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Downsizing, review: Mini We

Downsizing, review: Mini We Once in a while, a movie comes along that renews our faith in creative writing and the ability of cinema to rise above its own decadence. Maybe it took a dozen ‘shrink’, ‘little’ and ‘antman’ films, from 1957 to 2015, to inspire the writers of Downsizing, the title itself a pun, but the resulting effort has a fresh new feel about it. After setting up a very interesting premise and some smooth as silk spellbinding VFX, the film th...

Newton, Review: Gravity of the situation

Newton, Review: Gravity of the situation Had he been alive in the modern period, the British scientist would have bagged multiple Nobel prizes for his pioneering work in Physics. As it happens, the film of the same name, not a biopic of Sir Isaac, rather about an idealist in the Indian bureaucracy, has been eliminated from the race for the Oscars. A million or more Newtonians are feeling heart-broken that a film that they considered a breakthrough, and the best film made in India in recent t...

Wim Wenders’ “Pina” and Luc Besson’s “The Lady” score big at AFI

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These two films got big audience responses last week at the AFI Film Festival in Los Angeles.   “Pina,” a 3-D documentary about the legendary German choreographer Pina Bausch, starts with her re-envisioning of Stravinsky’s “Rite of Spring” as a thrilling discovery of female sexuality. The film jumps—you cannot gently segue away from “Rite”—into other dances she choreographed, along with brief interviews with her dancers. When Wenders voices that this is no...
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