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tinseltine


TINSEL & TINE

Tinsel & Tine (Reel & Dine) is about discovering what I find pleasing in Film & Food -  My post/commentary are from the perspective of someone who truly reveres good storytelling, and possesses a voracious appetite.

Although I also write about my dining experiences and food events, the blog is primarily film-centric. My writing style weaves together personal anecdotes and observations in conjunction with film reviews, reporting from film festivals and preview film screenings. Not to mention, whenever possible, highlighting the simpatico of food in film!

Tinsel & Tine encourages blog contributors. Please send
your film festival experiences - from big and small film festivals - pictures, short reviews, long reviews, food & film tie-ins, report on the celebrities, the atmosphere etc... Feel free to share your festival coverage during or after the festival.  (Blogging credit only compensation).

 


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Cinefest 2011 Quick Film Reviews

Cinefest 2011 (Other Stuff I Saw)

First a little T & T biz - 
I'd like to thank two new followers for following: 
Thanks guys, also looking for likes on facebook too!
Tinsel & Tine was featured on two sites this month  

The exposure is great and between Cinefest press pass and PFS giving me the opportunity to interview Morgan Spurlock
(stay tuned for post) I'm doing great on fun film content; however, I
really need help keeping the food content alive. I did attend a
networking dinner at Marrakesh Restaurant (stay tuned for post), but I'm
looking for a way to off-set the cost of writing about my dining
experiences. Hmm....


Okay, back to Cinefest:

Project Nim Director James Marsh / Featuring Nim the Chimp

Quick About: It's
1973 and a hippy mother of 6 agrees to raising a hairy 7th child, Nim, a
chimpanzee, as part of a language experiment at Columbia University,
headed up by Professor Herbert Terrace. Over the 26 years of
Nim's life, people come and go, most with good intentions, but
ultimately chimps are not people and raising one as such and then
abandoning him when the project fails, is more than a mistake, it should
have been a crime. 

Pleasing:
It's very compelling, not boring even for a minute. So well edited. The
interviews with those involved some 40 years later are heartfelt, except
for Professor Terrance who basically was a womanizing, clueless "tool".
He comes off as the villain in the piece, accepting his part, yet
feeling no remorse.  The reenactments are done to perfection. There's
one scene in which they describe Nim having killed a dog by throwing it
against a wall. You don't see the gruesomeness of this act, but by
seeing the yappy poodle and then the blood smear on the wall, you feel
as though you have.

 
No So Pleasing: Okay,
so I'm no bleeding heart PETA type, and Nim was no saint, but it's hard
to watch when he's taken to a experimental drug facility and kept in a
cage, when his whole life he was free to run around and sleep in human
beds.

Brother & Sister (Dos Hermanos) Director Daniel Burman (Argentina)

Quick About: Susana (Graciela Borges) and Marcos (Antonio Gasalla)
are siblings past middle age, who become somewhat dysfunctionally
closer after the passing of their mother. Marcos is staid, quiet,
patient and a bit lost after having devoted a good portion of his adult
life to the care of their mother. Susana is a bit of a con-artist,
always impeccably dressed if not a bit over done. She holds herself as a
woman of means and elevated station, when in truth that life has
forever eluded her.


Pleasing:
It's a very nice film. It's the kind of thing you want to watch in the
theater on a rainy afternoon, when you're playing hooky from the world.
The beats of the film are subtle, the humor is underplayed with funny
one-liners that take you by surprise.  There's a great food in film
scene of Marcos preparing risotto for a local theater director he's
befriended, with undertones of romance.


Not So Pleasing:
I felt the description in the guide book leaned toward this being more
of a farce. Bigger, funnier, louder, more plot. It's fine that it
wasn't, but I hate to be in the mood for one tone and find myself
watching something entirely different.


The High Cost of Living  Director Deborah Chow (Canada) Featuring Zach Braff

Quick About: Henry (Braff) is an American with an expired Visa
living in Montreal making a living by dealing illegal pharmaceutical
drugs. Nathalie (Isabelle Blais) is 8 months pregnant, happily
looking forward to motherhood despite the fact that things are not very
satisfying between she and her husband Michel (Patrick Labbe).
Henry and Isabelle's world's collide one night while Isabelle is waiting
for a cab to take her to the hospital and Henry is driving drunk going
the wrong way on a one way street - bam! Hit and run. Days later he
finds her and befriends her without revealing his identity as the
driver.

Pleasing: Going in I was skeptical about Zach Braff credibly
pulling off a low-life character. Fortunately, they don't try to go this
way.  He is a drug dealer and he is guilty of driving drunk, but early
in the film he's shown to also be a caring, likable guy. He doesn't form
a relationship with Nathalie to cover his tracks, but rather is drawn
into her pain and anguish and wants to make amends.

Not So Pleasing: I'm not sure. Hard to put my finger on why I
wasn't really engaged in the goings on. It's not too slow. It's not too
sentimental or too romantic or even implausible. It's just watchable,
nothing more. The plot does kinda remind me of Ben Affleck's The Town, but you care about that deception and reveal, a good 80% more than you do this one.

 Vampire  Director, Iwai Shunji (USA, Canada)

Quick About: A gray toned drama that interestingly examines the giving and taking of life.This is not Twilight or Vampire Diaries or Bram Stoker. The main character Simon (Kevin Zegers)
does feel the need to drink blood, but he's completely human. He's a
caring high school biology teacher, who also cares for his Alzheimer
stricken mother. All his victims are seeking death; believing they are
entering into a suicide pack, not becoming a vampire's sustenance; still
you've got to give him credit for not taking the life of innocent
victims.

Pleasing: The commitment of the filmmaker to the style, and tone
of the film, so lonely. Not haunting, just bleak.  The awkward, yet open
dialogue that takes place between Simon and each of his "victims",
before he drains their blood.

Not So Pleasing: The ending scene where we hear him saying in his
head, "I'm anemic", seems too much like a last minute decision to
create an explanation for the character's actions, when an explanation
wasn't required.

Also the fact that Simon looks uncannily like my last boyfriend who was a
Dracula authority, Bela Lugosi's been his idol since he was 6
years-old. I'm mean truly, if Kevin Zegers was a little older and
larger, I would have sworn I was seeing my ex up on the screen. Now I
just feel glad that I made it out of the relationship with all my blood
intact.

I have one last post from Cinefest to write - Closing Night Party and Awards - check back soon!

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