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Dmitri Frolov


Dmitri Frolov was born in Leningrad in 1966. He graduated from The Institute of Film & Television in 1990.
He worked at LENFILM Studios and then for the STV film company as a cameraman, in which capacity he has worked with many independent filmmakers.

He began to shoot his own films before the start of perestroika, in the early 1980s. One of his first films, The Battle of Borodino, caused a furore and did much to determine the development of the folkloric trend in cinema. He is one of the leaders of russian movievanguard in postperestroika age. He makes esthetic experiments connecting with return to dumb cinema on new level of movielanguage. 
His films he shoots exclusively on film company "Svema". Even despite the fact that the film material, said the factory was left far in the Soviet past, and the film is not released, he revives the footage, while continuing to be faithful to the brand selected more child. When asked why, he replied that only "Svema" because of its unpredictability and non-uniformity of the emulsion, is the living material, which is able to convey the thrill of the character of life and even the seemingly inanimate object. 
Collaborates with the composer Sergei Oskolkov in creating game tapes and in the International festival of Arts "Sergey Oskolkov and his friends", which is held annually in June in Saint-Petersburg, Peterhof, Oranienbaum.
The author of the music videos for the group "Auktyon". 
As the operator collaborates with the St. Petersburg movie and TV companies. In 2008 Dmitry Frolov won the bronze "Orpheus" in the category "Best operator of the television documentary" for their series of documentary and publicistic programs "Children of the blockade".


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Moonlight People

Film
Film
Original Title (If different): 
Люди луннаго ​свѣта
Language: 
No language
Production country: 
Russian Federation
Running time (In minutes): 
14
Theme: 
Art-house films
Homosexuality
Independent
International
Silent films
Underground
Category/Format: 
Experiment
Independant
Short films
Student film: 
No
Poster: 
Production year: 
January, 2019
Film Credits
About the Director: 

Dmitri Frolov was born in Leningrad in 1966. He graduated from The Institute of Film & Television in 1990.
      He worked at LENFILM Studios and then for the STV film company as a cameraman, in which capacity he has worked with many independent filmmakers.
     He began to shoot his own films before the start of perestroika, in the early 1980s. One of his first films, The Battle of Borodino, caused a furore and did much to determine the development of the folkloric trend in cinema. He is one of the leaders of russian movievanguard in postperestroika age. He makes esthetic experiments connecting with return to dumb cinema on new level of movielanguage. 
     His films he shoots exclusively on film company "Svema". Even despite the fact that the film material, said the factory was left far in the Soviet past, and the film is not released, he revives the footage, while continuing to be faithful to the brand selected more child. When asked why, he replied that only "Svema" because of its unpredictability and non-uniformity of the emulsion, is the living material, which is able to convey the thrill of the character of life and even the seemingly inanimate object. 

Film director: 
Dmitri Frolov
Music: 
Alexander Skryabin
Film synopsis: 
<p><b style="color: rgb(255, 255, 255); background-color: rgb(0, 0, 0);">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Two completely traditional couples of lovers on a warm summer night make a kind of coming-out in front of each other, telling about their hidden impulses from a previous life.&nbsp;<br /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity.&nbsp;<br /> &nbsp;&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; The film was made in the style of experimental films of the 1920s with a non-linear narrative full of strange surrealistic images. He is black and white and devoid of dialogue. The image is based on the music of Alexander Scriabin &quot;The Poem of Ecstasy&quot;, composed and performed also at the beginning of the 20th century.&nbsp;</b></p>
Technical infos
Technical infos
Original Film Format: 
16 mm
Format Ratio: 
1.37
Video master available ?: 
No
Festival Selection, Awards...
Festival selection, awards or citation already received and other comments... :
Already selected in a Festival?: 
No
Awards received: 
<p>MOV, MP4</p>
Publicity Infos
Publicity contact email: 
Trailer availble: 
yes
0
Your rating: None

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