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JACOB' DREAM

Film
Film
Original Title (If different): 
LE RÊVE DE JACOB
Langue: 
French
Other languages or subtitles: 
English
Production country: 
France
Running time (In minutes): 
24
Theme: 
International
Category/Format: 
Short films
Student film: 
No
Poster: 
olivier ciechelski jacob's dream le rêve de jacob
Production year: 
November, 2012
Film Credits
About the Director: 

Born in 1973, Olivier Ciechelski studied literature then wrote a memoir about John Cassavetes.

 

He directed and produced two short films before starting the production of his first documentary film –a contemplative, subaquatic journey named De Profundis  (premiered in Marseilles’ International Documentary Festival in 2004).

 

During the same period of time, he took the habit of shooting, day after day, what he could see from the windows of his apartment, high above the ground in Paris' Chinatown. Put together, these images became an elegiac Letter from the top floor (premiered in Locarno’s International Film Festival in 2004).

 

He then directed a short fiction: L’écluse (The girl with the sun in her hair) was first screened in Cannes’ International Critic’s Week in 2006.

 

After a few years working as a script-reader and consultant, he wrote and directed Jacob’s Dream for Qualia Films, with whom he is now writing his first feature.

Film director: 
olivier ciechelski
Producer: 
QUALIA FILMS
About the Producer: 
<p><span>La soci&eacute;t&eacute; de production Qualia films est n&eacute;e de l&rsquo;association de Gr&eacute;goire Jean-Baptiste, Benjamin de Lajarte et Fr&eacute;d&eacute;ric Serve, tous trois professionnels du cin&eacute;ma et de l&rsquo;audiovisuel ayant d&eacute;cid&eacute;s de r&eacute;unir leurs comp&eacute;tences autour d&rsquo;un projet de production. <o p=""></o></span></p> <p class="MsoNormal"><span>&nbsp;</span></p> <p class="MsoNormal"><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; N&eacute; en 2003, Qualia films a permis &agrave; deux documentaires de cr&eacute;ation exigeants de voir le jour. Le premier, &laquo;&nbsp;<i><u>Touch&eacute;e</u></i>&nbsp;&raquo; (26 &lsquo;, de Laetitia Mikles, 2003) traitait de la langue des handicap&eacute;s sourds-muets-aveugles en demandant une d&eacute;marche active du spectateur&nbsp;: pas de sous titres, juste une gestualit&eacute;, une sensualit&eacute; (la langue se signe par le touch&eacute;) mais aussi une universalit&eacute; atteinte par des conversations sign&eacute;es finalement compr&eacute;hensibles parce qu&rsquo;humaines. Le second, &laquo;&nbsp;<i><u>Je suis partie &agrave; Paris</u>&nbsp;&raquo;</i> (16 &lsquo;, 2005) prend la forme d&rsquo;un portrait d&rsquo;une femme de 88 ans&nbsp;; bas&eacute; sur la parole film&eacute;e, l&rsquo;archivage familiale, le film glisse petit &agrave; petit vers l&rsquo;&eacute;vocation d&rsquo;un absent et fini par d&eacute;voiler l&rsquo;auteur du film.<o p=""></o></span></p> <p class="MsoNormal"><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Qualia films a &eacute;galement d&eacute;fendu et produit un long-m&eacute;trage documentaire sur le cin&eacute;aste Pedro Costa&nbsp;; plus qu&rsquo;une filmographie &eacute;maill&eacute;e d&rsquo;entretiens, plus qu&rsquo;une approche scolaire du travail d&rsquo;un cin&eacute;aste, il s&rsquo;agit dans ce projet <i><u>&laquo;&nbsp;Tout refleurit&nbsp;&raquo;</u></i><u> </u>d&rsquo;approcher un &laquo;&nbsp;homme cin&eacute;aste&nbsp;&raquo; dans son quotidien, dans son rapport au quartier Fontainhas en marge du tournage de son film &ldquo;<i>Juventude em marcha</i>&rdquo;. <o p=""></o></span></p> <p class="MsoNormal"><span>&nbsp;</span></p> <p class="MsoNormal"><span>Fort du tr&egrave;s grand succ&egrave;s rencontr&eacute; par ce film (Fid de Marseille, Forum de Berlin, Lussas, Fipa, &eacute;dition dvd en Espagne, aux Usa, en Angleterre, projet d&rsquo;&eacute;dition au Japon...) Qualia films a &eacute;t&eacute; rejoint par Selim Azzazi en 2006, professionnel du cin&eacute;ma et de l&rsquo;audiovisuel lui aussi, d&eacute;sirant &eacute;galement s&rsquo;engager dans ce projet de production. C&rsquo;est en profitant de ce nouvel &eacute;lan que Qualia films s&rsquo;est tourn&eacute; vers la fiction permettant &agrave; un tr&egrave;s beau court-m&eacute;trage de 20 minutes, &eacute;crit et r&eacute;alis&eacute; par Benjamin de Lajarte et intitul&eacute; <i><u>&ldquo; Son nom &ldquo;</u></i> de voir le jour...<o p=""></o></span></p> <p class="MsoNormal"><span>&nbsp;</span></p> <p class="MsoNormal"><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Qualia films s&rsquo;est alors d&eacute;velopp&eacute; : apr&egrave;s l&rsquo;obtention de l&rsquo;avance sur recette pour le long m&eacute;trage de benjamin de Lajarte, &laquo;&nbsp;<i><u>Les Jeux des nuages et de la pluie&nbsp;</u></i>&raquo;, Qualia films s&rsquo;est associ&eacute; &agrave; TS pour en assurer la production. Ils ont ainsi obtenu le soutien de Canal Plus, de la r&eacute;gion Ile de France et de la r&eacute;gion Aquitaine. Le film (avec Alain Chamfort, Audrey Dana, Simon Yam, Heling Li, John McLean&hellip;) est distribu&eacute; par Rezo. <o p=""></o></span></p> <p class="MsoNormal"><span>Parall&egrave;lement, Qualia films a poursuivi la production du film &laquo; <i><u>Enterrez nos chiens </u>&raquo;</i>, moyen m&eacute;trage de Fr&eacute;d&eacute;ric Serve (avec le soutien du cnc, de la r&eacute;gion Limousin et d&rsquo;Arte France). L&agrave; encore, le succ&egrave;s est ind&eacute;niable, de par ses multiples diffusions (sur Arte, sur la cha&icirc;ne de t&eacute;l&eacute;vision portugaise RTP2), en festival (Clermont Ferrand, Nice, Pantin, etc&hellip;) et par la reconnaissance suscit&eacute;e (prix onda corta &agrave; Lisbonne, prix du meilleur film et du meilleur sc&eacute;nario &agrave; Valencia, le film a &eacute;galement &eacute;t&eacute; pr&eacute;s&eacute;lectionn&eacute; aux C&eacute;sar 2011, aux Lutins du Court m&eacute;trage&hellip;).<o p=""></o></span></p> <p class="MsoNormal"><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Fort de ce nouveau succ&egrave;s, Qualia films s&rsquo;est tourn&eacute;, en 2012, vers la production du nouveau film de Olivier Ciechelski &laquo;le r&ecirc;ve de Jacob&nbsp;&raquo;.<o p=""></o></span></p> <p class="MsoNormal"><span>&nbsp;</span></p> <p class="MsoNormal"><span>&nbsp;</span></p> <p class="MsoNormal"><span>&nbsp;</span></p> <p class="MsoNormal" align="center"><b><i><span>Annexe&nbsp;: vie des films</span></i></b><b><span><o p=""></o></span></b></p> <p class="MsoNormal"><b><span>&nbsp;</span></b></p> <p class="MsoNormal"><b><span>&nbsp;</span></b></p> <p class="MsoNormal"><b><span>&nbsp;</span></b></p> <p class="MsoNormal"><b><span>&nbsp;</span></b></p> <p class="MsoNormal"><b><span>Touch&eacute;e&nbsp;</span></b><i><span>: Achat par le minist&egrave;re de l&rsquo;&Eacute;ducation Nationale pour son p&ocirc;le coll&egrave;ge et lyc&eacute;e au cin&eacute;ma, S&eacute;lections&nbsp;: &Eacute;crans documentaires (2003), Prix du meilleur document refl&eacute;tant la richesse de la culture sourde d&eacute;cern&eacute; au film Touch&eacute;e de Laetitia Mikles, festival Message to Man de Saint Petersbourg (2003), festival de Nancy (2004), festival de Dresde Das Gefrorene Meer (2004), festival Retour d&rsquo;Image (2005), festival Cin&eacute;doc (2005), festival de Vend&ocirc;me (2006)...<o p=""></o></span></i></p> <p class="MsoNormal"><i><span>&nbsp;</span></i></p> <p class="MsoNormal"><b><span>Touch&eacute;e</span></b><i><span>&nbsp;: &laquo; L&rsquo;image se fait le vecteur pertinent et pudique d&rsquo;une r&eacute;alit&eacute; &agrave; priori incommunicable &raquo; Emmanuel Chicon (L&rsquo;Humanit&eacute; du 19 novembre 2003)<o p=""></o></span></i></p> <p class="MsoNormal"><i><span>&nbsp;</span></i></p> <p class="MsoNormal"><b><span>Tout refleurit&nbsp;</span></b><i><span>: Achat du film pour &eacute;dition par Regard sur le cin&eacute;ma, Image et culture, S&eacute;lections au festival international du documentaire de Marseille (2006), aux &Eacute;tats g&eacute;n&eacute;raux du documentaire de Lussas (2006), aux &Eacute;crans documentaires (2006), au festival doclisboa de Lisbonne (2006), au FIPA de Biarritz (2007), au festival de Berlin - forum du nouveau cin&eacute;ma - (2007), au festival de Hong Kong (2007), au Jeonju International Film Festival de Cor&eacute;e (2007)...<o p=""></o></span></i></p> <p class="MsoNormal"><i><span>&nbsp;</span></i></p> <p class="MsoNormal"><b><span>Tout refleurit&nbsp;</span></b><i><span>: &quot; Portrait film&eacute; d&rsquo;un des jeunes cin&eacute;astes contemporains les plus d&eacute;cisifs, Pedro Costa, son parti pris est de saisir l&rsquo;artiste au travail, &agrave; la mani&egrave;re dont Costa en avait fait lui-m&ecirc;me le choix dans son film sur les Straub. Tirant profit du dernier long-m&eacute;trage tourn&eacute; &agrave; Lisbonne, En avant, Jeunesse, Aur&eacute;lien Gerbault s&rsquo;est fait t&eacute;moin plus qu&rsquo;enqu&ecirc;teur. En lieu et place des making off encombr&eacute;s, dramatis&eacute;s ou bavards, c&rsquo;est davantage le c&oelig;ur du travail cin&eacute;matographique qui surgit ici. Prises de sons, r&eacute;p&eacute;titions du texte, choix interminables entre les diff&eacute;rentes prises de vue aux nuances ind&eacute;cidables, c&rsquo;est un artisanat du secret, un art de la concentration auquel on est convi&eacute; &agrave; assister. Le tournage d&eacute;voile sa v&eacute;ritable nature: espace d&rsquo;intimit&eacute; avec l&rsquo;&acirc;pret&eacute; du r&eacute;el. Et c&rsquo;est alors que les rares propos du cin&eacute;aste prennent leur sens, remontant du m&ecirc;me coup en toute l&eacute;gitimit&eacute; vers ses &oelig;uvres plus anciennes.&nbsp; &quot; Texte de Jean-Pierre Rehm, tir&eacute; du catalogue du fid&nbsp; (s&eacute;lection comp&eacute;tition Fran&ccedil;aise 2006)<o p=""></o></span></i></p> <p class="MsoNormal"><i><span>&nbsp;</span></i></p> <p class="MsoNormal"><b><span>Je suis partie &agrave; Paris&nbsp;</span></b><i><span>: S&eacute;lections&nbsp;: Festival H&eacute;liotrope de Nice (2005), festival Cin&eacute;doc (2005)...<o p=""></o></span></i></p> <p class="MsoNormal"><i><span>&nbsp;</span></i></p> <p class="MsoNormal"><b><span>Touch&eacute;e&nbsp;</span></b><i><span>: &laquo;&nbsp;Touch&eacute;e, documentaire de Laetitia Mikles, nous fait entrer dans le monde des sourds-aveugles, un univers qu'on conna&icirc;t trop peu. Sauf peut-&ecirc;tre quand on &eacute;voque l'am&eacute;ricaine Helen Keller, souvent d&eacute;crite comme un ph&eacute;nom&egrave;ne de r&eacute;ussite. Mais l&agrave;, c'est aupr&egrave;s de gens ordinaires que nous conduit Laetitia Mikles. Ils parlent avec leurs mains, leurs doigts, leurs gestes tout en douceur, qui touchent l'autre, l'enveloppent. Des mains qui travaillent &eacute;galement, qui sculptent, font du judo, p&egrave;lent une orange, qui aiment : la d&eacute;claration d'amour, &agrave; la fin du film, est l'une des plus belles et des plus sensibles &agrave; laquelle il soit donn&eacute; d'assister...&nbsp;&raquo; Laurent Lejard (retour d&rsquo;image, novembre 2005)<o p=""></o></span></i></p> <p class="MsoNormal"><i><span>&nbsp;</span></i></p> <p class="MsoNormal"><b><span>Son nom (2008)&nbsp;: </span></b><span>S&eacute;lections : <b>prix du jury Festival de Montpellier (2008), Prix &agrave; la Qualit&eacute; cnc (2008), </b>Diffusion Tv sur Cin&eacute;Cin&eacute;mas., <i>Festival de Clermont-Ferrand (2008), Festival de Tiburon, Californie (2008), Festival NextShot, Roumanie (2008), Festival de Bruxelles (2008), Festival de Brooklyn &ndash; New York (2008), Festival de Montpellier (2008) ,Festival de Contis (2008), Festival Cinefiesta de Porto Rico (2008), Festival d&rsquo;Aix en Provence (2008), Festival de Biarritz (2008)<o p=""></o></i></span></p> <p class="MsoNormal"><i><span>&nbsp;</span></i></p> <p class="MsoNormal"><b><span>Enterrez nos chiens </span></b><i><span>: Diffusion Arte, diffusion sur Rtp2 - cha&icirc;ne nationale Portugaise &ndash; pr&eacute;s&eacute;lection aux C&eacute;sar 2011<o p=""></o></span></i></p> <p class="MsoNormal"><i><span>S&eacute;lections : Festival de Clermont-Ferrand (2010), festival de Nice (2010), festival IndieLisboa (2010), PRIX ONDA CORTA (IndieLisboa 2010), festival de Pantin (2010), festival La Cabina (2010) PRIX DU MEILLEUR FILM, PRIX DU MEILLEUR SC&Eacute;NARIO... <o p=""></o></span></i></p> <p class="MsoNormal"><i><span>&nbsp;</span></i></p> <p class="MsoNormal"><b><span>Enterrez nos chiens</span></b><span> : &laquo; l&rsquo;affirmation en acte d&rsquo;un geste cin&eacute;matographique singulier &raquo; (Jacques Kermabon pour la revue Bref)<i><o p=""></o></i></span></p> <p class="MsoNormal"><b><span>&nbsp;</span></b></p> <p class="MsoNormal"><o 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</w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w> </xml> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tableau Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman";} </style> <span>La soci&eacute;t&eacute; de production Qualia films est n&eacute;e de l&rsquo;association de Gr&eacute;goire Jean-Baptiste, Benjamin de Lajarte et Fr&eacute;d&eacute;ric Serve, tous trois professionnels du cin&eacute;ma et de l&rsquo;audiovisuel ayant d&eacute;cid&eacute;s de r&eacute;unir leurs comp&eacute;tences autour d&rsquo;un projet de production. <o p></o></span> <p class="MsoNormal"><span>&nbsp;</span></p> <p class="MsoNormal"><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; N&eacute; en 2003, Qualia films a permis &agrave; deux documentaires de cr&eacute;ation exigeants de voir le jour. Le premier, &laquo;&nbsp;<i><u>Touch&eacute;e</u></i>&nbsp;&raquo; (26 &lsquo;, de Laetitia Mikles, 2003) traitait de la langue des handicap&eacute;s sourds-muets-aveugles en demandant une d&eacute;marche active du spectateur&nbsp;: pas de sous titres, juste une gestualit&eacute;, une sensualit&eacute; (la langue se signe par le touch&eacute;) mais aussi une universalit&eacute; atteinte par des conversations sign&eacute;es finalement compr&eacute;hensibles parce qu&rsquo;humaines. Le second, &laquo;&nbsp;<i><u>Je suis partie &agrave; Paris</u>&nbsp;&raquo;</i> (16 &lsquo;, 2005) prend la forme d&rsquo;un portrait d&rsquo;une femme de 88 ans&nbsp;; bas&eacute; sur la parole film&eacute;e, l&rsquo;archivage familiale, le film glisse petit &agrave; petit vers l&rsquo;&eacute;vocation d&rsquo;un absent et fini par d&eacute;voiler l&rsquo;auteur du film.<o p></o></span></p> <p class="MsoNormal"><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Qualia films a &eacute;galement d&eacute;fendu et produit un long-m&eacute;trage documentaire sur le cin&eacute;aste Pedro Costa&nbsp;; plus qu&rsquo;une filmographie &eacute;maill&eacute;e d&rsquo;entretiens, plus qu&rsquo;une approche scolaire du travail d&rsquo;un cin&eacute;aste, il s&rsquo;agit dans ce projet <i><u>&laquo;&nbsp;Tout refleurit&nbsp;&raquo;</u></i><u> </u>d&rsquo;approcher un &laquo;&nbsp;homme cin&eacute;aste&nbsp;&raquo; dans son quotidien, dans son rapport au quartier Fontainhas en marge du tournage de son film &ldquo;<i>Juventude em marcha</i>&rdquo;. <o p></o></span></p> <p class="MsoNormal"><span>&nbsp;</span></p> <p class="MsoNormal"><span>Fort du tr&egrave;s grand succ&egrave;s rencontr&eacute; par ce film (Fid de Marseille, Forum de Berlin, Lussas, Fipa, &eacute;dition dvd en Espagne, aux Usa, en Angleterre, projet d&rsquo;&eacute;dition au Japon...) Qualia films a &eacute;t&eacute; rejoint par Selim Azzazi en 2006, professionnel du cin&eacute;ma et de l&rsquo;audiovisuel lui aussi, d&eacute;sirant &eacute;galement s&rsquo;engager dans ce projet de production. C&rsquo;est en profitant de ce nouvel &eacute;lan que Qualia films s&rsquo;est tourn&eacute; vers la fiction permettant &agrave; un tr&egrave;s beau court-m&eacute;trage de 20 minutes, &eacute;crit et r&eacute;alis&eacute; par Benjamin de Lajarte et intitul&eacute; <i><u>&ldquo; Son nom &ldquo;</u></i> de voir le jour...<o p></o></span></p> <p class="MsoNormal"><span>&nbsp;</span></p> <p class="MsoNormal"><span>&nbsp;&nbsp;&nbsp;&nbsp;Qualia films s&rsquo;est alors d&eacute;velopp&eacute; : apr&egrave;s l&rsquo;obtention de l&rsquo;avance sur recette pour le long m&eacute;trage de benjamin de Lajarte, &laquo;&nbsp;<i><u>Les Jeux des nuages et de la pluie&nbsp;</u></i>&raquo;, Qualia films s&rsquo;est associ&eacute; &agrave; TS pour en assurer la production. Ils ont ainsi obtenu le soutien de Canal Plus, de la r&eacute;gion Ile de France et de la r&eacute;gion Aquitaine. Le film (avec Alain Chamfort, Audrey Dana, Simon Yam, Heling Li, John McLean&hellip;) est distribu&eacute; par Rezo. <o p></o></span><span>Parall&egrave;lement, Qualia films a poursuivi la production du film &laquo; <i><u>Enterrez nos chiens </u>&raquo;</i>, moyen m&eacute;trage de Fr&eacute;d&eacute;ric Serve (avec le soutien du cnc, de la r&eacute;gion Limousin et d&rsquo;Arte France). L&agrave; encore, le succ&egrave;s est ind&eacute;niable, de par ses multiples diffusions (sur Arte, sur la cha&icirc;ne de t&eacute;l&eacute;vision portugaise RTP2), en festival (Clermont Ferrand, Nice, Pantin, etc&hellip;) et par la reconnaissance suscit&eacute;e (prix onda corta &agrave; Lisbonne, prix du meilleur film et du meilleur sc&eacute;nario &agrave; Valencia, le film a &eacute;galement &eacute;t&eacute; pr&eacute;s&eacute;lectionn&eacute; aux C&eacute;sar 2011, aux Lutins du Court m&eacute;trage&hellip;)</span></p> <p class="MsoNormal"><span>Fort de ce nouveau succ&egrave;s, Qualia films s&rsquo;est tourn&eacute;, en 2012, vers la production du nouveau film de Olivier Ciechelski &laquo;le r&ecirc;ve de Jacob&nbsp;&raquo;.<o p></o></span></p> <!--EndFragment-->
Screenplay: 
olivier ciechelski
Editing: 
cédric putaggio
Film photographer: 
frédéric serve
Sound: 
bruno auzet - julie roué
Music: 
julie roué - stéphane scharlé
Art Director: 
françoise arnaud
Costume: 
françoise arnaud
Decor: 
françoise arnaud
Cast 1: 
john mclean
Cast 2: 
delphine chuillot
Cast 3: 
hassam ghancy
Cast 4: 
nina ciechelski
Film synopsis: 
<p><span>Condamn&eacute; par la maladie, Jacob d&eacute;cide de retourner dans son pays -les Etats-Unis- pour retrouver sa fille, abandonn&eacute;e des ann&eacute;es plus t&ocirc;t. Le vieil homme doit tout mettre en &oelig;uvre pour accomplir ce dernier voyage. 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</w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w></w> </xml> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tableau Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Helvetica Neue";} </style> <span>&nbsp;</span> <p class="MsoNormal"><span>Jacob is very sick. He decides to go back to his own country -the United States- and meet Nina, the daughter he abandoned years ago. Just to hold her hand and maybe hear a word of forgiveness before he dies. But the airport authorities won&rsquo;t let him go.<o p></o></span></p> <!--EndFragment-->
Budget
Budget Range: 
Between $100 000 and $1 Million
Actual Budget: 
$ 130000
Technical infos
Technical infos
Original Film Format: 
Digital - other
Format Ratio: 
2,35
Film Sound: 
DTS
Video master available ?: 
Yes
Video Type: 
DCP
Number of reels: 
1
Festival Selection, Awards...
Festival selection, awards or citation already received and other comments... :
Already selected in a Festival?: 
No
Film distribution
Theatre: 
Open
TV: 
Open
Video: 
Open
Publicity Infos
Trailer availble: 
yes
0
Your rating: None

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