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The Return of Todd Solondz

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  It's been nearly five years since Todd Solondz, one of American independent cinema's most respected (and controversial) auteurs, has been seen at a film festival. His last film PALINDROMES (2004) premiered at the Venice Film Festival but was roundly hissed by most film critics and its subsequent release was very anemic. After his earlier successes, including his debut WELCOME TO THE DOLLHOUSE (1995), the heartfelt and uncomfortably intimate HAPPINESS (1998) and the less well receive...

The Return of Todd Solondz

user
It's been nearly five years since Todd Solondz, one of American independent cinema's most respected (and controversial) auteurs, has been seen at a film festival. His last film PALINDROMES (2004) premiered at the Venice Film Festival but was roundly hissed by most film critics and its subsequent release was very anemic. After his earlier successes, including his debut WELCOME TO THE DOLLHOUSE (1995), the heartfelt and uncomfortably intimate HAPPINESS (1998) and the less well received STORYTELLIN...

The Return of Todd Solondz

user
  by Sandy Mandelberger, Festival Dailies Editor It's been nearly five years since Todd Solondz, one of American independent cinema's most respected (and controversial) auteurs, has been seen at a film festival. His last film PALINDROMES (2004) premiered at the Venice Film Festival but was roundly hissed by most film critics and its subsequent release was very anemic. After his earlier successes, including his debut WELCOME TO THE DOLLHOUSE (1995), the heartfelt and uncomf...
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