FLUX FILMS and HIGH LINE PICTURES present
Anton Chekhov's THE DUEL
ANDREW SCOTT TOBIAS MENZIES
FIONA GLASCOTT NIALL BUGGY
MICHELLE FAIRLEY and JEREMY SWIFT
Casting by JOYCE NETTLES
Co-producers PER MELITA, IGOR A. NOLA
and SUSA HORVAT
Composer ANGELO MILLI
Costume Designer SERGIO BALLO
Production Designer IVO HUSNJAK
Edited by KATE WILLIAMS
Director of Phot...
Anton Chekhov's The Duel will have its Market premiere in Cannes may 13th at 2.00pm Grey 3 and Palais I may 17th at 2.00 pm
The film si 94 minutes long.
Confirm your presence to brunochatelin@gmail.com
Bring a flower, no guns allowed.
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Venezuelan born composer Angelo Milli came to the U.S. to attend the famed Berklee College of Music in Boston, where he received his degree in film scoring. There, he studied under some of the world’s most renowned musicians, and immersed himself in early 20th Century contemporary music. While he reveres the familiar conventions of film scoring, he is also adept at using digital effects to manipulate sound. His v
Andrew Scott as Laevsky playing Card.
I wanted to share my "coup de coeur" around my discovery of this brillant film produced by Donald Rosenfeld who brought us 4 masterpieces from James Ivory, including his best "Remains of the Day".
This is another delicate and smart story adapted from Anton Chekhov's novella THE DUEL.
Absolutely superb performances, brillantly shot by Dover Kosashvili.
I was about to write a lavish review when I found this one, by Michael Phillips, a Chicago Tribune Movie critic. I cannot...
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Fiona Glascott as Nadya in ANTON CHEKHOV'S THE DUEL. Directed by Dover Kosashvili. Photo by Paul Sarossy...
Dover Kosashvili - Director
Born in Soviet Georgia in 1966, Dover Koshashvili immigrated to Israel with his family in 1972. He has directed two feature films and a short. His short, Im Hukim (By the Laws), first earned him acclaim at the 1999 Cannes Film Festival, where it was considered for the Cinefoundation award.
In 2001, Koshashvili made his feature film directorial debut with Late Marriage, from a screenplay he wrote himse...
"The vibrant new film adaptation of the Anton Chekhov novella The Duel...nails also the essential qualities of comic indolence and dangerous yearning in Chekhov, which have proved so elusive time after time, in adaptation after adaptation.... The Duel looks beautiful, but it is not merely so. It doesn't carry the baggage of an important adaptation; it's deft, droll and languorously sexy.... This film is indeed something like a miracle." - Michael Phillips, Chicago Tribune [Read the r...
Director: Dover Kosashvili.
The pivot point is an emotional and psychological triangle: a civil servant, Laevsky (Andrew Scott, appalling and appealing); his married mistress, Nadya (Fiona Glascott, a milky beauty); and a zoologist, Von Koren (Tobias Menzies, suitably rigid). The story gets going with Laevsky bitterly complaining about Nadya to an older friend, a doctor, Samoylenko (Niall Buggy). Laevsky claims to no longer care for Nadya, who, having left her husband, now inspires her lover’s contempt or, perhaps, fatigue. Like a caged animal, he wants out and claws at Samoylenko as Von Koren watches and seethes, stoking his loathing for Laevsky. For his part, by cutting to Nadya during Laevsky’s rant and capping the scene with a disapproving look from Von Koren, Mr. Kosashvili suggests that his own sympathies are divided.
I wanted to share my "coup de coeur" around my discovery of this brillant film produced by Donald Rosenfeld who brought us 4 masterpieces from James Ivory, including his best "Remains of the Day".This is another delicate and smart story adapted from Anton Chekhov's novella THE DUEL.Absolutely superb performances, brillantly shot by Dover Kosashvili.I was about to write a lavish review when I found this one, by Michael Phillips, a Chicago Tribune Movie critic. I cannot resist ...
