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Martin Scorsese Masterclass in Cannes

 

 

 

Remains of the Day

NEWSLETTER N° 497: february 18, 2011

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 .............                                                                                                                                                          NEWSLETTER N° 497: february 18, 2011 Follow this LINK if you cannot read the newsletter properly  Contact the Editor, Advertise with us  This weekly newsletter reaches 90 931 film professionnals. ...

NEWSLETTER N° 497: february 18, 2011

user
 .............                                                                                                                                                          NEWSLETTER N° 497: february 18, 2011 Follow this LINK if you cannot read the newsletter properly  Contact the Editor, Advertise with us  This weekly newsletter reaches 90 931 film professionnals. ...

'Duel' gives Chekhov piece its overdue due

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I wanted to share my "coup de coeur" around my discovery of this brillant film produced by Donald Rosenfeld who brought us 4 masterpieces from James Ivory, including his best "Remains of the Day". This is another delicate and smart story adapted from Anton Chekhov's novella THE DUEL. Absolutely superb performances, brillantly shot by Dover Kosashvili. I was about to write a lavish review when I found this one, by Michael Phillips, a Chicago Tribune Movie critic. I cannot...

'Duel' gives Chekhov piece its overdue due

user
I wanted to share my "coup de coeur" around my discovery of this brillant film produced by Donald Rosenfeld who brought us 4 masterpieces from James Ivory, including his best "Remains of the Day".This is another delicate and smart story adapted from Anton Chekhov's novella THE DUEL.Absolutely superb performances, brillantly shot by Dover Kosashvili.I was about to write a lavish review when I found this one, by Michael Phillips, a Chicago Tribune Movie critic. I cannot resist ...

A Florentine Hommage to Ismail Merchant

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For a certain niche group of cinephiles ever since the release of a film called "Shakespeare Wallah" in 1965, the "Merchant-Ivory" label has become synonymous with high-class rarified taste in cinema in some way associated with India ("A Passage to India", "Heat and Dust"), or, in the later collaborations of this producer-director team, with ultra refined literary adaptations set in Victorian England such as "The Remains of the Day", and "Howard's end". To be brutally frank, since "Merchant-Ivor...
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