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Wim Wenders’ “Pina” and Luc Besson’s “The Lady” score big at AFI

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These two films got big audience responses last week at the AFI Film Festival in Los Angeles.   “Pina,” a 3-D documentary about the legendary German choreographer Pina Bausch, starts with her re-envisioning of Stravinsky’s “Rite of Spring” as a thrilling discovery of female sexuality. The film jumps—you cannot gently segue away from “Rite”—into other dances she choreographed, along with brief interviews with her dancers. When Wenders voices that this is no...
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