One of the most memorable films I have seen this past year was the haunting and lyrical film WHITE AS SNOW (Turkey, 2010) by director Selim Gunes and producer Nur Gunes. This is an unforgettable experiment in storytelling, disrupting our linear-prone conception of time in order to think in fragments. The mind doesn’t look back in time sequentially so why should a film that is retrospective? In this film about a poor young boy, Hasan, from the 1970’s, the viewer is forced to struggle through...

One of the most memorable films I have seen this past year was the haunting and lyrical film WHITE AS SNOW (Turkey, 2010) by director Selim Gunes and producer Nur Gunes. This is an unforgettable experiment in storytelling, disrupting our linear-prone conception of time in order to think in fragments. The mind doesn’t look back in time sequentially so why should a film that is retrospective? In this film about a poor young boy, Hasan, from the 1970’s, the viewer is forced to struggle through...

  One of the most memorable films I have seen this past year was the haunting and lyrical film WHITE AS SNOW (Turkey, 2010) by director Selim Gunes and producer Nur Gunes. This is an unforgettable experiment in storytelling, disrupting our linear-prone conception of time in order to think in fragments. The mind doesn’t look back in time sequentially so why should a film that is retrospective? In this film about a poor young boy, Hasan, from the 1970’s, the viewer is forced to struggl...

  One of the most memorable films I have seen this past year was the haunting and lyrical film WHITE AS SNOW (Turkey, 2010) by director Selim Gunes and producer Nur Gunes. This is an unforgettable experiment in storytelling, disrupting our linear-prone conception of time in order to think in fragments. The mind doesn’t look back in time sequentially so why should a film that is retrospective? In this film about a poor young boy, Hasan, from the 1970’s, the viewer is forced to struggl...

The competition programme "New Europe - New Names" at the Vilnius International Film Festival "Kino Pavasaris" has selected a formidable collection of Eastern and Central European films. The audience is invited to 11 thrilling, refreshing brand new films thoroughly selected by an international jury. These particular foreign films are all contenders in the line to become the highlights of the festival. They have already proved their potential at Cannes, Venice, Berl...

The AMERICAN FILM FESTIVAL (AFF), the first film event in Eastern Europe solely devoted to the works of contemporary and classic American cinema, has announced the American Documentary Features that will compete for an Audience Award, with a cash prize of USD$5,000 and a chance at Eastern European distribution. The program in the AMERICAN DOCS section of the Festival is drawn from films that made strong impressions at such film festivals as Cannes, Sundance, South By Southwest (SXSW), Tribeca, L...

  The AMERICAN FILM FESTIVAL (AFF), the first film event in Eastern Europe solely devoted to the works of contemporary and classic American cinema, has announced the American Documentary Features that will compete for an Audience Award, with a cash prize of USD$5,000 and a chance at Eastern European distribution. The program in the AMERICAN DOCS section of the Festival is drawn from films that made strong impressions at such film festivals as Cannes, Sundance, South By Southwest (SXSW), T...

  In an earlier article on this Dailies site, I wrote about the European films that make up the core of the World Cinema section at the Fort Lauderdale International Film Festival, which is entering its final weekend. However, choice non-European films from around the globe are among this year's highlights. ADELA, by Filipino director Adolfo Borinaga Alix, won a Best Actress prie at the Cinemanila Film Festival for its lead actress, the octogenarian Anita Linda. She stars as Ade...

Friday, April 11--------The 13th Annual Gen Art Film Festival Presented by Acura wrapped an exciting week with the U.S. Premiere of THE TAKE, an intense policier directed by Brad Furman and starring John Leguizamo and Rosie Perez. The film opens in theaters in New York and Los Angeles today. A packed audience attended the Closing Night Screening at the newly dubbed Visual Arts Theater, recently purchased by the School of Visual Arts. Director Brad Furman was visibly moved by the strong audience ...

SYDNEY FILM FESTIVAL 2005 – MID-FEST REPORTJune 10-25Remarkable docus and edgy thrillers, combined with unique events like an Evening with Lisa Gerrard and topical, edgy forum sessions, are giving patrons a positive time at this year’s Sydney Film Festival, which wraps this Saturday (June 25) with the inaugural Urban Cinefile Audience Awards presentation and the sold out screening of the eye popping Closing Night Film, Howl’s Moving Castle. As film composer Martin Armiger pointed out in hi...