Director: Tolga Karacelik.

Director: Jozef Pasteka.
Story The main characters of this contemporary comedy are connected to each other by their profession and family ties. University professor and a translator of Dante, Kryštof Mitrovský, his wife of 20 years, Naďa, and her brother, twice-divorced university rector Alexander Pažický who can find a solution in any situation. Krištof is a believer in the Taoist passivity; he rejects his brother-in-law’s careerism and suffers from narcolepsy. However, in the presence of women he wakes up miraculously. Just like in a centaur, he struggles with the conflict between the head of a human and the body of a beast, between morality and human passion. “God, when will you bless me with impotence, it will end the suffering…” sighs Miro Noga playing the role of Krištof. The story starts with a scene of infidelity: Naďa catches her husband “consulting” with his student Silvia who suffers from nymphomania. Deeply upset, Naďa visits her lawyer friend and files for divorce. Later at a gas station, she runs into a man who insults her. Anger against the entire male race bursts forth and Naďa kicks the man with all her might in his butt. The man follows her home. Scared to death in the scary darkness of her building, Naďa hits the man and he falls to the ground, motionless. This unlucky incident starts a series of other unexpected events…

Director: Javier Mrad.
Once upon a time. Old magazines gently dance in the wind. A super-8 camera crawls over a wooden table while an old carpet flows in and out. Suddenly, a mouse. Then, a whole civilization running towards its inevitable destiny. Plastic waste has reached the point where not even the most distant beaches are safe.

Director: Ferenc Moldovanyi.
“Expanding upon themes he explored in Children: Kosovo 2000 (SDFF 24), Ferenc Moldoványi’s latest documentary is at once hypnotically beautiful and acutely disturbing. Shot over a two-year period in four countries on four continents—Ecuador (South America), Mexico (North America), Democratic Republic of Congo (Africa), and Cambodia (Asia)—Another Planet unfolds as a cinematic tone poem in the tradition of Koyaanisqatsi, exposing the unequal distribution of wealth around the world as a major humanitarian crisis. Framed by pastoral sequences in which a Tarahumara shaman imparts a dream of paradise on earth, the film moves quickly and seamlessly between the lives of seven children inextricably linked by their shocking and tragic experiences of daily exploitation and abuse. We meet lonely, aimless urchins, barely eking out a living on the streets. We see child laborers toiling in brick factories, garbage dumps, and brothels, only to be beaten when business is down. And perhaps most harrowing of all, we get to know the child soldiers of Congo as they are turned into killing machines. Throughout this journey, Moldoványi’s unwavering vision reminds us of the eternal coexistence of beauty and horror all over the world. Informed by the haunting cinematography of Tibor Máthé as well as Tibor Szemzö’s ethereal soundtrack, Another Planet crosses cultural boundaries to forge a commentary on the human condition as damning as it is open-ended.” 31st Starz Denver International Film Festival Official Catalogue "This globe-spanning film hits hard on many levels—visually, intellectually, emotionally. Beautifully shot in Ecuador, Mexico, Africa and Asia, Moldoványi’s film presents images that sparkle in the eye even as they punch you in the heart. Moldoványi introduces us to children in Cambodia, Ecuador, Mexico and the Democratic Republic of Congo, each of whom is struggling to survive. Working long hours, often in dangerous and dirty conditions, these children show us a side of existence that many have never seen or even imagined. While many in the US hold childhood as a special and protected time of nurtured innocence, this film reminds us all that for many children life is a brutal and precarious game of survival. With subjects that include children scavenging dumps for recyclables, child soldiers and child sex workers, this film offers a sympathetic and unblinking eye. The children themselves are our strongest storytellers, and they open up to Moldoványi’s camera to give us their own perspective. Their frankness astonishes as they talk matter-of-factly about their jobs and the consequences of not earning. The children either are at the mercy of adults—often the parents who force them to work and beat them when they don’t earn enough—or have been abandoned by adults altogether. While the film is not a gentle journey, it imagines a better world, a greater one. The filmmaker relies on your humanity and empathy to be moved by these children, while never directly suggesting a call to action. This film offers an unprecedented opportunity to explore another planet, a trip definitely worth taking." SILVERDOCS: AFI/Discovery Channel Documentary Festival

Director: Gautam Sen.
The short film narrates the story of a pond died on account of negligence and encroachment by people in the name of development, ignoring the utility of sustenance of natural resources. Without any spoken word and in the form of a monologue, it portrays the journey in visual terms from the lively days of the pond, the decadence and its ultimate death caused by a huge construction developed within its proximity.