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Fest. circuit
IFFI 52, 043: Indian Film Personalities of the Year
“One Sky is less, bring me more skies”. Yes, this is what Prasoon Joshi, renowned lyricist and Chairperson, Central Board of Film Certification said on being presented the Indian Film Personality of the Year Award for 2021, at the closing ceremony of the 52nd International Film Festival, in Goa. The award has been conferred on him, for his contribution to cinema, popular culture and socially significant artistic work.
Joshi sa...
IFFI 52, 042: The awards, BRICS by BRICS
South African Film Barakat by Director Amy Jephta and Russian Film The Sun Above Me Never Sets, by director Lyubov Borisova, has shared the Best film Award, in the sixth edition BRICS Film Festival. For the first time, the BRICS Film Festival was held alongside the 52nd International Film Festival of India in Goa.
The awards were given to these films for their brilliant cinematic portrayal of human emotions and magnificent storytelling on screen...
IFFI 52, 041: Jury members celebrated the joy of cinema
The International Competition Jury for 52nd International Film Festival of India led by Jury Chairperson, Iranian film maker Rakhshān Banietemad and other members including film producer and film makers Ciro Guerra, Vimukthi Jayasundara and Nila Madhab Panda, interacted with the media at IFFI 52.
Speaking on her experience of judging the films, the Jury Chairperson and Iranian film-maker, Rakhshān Banietemad said that she enjoyed ju...
IFFI 52, 038: Shiraz Bazin Moussi on the value of short films
Every edition of IFFI adds to the breadth and depth of the cinematic experience, greeting film lovers with many festival firsts. As part of a first-of-its-kind collaboration between the festival and OTT platforms, cine enthusiasts attending the 52nd edition of the International Film Festival of India got a rare opportunity to attend a virtual Masterclass on the topic “Why short films are valued by producers?”, by none o...
IFFI 52, 037: Blood flows through the streets in Killing of the Eunuch Khan
Iranian film Killing the Eunuch Khan (Koshtan-e Khajeh in Persian), by director Abest Abed, is in contention for the coveted ICFT UNESCO Gandhi Medal at the 52nd edition of the International Film Festival of India, an award given to the IFFI film that best reflects Mahatma Gandhi’s ideals of peace, tolerance and non-violence. It portrays a serial killer’s apparently insatiable quest to slaughter others, to...
IFFI 52, 036: Asian premiere of Night Forest
“Night Forest is a children’s film but adults can also relate to this film. It is a fun film that everyone in a family can watch together”, said Katrin Milhahn, director of the film Night Forest, in a press conference at the 52nd International Film Festival of India in Goa.
The film had its Asia Premiere at the 52nd IFFI. It was also competing for the ICFT UNESCO Gandhi Medal at IFFI 52. André Hörmann is her collabora...
IFFI 52, 035: Ring Wandering aims to show the real Tokyo
The Ring Wandering (Ringu Wandaringu) is a film about a Manga artist in Tokyo discovering the remains of the Second World war buried in the grounds of Tokyo. The film from Japan competed for the Golden Peacock Award, along with 14 other films, at the 52nd International Film Festival of India.
Masakazu Kaneko, the director of the film, said, “During the Second World War, lots of bombs were dropped on Tokyo leaving many dead bodies...
IFFI 52, 034: Some competition films not competitive, below par
When you have already attended 44 IFFIs, you pretty much know what to expect. Or do you? Arriving from Mumbai by train on the 20th morning, the day of the inauguration, I found my usual hotel in an unkempt state. The owner, who had a flat there till some years ago, has let it sink into squalor, but critics like me, who fund all own expenses at IFFI, cannot really complain. A couple of hours later, after...
IFFI 52, 033: Siraj Syed article in the Marathi language newspaper, Gomantak, Goa published on 27 November 2021. Translated from the English by Anant Salkar.
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IFFI 52, 032: Heart-rending depiction of floods in No Ground Beneath Her Feet
Ravaged by the torrent of flood-waters, a man’s family is torn to pieces by the soul-crushing agony of having to scramble for a piece of land to bury his dead father. Even as he is oblivious of the deluge of their inner trauma, he is having to venture a bone-tiring journey of moral decay, murder, deception and social bashing, just to reach his flood-affected village.
No Ground Beneath the Feet, a Bangladesh...
IFFI 52, 031: World première of Goan short, Kumpacho Dareyo
Even as we stretch ourselves ceaselessly towards worlds of new opportunities, even as we fly high and touch the skies, we must always remember our origins, we must not forget to stay true to our roots. Set in the idyllic Goan countryside, the story of the last meeting between Maanvi and Joy, before the latter leaves Goa and heads off to Mumbai in search of “greener pastures”, seeks to touch and move film lovers, ge...
IFFI 52, 030: BRICS film festival held alongside IFFI
“We are all from different cultures, different backgrounds and different thought processes; coming together on the same page to pick out a best film for this competition unanimously is quite an achievement”, said Rahul Rawail, noted Indian film director, editor and Jury Chairperson of the BRICS Film Festival, at a press conference at the 52nd International Film Festival today in Goa.
For the first time, the BRICS Film Festival...
IFFI 52, 029: Kalkokkho is a phantasmagorical movie
Amidst the paranoia and dread inflicted by the COVID-19 pandemic, an apathetic but adept doctor is taken hostage by a young woman. Captive in an almost desolate house with three women – the paranoid young woman along with an amnesic old woman and a lonely young girl – the doctor discovers that forces beyond his comprehension are at play and he might be trapped not only in space but also in time. The film explores the sense of dre...
IFFI 52, 028: Bodo language film Sijou unveils brutal feudal system
Hitherto unknown and unexplored, Sijou, a Bodo language film, unveils the inhuman brutality of the feudal land tenure system, prevalent across the Indo-Bhutan border, until 1958.
The film, screened at the 52nd IFFI under the Indian Panorama Feature film section, revolves around a young boy, Sijou, of Saikhong Guri village, near the Indo-Bhutan border, in Assam. His life takes an unfortunate turn when he becomes a victim of t...
IFFI 52, 027: Identity of world’s largest democracy addressed in Bharat, Prakriti ka Balak
What is the essence of Bharat, our country? What is the meaning underlying this idea? How did it come into existence? What is its culture, traditions and geography? Bharat, Prakriti Ka Balak (India, Child of Nature), a Hindi documentary film, directed jointly by Dr. Deepika Kothari and Shri Ramji Om, was screened in the Indian Panorama Non Feature Film section of the 52nd International Film Festiv...
IFFI 52, 026: Garhwali film Sunpat addresses the migration crisis
‘Sunpat’ is a story of love and friendship set in the backdrop of migration driven crisis in the villages of Uttarakhand, a state in North India.
The word Sunpat denotes the loneliness felt by us, and even the nature and mountains, when everyone around leaves. It is the emptiness at a festival ground when crowds desert the place after the celebrations are over. In his Garhwali language film Sunpat, director Rahul R...
IFFI 52, 025: Ruben Sainz and Alvaro Turrion talk about their film, Maogoado
'Magoado' is the emotional drama of a man who is not ready to take responsibility of a father: Music Composer Alvaro Turrion at IFFI 52
Clueless about being a parent, nor interested in being one, Peio is shaken from his secretive life spent in hiding when his adolescent son makes a sudden and unexpected appearance into his life. The forced challenge of parenthood that is thrust upon him leaves him with a cho...
IFFI 52, 024: Niraye Thathakalulla Maram kindles kindness, care and compassion
“We are losing our ability to empathise, to show kindness and care” said Jayaraj, director of Niraye Thathakalulla Maram (Tree Full of Parrots), a Malayalam language film shown at IFFI Goa 52, in the Indian Panorama Feature Film Category of the festival.
The selfless care and wholesome concern a young boy shows toward a visually challenged old man, who has lost his way and most of his memory form the ...
IFFI 52, 023: Comfort the disturbed and disturb the comfortable, with Sweet Biryani
“There is a famous quote, which says, ‘Art should comfort the disturbed and disturb the comfortable.’ I think this film will disturb those comfortable people of the society who gets comfort through caste, class and other authoritative parameters. This is what K. Jeyachandra Hashmi, director of Indian Panorama non-feature film, Sweet Biryani, said at a Press Conference held on the sidelines of...
IFFI 52, 022: Pregnant, harassed-to-hell woman, or suicide bomber?
Governments exist to serve the people, but often, the common citizen has to struggle, knock one door after another, in order to avail of the services he or she rightfully deserves. ACT-1978, a 2020 Kannada film by Director Manjunatha S., brings into sharp relief this torturous and tormenting ordeal, an experience not too alien to many hapless ordinary citizens.
“I want to dedicate my movie to every common man and woma...
IFFI 52, 020: Covid and a crow
IFFI 52 Indian Panorama Film Teen Adhyay seeks to light a candle of hope in the darkness, following COVID-19. It is based on the optimistic dictum: “However deep the night, there will always be a new dawn.”
“During the COVID-19 lockdown, I saw a crow making its nest by my window; this scene made me forget everything else happening around me.” This singular focus which followed what may otherwise have been dismissed as an inconsequential ...
IFFI 52, 021: Sainbari massacres missing from history books
Why is the battle of Sainbari not in our history books, where 15,000 people were killed in just one night, was the question posed by the director of IFFI 52 Indian Panorama Non Feature Film Sainbari to Sandeshkhali.
“If Jallianwala Bagh, Battle of Panipat and Battle of Buxar appear in our history books, why not Battle of Sainbari?”
This is the rather incontestable question raised by Sanghamitra Chaudhuri, director of th...
IFFI 52, 018: Charlotte is about an Argentinian actress in search of an aspirational future
She shared a memorable past with the director who launched her into the world of cinema. Upon the serendipitous discovery that her mentor of yore who made her famous is filming his last film in Paraguay, the now-forgotten Argentanian actress Charlotte sets out on an extraordinary journey in search of something more than just obtaining the opportunity to play the leading role which she believes rightful...
IFFI 52, 016: FTII professor Ganga Mukhi on Satyajit Ray
“Satyajit Ray believed that our cinema must have a language of its own. Through his self-study, he created his own style of film-making. Ray’s films are a must-watch for all film lovers, students and film-makers. His films connect with everyone in spite of geographical and language barriers.” Associate Professor, Department of Direction and Screenplay Writing, Film and Television Institute of India (FTII), Ms. Gan...
IFFI 52, 015: In Conversation with The Family Man, aka India’s James Bond
“I never try to make the character larger than life. I always try to live in the reality and make the character a representative of the masses.” This is what noted actor Manoj Bajpayee said at an ‘In-conversation session’ on the ‘Creating Cult Icons: India’s own James Bond with the family man’, held on the sidelines of the 52nd International Film Festival of India in Goa.
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