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Filmfestivals.com will be covering AFM 2023 running November 31 October - 5 November, 2023  Contact us for advertising options

Every Fall, the Global Film Industry Converges in Santa Monica: Filmmakers, producers, directors and writers from around the world come to AFM to gain exposure, discover new projects and make deals. The American Film Market & Conferences is the largest motion picture trade fair in the world. 

2024: November 5 – 10

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Our AFM Newsletters run each day with a bumper pre roll editions and a wrap edition:  

 

 

 

 


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25 European Oscar­ Entries highlighted by EFP's LA Screenings

pm_LA_screenings_collage.jpg?r=1712768217


From upper left to lower left clockwise: I Am Not A Witch (UK), Dogman (Italy), Woman at War (Iceland), and I Do Not Care If We Go Down in History as Barbarians (Romania).
download the image here

EFP's LA SCREENINGS - Oscar­ Entries From Europe will take place from November 7 - 20, 2018. For the first time, EFP (European Film Promotion) will be screening 25 European Oscar­ entries at two venues - the Dick Clark Screening Room and the Laemmle Monica - to provide more opportunities for Academy members, journalists, US distributors and international buyers to get an extensive overview of European cinema's great diversity. The screenings are designed to highlight European productions among the 87 submissions for consideration in the Academy's Best Foreign Language Film category. Quite a few filmmakers and actresses and actors will be seizing the opportunity to present their films in person. The European Oscar promotion campaign is being financially backed by the Creative Europe - MEDIA Programme of the European Union and the participating EFP member organisations.

Many of the 25 entries have made a splash at major festivals around the world, particularly in Cannes, like the much lauded Icelandic powerhouse Woman at War by Benedict Erlingsson, which was in competition in the Critics' Week. Another laureate is Pawel Pawlikowski from Poland, who won Best Director for Cold War, a drama about a passionate, but impossible love story set in the 50's. The multiple award-winning Italian entry Dogman by Matteo Garrone garnered Best Actor and the Palm Dog for the canine cast. And Ali Abbasi received the Un Certain Regard Award for the Swedish entry Border about a customs officer with a very special gift. Kosovar director Blerta Zeqiri won the Special Jury Prize and the FIPRESCI Prize at Tallinn's Black Nights Festival for The Marriage in which an unexpected love triangle causes major distress for newly-weds. Premiering in Berlin and last seen in Telluride and London, the Oscar nominee Markus Imhoof presented his Swiss documentary Eldorado which - together with three other documentaries: The Waldheim Waltz (Austria), To Be Continued (Latvia), and Wonderful Losers: A Different World (Lithuania) - has also been submitted for consideration in the Best Documentary Feature category.

Six of the European Oscar submissions won top national film awards in their home countries, with three of them by women directors: Polyxeni by Dora Masklavanou (Greece - three Hellenic Film Awards) about the fate of an orphaned Greek girl, What Will People Say by Iram Haq (Norway - four Amanda Awards), telling the story of a young Pakistani immigrant girl living a double life in Norway, and I Am Not A Witch by Rungano Nyoni (BAFTA for Outstanding Debut by a British Director), the dramatic story of a young Zambian girl doomed to live in a witch camp. Prizes were also picked up by films from their male colleagues: Wonderful Losers: A Different World by Arunas Matelis (Three Lithuanian Film Awards), The Resistance Banker by Joram Lürsen (The Netherlands - five Golden Calf Awards) and Pilgrimage by Jo­o Botelho (Portugal - three Sophia Awards).

>>> You find the full line-up and screenings here.

The EFP LA SCREENINGS are supported by the following EFP member organisations:
AFC - Austrian Films, Association of Filmmakers of Bosnia and Herzegovina, British Council, Bulgarian National Film Center, Croatian Audiovisual Centre, Czech Film Center, Eye International (The Netherlands), Film Fund Luxembourg, Film Centre of Montenegro, Finnish Film Foundation, Georgian National Film Center, Greek Film Centre, Icelandic Film Centre, ICA (Portugal), ICAA (Spain), Istituto Luce Cinecittà (Italy), Kosova Cinematography Center, Lithuanian Film Centre, National Film Centre of Latvia, Norwegian Film Institute, Polish Film Institute, Romanian Film Promotion, Swedish Film Institute, Swiss Films and UniFrance

>>> For more information please go to www.efp-online.com
 

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About American Film Market Dailies

Prewitt Jean
(IFTA)

The AFM is not a festival - it is the largest motion picture market in the world. 8,000 industry attendees, including producers, distributors, directors, agents, writers, lawyers & bankers. Over 540 films screened, most world or U.S. premieres.

$US3 Billion spent annually by participants to produce films
8,000+ industry professionals
2,000+ new films and projects
1,000+ production companies
400+ distributors
540+ films screened
100+ world premiers 
70+ countries represented
50+ thought leaders speaking
7 days of networking activities
1 beachfront campus that covers it all

Our AFM Newsletters run each day with three bumper pre roll editions and a wrap edition:  

2019 Complete Coverage

2018 FULL HIT STORY TOLD IN 8 EPISODES

Pre roll newsletter N° 1 
Pre roll newsletter N° 2  
Opening Newsletter N°3 
N°4 (November 2) 
N°5 (November 3)

N°6 (November 4)  
N°7 (November 6) 
N°8 (November 8) Closing

AFM 2017 Wrap & global  I N°8 I N°7 I N°6 I N°5 I N°4 I  OPENING N°3 I  Preview N°2 I N°1

AFM 2016Pre roll N° 1 I Pre roll N° 2 Opening Newsletter N°3 I N°4 N°5 I N°6 Focus on ANIMATION  I N°7 I Final wrap
AFM 2015:   Newsletters N° 1 I N°2 I N°3 I N°4 I N°5 I N°6  N°7 I N°8N°9 I N°10
AFM 2014:   Newsletters  N°1 N°2 N°3 N°4 N°5 N°6 N°7 N°8

 


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