohák, a former member of the French Foreign Legion, for whom warfare is above all a profession The psychological drama between these three characters, the differing attitudes and personalities of each of them, are, during the course of the story and most clearly in its dramatic climax, brought into confrontation with a clear and harsh test of the moral character of all. The plot of the film is freely based on the classic American novel “The Red Badge of Courage” by Stephen Crane, first published in New York in 1897.
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