"I was really into mainstream," says Brilliante Mendoza, the director of LOLA, of his career start as an advertising art director and production designer to mainstream Asian directors, "more the glamorous, glossy type of world (as) compared to what I am doing (now)."
But Mendoza's attention has turned to what he calls "real-time" storytelling, films based on real life stories. LOLA ("grandmother" in Tagalog) was inspired by a news item he s...
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WELCOME TO OUR NEWSLETTER N° 463: April 29, 2010
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CALLING ALL FESTIVAL ORGANIZERS ATTENDING CANNES...
"I was really into mainstream," says Brilliante Mendoza, the director of LOLA, of his career start as an advertising art director and production designer to mainstream Asian directors, "more the glamorous, glossy type of world (as) compared to what I am doing."But Mendoza'sattention has since turned to what he calls "real-time" storytelling, films based on real life stories. LOLA ("grandmother" in Tagalog) was inspired by a news item he saw on television about two different grandmothers, and tha...
"I was really into mainstream," says Brilliante Mendoza, the director of LOLA, of his career start as an advertising art director and production designer to mainstream Asian directors, "more the glamorous, glossy type of world (as) compared to what I am doing (now)." But Mendoza's attention has turned to what he calls "real-time" storytelling, films based on real life stories. LOLA ("grandmother" in Tagalog) was inspired by a news item he saw on television about two different grandmothers, and t...
"I was really into mainstream," says Brilliante Mendoza, the director of LOLA, of his career start as an advertising art director and production designer to mainstream Asian directors, "more the glamorous, glossy type of world (as) compared to what I am doing (now)." But Mendoza's attention has turned to what he calls "real-time" storytelling, films based on real life stories. LOLA ("grandmother" in Tagalog) was inspired by a news item he saw on television...
