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Parvana

Director Nora Twomey on “The Breadwinner”

A scrolling band of carnelian clouds circling clockwise, a boy in an Afghani folk costume swirling within, a radiant beam at the center: The opening frames of Nora Twomey’s animated film The Breadwinner tell a tale of light and shadow, conjuring dream imagery of the pyche’s quest towards wholeness in the larger world. In case you haven’t guessed, we’re in the realm of universal truth, seen from toon-spun Afghanistan. The allegory quickly blossoms into...
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