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Prithvi Festival 2019: Bone of Contention is a motor-mouth hysterical farce, as the crow flies

Prithvi Festival 2019: Bone of Contention is a motor-mouth hysterical farce, as the crow flies A comedy is what you would automatically expect from a theatre group that calls itself FATS theARTS, and a comedy it is. A farce to be precise. A nod to Molière, the full name of the play seen on 09 November at Prithvi Theatre was Bone of Contention in Cosmopolitan Co-Operative Housing Society. That’s quite a mouthful, and every character in the play had a mouthful to offer, over the 90...

The Madonna Murti

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Where else in the world is black beautiful, baffling and brings together East and West? In South Trinidad at the Siparia Roman Catholic Church in that “city of sand”, a black female statue venerated by Catholics as the Virgin Mary and worshipped by Hindus as a black Hindu Goddess does just that! To Catholics who follow her in street processions, the statue is known as “La Divina Pastora”, the Divine Shepherdess - to Hindus who charawe her by touching her arms and feet, sh...

The Madonna Murti

The Madonna Murti is a documentary film that utilizes narrative, drama, illustrations and song to tell the tale of a statue who offers health, hope, help and happiness to those who come to her most in need of it. Produced by: LRS Productions Ltd.

Mirza Juuliet, Review by Siraj Syed: ‘Sex peer’ or Shakespeare

Mirza Juuliet, Review by Siraj Syed: ‘Sex peer’ or Shakespeare Six timeless tales of doomed love continue to enjoy tremendous popularity in India, even in the 21st century: Laila-Majnu, Shirin-Farhad, Sohni-Mahiwal, Heer-Ranjha, Mirza-Sahibaa and Romeo and Juliet. Of these, five are Indian or from the sub-continent and only Shakespeare’s R&J makes it from the foreign category. India had its own Shakespeare, named Agha Hashr Kashmiri, who in the period 1920s-50s, transla...

Bangistan, Review: Citizen Wong Kar-Wai meets Raging Bull at FcDonald’s

Bangistan, Review: Citizen Wong Kar-Wai meets Raging Bull at FcDonald’s If references, allusions and name-dropping could make a film watchable, Bangistan would have arrived with a bang. Sadly for debutant director Karan Anshuman, that récipé fails to tickle the taste-buds, and the film turns out be a dish that is half un-cooked and half over-cooked. Why he chose to use crutches like parodying the title of Orson Welles’ all-time masterpiece, Citizen Kane, poking fun a...

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