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Kumud Mishra
Mission Raniganj-The Great Bharat Rescue, Review: The capsule that saved 65 lives
Few films have done as much disservice to their cause by having a misnomer as a title as Mission Raniganj. There is no Bharat Rescue, although the film is about a rescue. Over the last decade, there has been a spate of films with the Mission prefix, dealing either with operations against Pakistan or our scientific achievements. So, if the name of the film at hand been merely Mission Raniganj, it would have been ...
The Great Indian Family, Review: Pandit pop’s bhajan singing son is a Muslim
What a roundabout route it has taken to emerge as The Great Indian Family! It began with the 2010 British film The Infidel, starring Omid Djalili (the D is silent), directed by Josh Appignanesi and a cast that included South Asian sounding names like Archie Panjabi, Saamiya Nasir, James Krishna Floyd, Nabi Nasir, Mina Anwar, Amit Shah, Uzma, Ravin J. Ganatra and Niraj Naik. Five years later, we had an Indian ad...
Kuttey, Review: Gulp Friction
Quentin Tarantino can rightfully claim a patent to the format used in Kuttey: prologue, epilogue and a non-chronological structure, with the present merging with the past and the past merging with the present. The co-writer and director of Kuttey (Dogs), Aasmaan Bhardwaj was born one year after Pulp Fiction (1994) was released, bagged top honours at home and abroad, and attained cult status soon afterwards. Twenty-seven years after he was born, Aasmaan has made h...
Thappad, Review: This slap is going to cost you dear
A simple, significant, timely and relevant story line might be too thin to stretch into a full-length movie. Having settled for such a plot, the options would include spreading the narrative thinly across the pages of a tight screenplay, or padding it up with sub-plots and characters that might not be vital to the theme. Thappad (Slap) opts for the latter choice, and, in the process, dilutes its impact. What emerges is a well-made film that...
P se Pyaar F se Farraar, Review: On a killing
Alarming statistics at the end of the film reveal that killing of young men and women who elope or marry into other castes or religions increased by 769% last year. Reports of such barbaric brutality, called ‘honour killing’, appear in the newspapers and on TV channels regularly. States in the North, North-west and central parts of India are most severely affected. So, in the footsteps of Sairaat (Marathi) and Dhadak (Hindi), we have a...
One Day Justice Delivered, Review: Perhaps, but not today
A judge dispensing justice by extra-judicial means immediately after retirement is not a common theme in Hindi films, and the novelty is undeniable. Sadly, that is just about where the merits of this film rest. Actors ham, the script meanders, co-incidences abound, dialogue disappoints and the climactic twist is of no consequence. One Day Justice Delivered espouses a noble cause but does more disservice than service to it.
Ranchi High...
Article 15, Review: Beatings, gang-rapes, murder and other factual fiction
Part III, Fundamental Rights, Rights to Equity, Article 15, of the Indian Constitution, declares that, ‘The State shall not discriminate against any citizen on grounds only of religion, race, caste, sex, place of birth or any of them.’ It further proclaims that citizens too shall not discriminate against each other on these bases, and specifies the areas with regard to which there cannot be any discriminati...
De De Pyaar De, Review: Differential calculus
Some films begin on a positive note, start developing into potential winners, and then squander it all away, with inane, inept, insane, insipid, inchoate, infeasible, indifferent, inexcusable, incongruous and inconsequential writing. Most likely inspired by a play, American or Indianised, or a Hollywood romantic comedy, De De Pyaar De (Give Me, Give Me Your Love) begins with a newish take on the age-old plank of Daddy Long Legs (1955) and Lamhe (1...
Red carpet personalities attending the Diorama International Film Festival, New Delhi, 2019
15 January 2019: Sudhir Mishra, Neetu Chandra, David Dhawan, Boney Kapoor,
Chitrangada Singh, Anubhav Sinha, Rumi Jaffrey, Ambassador Of Spain, Rafael Kapelinski
16 January 2019: Dariush Mehrjui, Giogio Franchini, Alka Yagnik, Philip Cheah, Rituparna Sengupta, Rumi Jaffrey,
Mozhgan Taraneh, Actor, Iran, Rafael Kapelinski, Sanjay P Chahuhan, Rahul Mitra, Shaad Ali, Ajit Andhare, Utpal Acharya, A...
Halkaa, Review: Doing it in the open!
Precisely the presumption of the makers of the film. Precisely the bane of filmgoers and film-critics. Furthering the cause of Swachh Bharat (Clean India), a central government campaign to promote, among other things, building of toilets in millions of Indian village homes, the film had to be subtle and extremely well-crafted to work. Sadly, it is neither. That it is made by much decorated director Nila Madhab Panda makes it a bitter pill to swallow.
Hal...
Mulk, Review: Half-baked attempt at addressing a burning national issue
Right in the beginning, the makers tell you that the film is inspired by real-life incidents, as reported in Indian media, and that they have no intention of suggesting that some acts of some persons are representative of the entire community.
Mulk addresses the burning issue of terrorism and tries to convey the triple messages that perpetrators of terror should not be identified on the basis of their religion, that terr...
Bangistan, Review: Citizen Wong Kar-Wai meets Raging Bull at FcDonald’s
If references, allusions and name-dropping could make a film watchable, Bangistan would have arrived with a bang. Sadly for debutant director Karan Anshuman, that récipé fails to tickle the taste-buds, and the film turns out be a dish that is half un-cooked and half over-cooked. Why he chose to use crutches like parodying the title of Orson Welles’ all-time masterpiece, Citizen Kane, poking fun a...
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