Pro Tools
•Register a festival or a film
Submit film to festivals Promote for free or with Promo Packages

FILMFESTIVALS | 24/7 world wide coverage

Enjoy the best of both worlds: Portal with Film & Fest News and Social network for the festival community.  

We started in 1995 connecting films to festivals, documenting the world of festivals around the globe.

A completely new website will soon be available, everything will be restructured, this to serve you better.

For any collaboration, information please write to us at filmfestival's email for details.

User login

|FRENCH VERSION|

RSS Feeds 

Once upon a time hollywood press conf.

The Joker Coming October.

New Delhi

The Return of the Osian's Cinefan Festival of Indian, Asian & Arab Cinema

Resurrection of an Important Festival, after 3 years   Lekha Shankar, in N.Delhi The Osian’s Cinefan Film Festival of Indian, Asian and Arab Cinema, one of the pioneering festivals for Asian cinema, founded by the dynamic Aruna Vasudev, made  a come-back after three years, to New Delhi, India, pleasing the many film buffs  in the country. After all, this is the Indian capital city’s only film festival, at a time when nearly every city in the country, ...

Russian Film Festival,in Bangkok

user
Russian Film Festival, in Bangkok It seems to be an epidemic of Film Festivals , in Bangkok, this year ! The first-ever Indian Festival’s gone, and now, it’s the first-ever Russian Film festival. Soon, there will be the World Film Festival of Bangkok (16 Nov - 25 Nov). The Russians are celebrating their 150th Anniversary of relations with Thailand ,and what better way to celebrate, than through Cinema? The ‘ Russian W...

Post Production fundraising for BREAKING FREE

user
  Shooting for documentary feature BREAKING FREE is almost complete after fabulous schedules in Mumbai, Bangalore, Chennai, New Delhi and Lucknow over the past two months.  Post production is now in progress and we NOW NEED Y OUR SUPPORT MORE THAN EVER to complete the project. Please contribute to our project through below links. EVERY CONTRIBUTION IS VALUABLE and greatly helpful.  International Supporters:http://www.indiegogo.com/breakingfreeindia Indian Supporters:...

Interview with The New York Indian Film Festival executive director

Celebrating its 12th anniversary, the New York Indian Film Festival was the first festival  in the United States devoted to Indian films and has grown to be the  largest and most influential; helping to set up several other Indian Film festivals in the US. It is part of a comprehensive program in the arts offered by the New York based Indo-American Arts Council. As other specialty or niche festivals, the NYIFF has a unique programming profile devoted to features and documen...

Film Festivals Galore,in Bangkok--!

user
  Bangkok  seems to have become a movie-hub, judging by the numerous  film festivals that have been spinning  in the city, almost back-to-back, this year.The Embassies have mostly been  responsible for these , and deserve  credit for whipping up the cinematic pulse of the city.Apart from the French, Italian  and EU film festivals ,which have become regular events in the cinema-calendar of the country  (they are held in both Bangkok and Chiangmai), this year,  we had new festivals from ...

REMEMBERING MANI KAUL

user
'To live in hearts we leave behind is not to die.' (Thomas Campbell,1777-1844,Scottish poet) There they were, Jahnu Barua, Udayan Vajpeyi, MitaVashist, and Siddharth Sinha among others,going down memory lane and paying rich tribute to and sharing their experiences of the acclaimed film-maker and  Renaissance man, Mani Kaul inside the jam-packed Films Division  theatre here today,          Painter, musician, teacher and film maker whose movies have been h...

Prathyayam

#
Director: Rajesh Touchriver.
Provocative, shocking and surprisingly tender amidst an explosion of unbridled emotions, “Prathyayam”(Trust) in telugu and “Ente…”(Mine…) in malyalam explores the consequences of sex trafficking, testing the vulnerability of trust in human relations. Srinivas(Siddiq) is a wonderful and devoted father to Durga(Anjali Patil), and he provides her the best. Working in the city and maintaining his family in a small town works well for him for years. One day everything is shattered when Durga comes unannounced to the city to appear for an interview concerning her college admission. Durga’s life is brutally torn apart as Srinivas wrestles with grief, remorse, self pity and guilt.

Jalpari, The Desert Mermaid premiers at the 65th Cannes Film Festival

user
      ULTRA presents Jalpari, The Desert Mermaid at the 65th Cannes Film Festival   From the director of the award-winning 'I am Kalam' comes an adventure of a girl who "will dare to go where no girl has ever gone before".   SYNOPSIS: A well-heeled familyfrom the tiny neighborhood of New Delhi travels from the city through dusty roads that lead into the village in Haryana, far out and buried in the debris of the ...

The Big Black

Director: Oliver Kyr.
Our forefathers warned us not to leave the burden of a guilt behind when we die. Because before your guilt-ridden soul is redeemed to heaven you would enter a queer, dark world. Welcome to the nightmare of purgatory. Welcome to the „Big Black“. 20-year-old Jack hunts the nightmare of his past and crosses paths with mysterious Eve. The beautiful girl who is either his Guardian Angel or his Final Doom. Time runs out as Jack tries to escape the demons of the waste lands in order to find redemption. Intense pictures and gripping music form a poetic base for a surreal plot and bizarre characters: An independent film with a renowned European cast.

JOSEPH BAIER'S ODE TO MORTALITY

user
joseph baier directorThe End is My Beginning Tiziano Terzani,the intrepid Italian journalist who is the principal character in Joseph Baier's second feature The End Is My Beginning La fine è il mio inizio, is the polar opposite of  Vlado Taneski, the Macedonian crime reporter-serial killer whose horror story forms one of the three narrative strands in Milcho Manchewski's "Mothers". Unlike Taneski who wrote morbidly detailed accounts of the grisly murders of three old cleaning lad...

UFO 0110 INTERNATIONAL DIGITAL FILM FESTIVAL 2012

Aimed at bringing new trends, new people and new cinema; The UFO 0110 International Digital Film Festival today made a call for entries from across the world. The UFO 0110 International Digital Film Festival, India’s only film festival to recognise and promote “different cinema” opens in the last week of February, 2012 in Siri Fort Auditorium, New Delhi.

UFO 0110 INTERNATIONAL DIGITAL FILM FESTIVAL 2012

user
  Introduction The 0110 International Digital Film Festival is back - bigger, better, bolder and brilliant as ever. The 0110 IDFF was the brain child of ''Madhureeta Anand'', the Festival Director, with the objective of designing room for new films and setting up new vistas in the sphere of digital cinema. In three booming years, the festival grew to become international, comprising of eminent jury and audiences alike. While the first edition was an Indo-Brit collab...

Battle of Ideas festival highlights

user
  Battle of Ideas festival, taking place at the Royal College of Art, London on October 29-30. During the course of the weekend, over 2,250 people will be participating in 75 different debates involving hundreds of incisive and thought-provoking speakers. This year's festival programme includes strands of debate entitled Battle for the World, Battle for Morality, Food Fight, Society Wars, Battle for Our Brains, and Reassessing Politics and Sporting Contests. It also features keyn...

Life in the shore of Death

Director: Razibul Hossain & the Students of Media Studies and Journalism.
Bangladesh has been branded as a disaster prone country around the world. Natural disaster like tornado, cyclone, and flood were the main topic to discuss for Bangladesh. Reminding this scenario, a group of university students along with their teacher starts exploring the coastal belt area of Bangladesh with the concept "Disaster" by their film. They went to experience the most disaster prone communities of Bangladesh - "Mirzagonj" where 90% community people were affected by the Cyclone Aila and "Pathorghata" 100% people affected by the Cyclone Sidr. While on their journey, they meet resilience people who are not only survived nature's fury but also surmounted it. This interaction between students and the community people creates a dialog that motivates them to tales of awe, vulnerability, loss, agony, strength, faith, inspiration and unity.

Less than Sun God

Director: Razibul Hossain.
Young photographer Khaleed Saikat once decided to go for a journey into the unknown. He took his laptop, camera, and some money with him. But no destination remains unknown at its end. Khaleed landed a small village market where he met the ‘Orao’ Youngman Arun Khalko and his constant companion Shukra. Shukra is an owner of a tea-stall up on the landing. Khaleed doesn’t get the acquaintance of Arun on the short meeting even. While talking with them they reached to the entrance of the village where the road was divided into two directions. Arun and Shukra left him there with there confusing identity. To find a place for the night to stay he walked to a village with bewildered expression. Suddenly there appears Arun and Shukra with laughter; unexpectedly they propose him to be a guest of The Missionary Church Guest House. Khaleed heals a breath of relieve. By the evening Arun gets intimate with Khaleed. Arun is a Christian Orao, by religion, at present he is in the charge of the Church on absence of Father. Time passes and after a while Khaleed comes to know by a drunken Youngman’s shouts that a girl named Arati is involved with Arun’s activities which the young fellow dislikes because he loves Arati. Khaleed, suspecting the Youngman senseless approaches to him but Arun stops him. In the middle of the night the drumming beats of ‘Madol’ (a traditional drum of Orao tribe) was heard by Khaleed along with the sounds of singing and dancing. Khaleed takes his camera and come out to join the festival of ‘Fagua’. The headman Budu Master warmly welcomed him but didn’t allow him to take photographs. There Khaleed met Arati and talked with Budu Master. Khaleed couldn’t find the dumb boy of the tribe to whom he kept his cell phone. Khaleed enjoyed the ‘Fagua’ festival. Arun also came there but didn’t join. Khaleed came to know that Arun has no right to join the festival, from the conversation between Arati and Budhla, while returning back. Next morning Khaleed found the real identity of Arun. He is a disowned son of Budu Master. The reason after disowning is Arun’s adoption of Christianity. He also came to know that Arun was a student of Christian missionary school, for the last three years he is staying in this village after receiving a higher education from abroad. Arun had lot of planning concerning to his community. Arati is mainly a teacher of Arun’s school. Last two years they have been working together on Arun’s plan to develop their community. But Arati is little confused from the last few days that whether she’s got any existence or existing personality in Arun’s mind or not. And she discovered –no there is nothing like that. Their relation is based on the dreams of Arun which is concerned to this Orao village. Arun starts to run a cold debate with Budhla in Arati’s home. Budhla want to marry Arati, her mother gives an approval to this proposal to maintain the society. Mean while at the school Arati and Arun’s debate comes to an extreme level. Arati abruptly says that working with Arun has become nearly impossible for her by denying the constitution of ‘Orao’ community. She says that she has found an obsession about Arun behind her working. It’s only because she respects the dreams of Arun and that’s why she will try this to the end. But Arun is not an apprehensive personality. In the afternoon, while Khaleed roaming on the walkways of the village with Arati, she portrays the dreams of Arun. In his plan the agricultural farm, hospital, educational institutions are nearly ready; it was just a matter of time then. But Arati speaks the other sense. When Khaleed was taking her photo she said that she has lost her face. Her face is just like Arun’s as it is same for every ‘Orao’. But these two faces never act the same. On that night Arati came to Arun’s room. She asks Arun “Do you mean yourself as an ‘Orao’ ? ” Arun couldn’t reply any satisfactory answer. At the dawn Arati came to Khaleed. She said that she has discovered her ‘Orao’ face. She asked him to take true image on his camera. Khaleed responded positively. But returning back to his room Khaleed found Arun was sitting there. Arun told him to turn an end of this journey into the unknown. Almost unwontedly Khaleed had to return. On the way back that dumb boy returned the cell phone to Khaleed. Returning back to Dhaka Khaleed miraculously discovered that there were some photographs of ‘Fagua’ festival and ‘Orao’ community in his cell phone which probably the dumb boy shoots. Khaleed made his first exhibition along with the dump boy’s photo. Now what will do Khaleed with those photos ? Will he go to that Village again ? What happen to Arun and Aroti ? Khaleed couldn’t find answer, so he decided to return the village and see the end line.

The Sand Clock

Director: Razibul Hossain.
An old man, Zoology Professor Kuhel Ahmed, faces death. The things happening in his life is quite normal for anyone. But, how is it to himself? What happens to his inner self, in his consciousness, in his thoughts at that moment in life when the living people are wistful about their long life and the dead are only memory to him? He is a loner in the middle of a bridge; helpless in his tension. All barriers of control break loose; things fall apart for him. Professor Ahmed is not a psychologically challenged person. He is absent-minded, reticent as a character. However, thoughts are not always limited to expression only. Thoughts are restless, always on the move. Professor Ahmed looks back into the satisfactions of his life’s achievements as well as the real pictures for all his shortcomings. He is nostalgic as the certainty of end of life awaits him. Professor Ahmed is single as he defies leaving behind a generation. He knows all the patterns of human diversity like his palms. Life, to him, is nothing but carrier of a mathematical progression. This belief popped into him through the practices of science. He knows beyond this belief human race is going through this progression as they try to mask the superstition of heredity and surroundings. Therefore, he argues at the close of his life. Life’s meaning as well as absurdity equally fights within him. Such inner conflict is apparently unseen, unreal. But in man’s own world it is evident and real. This feature film tries to explore that real image of the human race crossing the limits of individuals. Memory and present; everything becomes contemporary. Insights into life is framed in every millisecond.

FOCUS 2011: 5th Global Summit on Entertainment & Media

user
FOCUS 2011: 5th Global Summit on Entertainment & Media is being organized on Friday, 9th September, 2011 at The Oberoi, New Delhi from 9:00 am onwards. The theme for FOCUS 2011 is from Analog to Digitization…As we understand that all DTH service providers are eagerly seeking for HD or high definition TV. The recent TRAI recommendations on digitization of the broadcasting systems will only lead to huge business opportunity for the industry. Chairman, TRAI has already confirmed ...

civil servant cum rock musician appointed as new director of film & television institute of india, pune

user
Dharmendra Jai Narain, has been appointed as the Director of the Film & Television Institute of India, Pune.  He succeeds Pankaj Rag, who was the Director of FTII till recently, a press note issued by the Press Information Bureau (PIB) Govt of India, said. Popularly known as D J Narain, the new FTII Director is an officer of the 1990 batch of the Indian Information Service and comes to FTII with a  experience in administration, management, media communication and performing arts....

CFSI's ‘Monsoon Dhamaal’

user
Children’s Film Society India's weeklong Mumbai ‘Monsoon Dhamaal’ concluded at  Films Division  15th July 2011 in the course of which ten award winning CFSI films were screened to cheering school children. Entry to the screenings was  free! This specially curated package has already travelled to Kochi, Pune, Jaipur where it received an overwhelming response. Monsoon Dhamaal will travel to Srinagar, Kolkata, Indore, Ahmedabad, Chennai, New Delhi and Bangalore in the coming month...

DILLI

Director: Sushmit Ghosh & Rintu Thomas.
DILLI is a moving collection of heartfelt interviews with Delhi slum dwellers. Its lens focuses on a group of dwellers, bringing to life the untold story of mass exodus of thousands who were bulldozed from their homes and transferred to a makeshift facade - Bawana without water, shelter or drainage, while the city was being beautified for Commonwealth Games 2010. DILLI - city of dreams - is a universal story of millions of underprivileged around the world. DILLI holds up a mirror not only to India, but to every nation around the world, whose poor live forgotten under bridges, children go hungry, and fathers work thousands of miles from their families to provide. DILLI brings awareness. And awareness is the first step towards action.

Butterfly Wings

Director: Sanjay Arora.
Based on a true story of a handicapped woman ( Story of Hope,Inspiration and Courage) Neha Bhatia, free-spirited and fun-loving who takes life for granted ends up a victim of a fatal accident, leaving her with a severe brain stem injury resulting in quadri-paralysis and comatose. Thus begins the journey of Neha?s recovery, unexpected but not impossible. A journey that explores unconditional love and support from Ayesha, Neha's older sister. Ayesha?s immense belief in her sister and undying faith in their sisterly bond becomes the spine of the film. Neha eventually sheds her inhibitions of insecurities and becomes an inspiration to other people through her independence. Sometimes even the eyes that see may not have the vision to inspire or be inspired ? it unfortunately takes a tragic happening to realise that life is not to be taken for granted. That life is a blessing to be counted and appreciated everyday and to be celebrated with unconditional love.

Sadho Poetry Film Festival in India

user
SADHO POETRY FILM FEST Since 2007, The Sadho Poetry Film Fest has travelled to 12 cities including the Indian capital. The 1st Sadho Poetry Film Fest 2007-08 saw the formal launch of the organisation itself. The main event was held in New Delhi on October 13 and 14, 2007. The main event of 2nd Sadho Poetry Film Fest 2009-10 was held on December 26 and 27, 2009. Sadho has also organised poetry filmmaking workshops and special screenings related to Sign language and its poetic and cinematic expres...

We Care Film Festival on Disability Issues

#

I am the Media Consultant for the We Care Film Festival on Disability Issues, which is unique in the sense that it is not an annual event.

We collect films in four categories - up to one minute, up to five minutes, up to 30 minutes, and up to one hour. We then take them to educational, social and disability institutions.

Awards are also presented to the three best films in each category, on 3 May which marks World Disability Day.

We charge a small amount for those who enter their films, but we do not charge any money for screening the films and workshop - except for travel and stay if it outside the city in which we live - New Delhi (capital of India).

International Family Film Festival Highlights

user
      The 16th annual IFFF launches with a press conference at 1 PM on Wednesday, March 16, 2011. This is the fifth year of presenting the fest at Raleigh Studios, adjacent to the Paramount Studio lot on Melrose Avenue in the heart of Hollywood. This year's film schedule is filled with highlights - each of them with enough back-story to more than...

Berlin Buzz 3

user
    BERLINALE IN 3D  On Sunday, the Berlinale was host to three back-to-back 3D films that demonstrated that the technology is not only good for computer animation and big budget sci-fi. In TALES OF THE NIGHT, French animator Michel Ocelot provides a shadow-puppet retelling of famous fairy tales, much in the manner of the films of famed 1930s storyteller Lotte Reininger. The film mixes classic silhouette animation with strong colorful backgrounds to amazing effect. In PI...
gersbach.net