Im Sang-Soo © RR Money, power and subjugation, these are recurring themes in the cinema of Im Sang-Soo. With The Taste of Money, the Korean returns to the Competition two years after The Housemaid and explores cupidity, one of the great ills of the country, according to the director.   "Korean people, whether they are rich or poor, have become obsessed with money." From this premise, Im Sang-Soo imagines the story of Young-jak, the personal assistant t...

THE HOUSEMAID is a remake of a very popular 60s Korean thriller. It tells the story of a housemaid hired by a very rich family; her main task is taking care of their young daughter, Nami, as her mother is heavily pregnant with twins. Her father is a high power executive, whose sex life with his wife is not going too good, so he becomes involved with the new housemaid. As I have never seen the original, I can't compare. The film's main character, the housemaid Eun-Yi, is easy to empathise with fr...

THE HOUSEMAID is a remake of a very popular 60s Korean thriller. It tells the story of a housemaid hired by a very rich family; her main task is taking care of their young daughter, Nami, as her mother is heavily pregnant with twins. Her father is a high power executive, whose sex life with his wife is not going too good, so he becomes involved with the new housemaid.As I have never seen the original, I can't compare. The film's main character, the housemaid Eun-Yi, is easy to empathise with fro...

The Pusan International Film Festival (PIFF), which takes place every October in the south-eastern port city of Busan, South Korea gears up for its 11th edition, its largest thus far. In fact, the festival has grown to such proportions that US entertainment media Variety will begin publishing dailies at PIFF this year, something it until now had only done for the world’s top three film festivals, Cannes, Berlin, and Toronto. In Seoul, South Korea at an unusually crowded press conference, PIF...