NOIR BY NORTHWEST, SEATTLE FILM NOIR WEEK"NOIR CITY SEATTLE" OPENS WITH TWIN BILL OF RARITIES by Alex Deleon, for <www.filmfestivals.com> Tuesday, July 9, 2007 The traveling all-Film-Noir festival known as "Noir City", introduced personally by the San Francisco based "Czar of Noir", Eddie Muller, opened here at the SIFF theater in the Space Needle dominated Seattle Center on Friday, July 6, with a pair of seldom seen and hard-to-find dark films of the late for...
"NOIR CITY SEATTLE" OPENS WITH TWIN BILL OF RARITIES by Alex Deleon, for <www.filmfestivals.com> Tuesday, July 9, 2007 The traveling all-Film-Noir festival known as "Noir City", introduced personally by the San Francisco based "Czar of Noir", Eddie Muller, opened here at the SIFF theater in the Space Needle dominated Seattle Center on Friday, July 6, with a pair of seldom seen and hard-to-find dark films of the late forties, "Thieves' Highway&quo...
"NOIR CITY SEATTLE" OPENS WITH RARITIES FROM THE DARK SIDE OF HOLLYWOOD by Alex DeleonThe traveling all-Film-Noir festival known as "Noir City", introduced personally by the San Francisco based "Czar of Noir", Eddie Muller, opened here at the SIFF theater in the Space Needle dominated Seattle Center on Friday, July 6, with a pair of seldom seen and hard-to-find dark films of the late forties, "Thieves' Highway" (FOX, 1949, 94 minutes) and "Deadline at Dawn" (RKO, 1946, 77 minutes). Both films w...
Documentary features are beginning to come into their own, not only on the festival circuit but in selected commercial cinemas as well, as more and more perceptive moviegoers, tired of paying ten dollars a shot for mainstream mindlessness, are beginning to look for films that actually have something to say. Michael Moore's "Fahrenheit 9/11" was a real ground-breaker when it was awarded the top prize at Cannes two years ago, the first time a documentary film was so recognized at this topper of al...