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Baltic Event Co-Production Market 2021 presents projects from award-winning filmmakers and established producers

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The official selection of the Baltic Event Co-Production Market 2021, taking place on 24-25 November proves that, despite the challenging times, filmmakers have continued to put hard work and dedication into the development of their projects. As Industry@Tallinn & Baltic Event's focus country this year is the United Kingdom, the UK is represented with two projects.

Marge Liiske, the head of Industry@Tallinn & Baltic Event, said that the global pandemic has had an effect on the selection, with it being somewhat smaller than last year despite still receiving a high number of submissions, as the projects need more attention and care. "We are excited to host such an array of award-winning filmmakers, among them seven female directors, and established producers – a number of whom have presented their projects at Industry@Tallinn & Baltic Event before."

Starting off with two local entries, Our Erika is a sports film about an Estonian heroine and Olympic champion, directed by another national treasure – Student Academy Award winner German Golub. The drama thriller Lioness, the second feature by Liina Triškina-Vanhatalo, is produced by Academy Award and Golden Globe nominated producer Ivo Felt.

The nearest neighbours also come with female-led projects – Hysterias from Latvia is a collection of short films by Ieva Norvele, Adriana Roze, Liene Linde, Alise Zariņa, and Marta Elīna Martinsone, presented by BE alumni Aija Bērziņa, and Finnish Lex Julia a psychological drama by Laura Hyppönen, for whom it is the second feature.

Titus Kreyenberg, Best Project winner from last year's co-production market, brings yet another female director with her second feature – The Odalisques by Ann-Kristin Reyels is a dramedy about a gynaecologist who goes from treating sex workers to pimping them. Swedish You Can Dance by Katarina Launing is a drama-comedy about a 75-year-old man coming out as gay, brought to the slate by BE alumni Peter Krupenin.

On a more serious note, Tereza Nvotova’s The Father, Slovakia, sheds light on a very dark and difficult emotional and legal issue, and Russian project Yurki by Vlada Senkova deals with the current critical situation in Belarus. Lithuanian Fake News by Karolis Kaupinis also takes place on the backdrop of a complicated political setting, featuring a hunger strike during the restoration of the country’s independence in 1991, and Chilean documentary-hybrid Our Memory by Matias Rojas Valencia, whose second film is premiering in Official Competition at Tallinn Black Nights Film Festival this year, is based on the author’s research into a powerful enclave in Southern Chile and the influence it has on the country to this day.

The following projects share similar journeys – rites of passage stories in father-son relationships – The Moon is a Father of Mine by George Ovashvili, Georgia, and Father Figure by Nejc Gazvoda, Slovenia, are by already established filmmakers, whereas Two Times One by Vladimir Petev, Bulgaria, is another debut by an award-winning short film maker. To round up the main selection, producer Katya Trichkova is back at Baltic Event with the second entry from Bulgaria – Konstantin Bojanov’s Gambit, an art heist film inspired by real life.

The Focus Country 2021 at Industry@Tallinn & Baltic Event is the United Kingdom and is represented with two projects – Jonathan Birch’s Equinox, a folk horror set in Ukraine, is the last debut on our slate, while MS Estonia, depicting the story of Europe’s worst peace-time ferry disaster, is yet to attach a director.

BE Co-Production Market 2021 Selection:

  1. Fake News, written and directed by Karolis Kaupinis, produced by Marija Razgutė, M-Films, Lithuania
  2. The Father, written by Tereza Nvotova and Dusan Budzak, directed by Tereza Nvotova, produced by Veronika Pastekova, Danae Production, Slovakia
  3. Father Figure, written and directed by Nejc Gazvoda, produced by Ales Pavlin, Perfo, Slovenia
  4. Gambit, written by Konstantin Bojanov and Petar Krumov, directed by Konstantin Bojanov, produced by Katya Trichkova, Contrast Films, Bulgaria
  5. Hysterias, written and directed by Ieva Norvele, Adriana Roze, Liene Linde, Alise Zariņa, and Marta Elīna Martinsone, produced by Aija Bērziņa, Tasse Film, Latvia
  6. Lex Julia, written and directed by Laura Hyppönen, produced by Essi Haukkamaa, Greenlit Productions, Finland
  7. Lioness, written and directed by Liina Triškina-Vanhatalo, produced by Ivo Felt, Allfilm, Estonia
  8. The Moon is a Father of Mine, written, directed and produced by George Ovashvili, Wagonnet Films, Georgia
  9. The Odalisques, written by Nataly Savina, directed by Ann-Kristin Reyels, produced by Titus Kreyenberg, unafilm, Germany
  10. Our Erika, written by German Golub and Mehis Pihla, directed by German Golub, produced by Marju Lepp, Filmivabrik, Estonia
  11. Our Memory, written and directed by Matias Rojas Valencia, produced by Tomas Gerlach Mora, A Simple Vista, Chile
  12. Two Times One, written and directed by Vladimir Petev, produced by Vanya Rainova, Portokal, Bulgaria
  13. You Can Dance, written by Ida Kjellin and Martina Cecilia Befring, directed by Katarina Launing, produced by Peter Krupenin, HOBAB, Sweden
  14. Yurki, written by Vlada Senkova and Larisa Oleinik, directed by Vlada Senkova, produced by Larisa Oleinik, DOKA, Russia

Focus Country Selection:

  1. Equinox, written and directed by Jonathan, Birch, produced by Sol Papadopoulos, Hurricane Films, United Kingdom
  2. MS Estonia, produced by Sarah Laita, The Electric Shadow Company, United Kingdom

 

 

 

Co-Production market meetings from 2019 event. Photo by Johan Huimerind

 

Industry@Tallinn & Baltic Event is the one-week summit for film and audiovisual industry professionals held during PÖFF, on November 19-26, 2021. This year’s summit, celebrating its 20th anniversary, takes place in Tallinn but is also mostly accessible online via industry.poff.ee. Industry@Tallinn & Baltic Event will take a closer look at the United Kingdom film industry together with the British Film Institute (BFI) including British projects participating in industry programmes and a delegation of producers looking for networking opportunities, as well as presentations, masterclasses and panel discussions featuring British speakers. A side programme of UK films will also screen as part of the 25th Tallinn Black Nights Film Festival.
 

 

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About Tallinn Black Nights Film Festival



Started in 1997, the Tallinn Black Nights Film Festival has grown into one of the biggest film festivals in Northern Europe and busiest regional industry platforms, hosting more than 1000 guests and industry delegates and over 160 journalists. The festival screens around 250 features and more than 300 shorts and animations and sees an attendance of 80 000 people annually. In 2017 the festival was covered in 71 languages with a potential global media audience of over 1.1 billion people.

As of 2014 the festival holds the FIAPF accreditation for holding an international competition programme which puts the festival into the so- called A-category of film festivals, alongside other 14 festivals in the world (including Cannes, Berlinale, Venice, Karlovy Vary, San Sebastian, Shanghai, Tokyo etc).  

Black Nights has an umbrella structure with two sub-festivals PÖFF Shorts and youth and children's film festival Just Film taking place concurrently with the main festival,
two off-season festivals - Haapsalu Horror and Fantasy Film Festival and Tartu Love Film Festival - and a fully-fledged film industry platform Industry@Tallinn, organised jointly with the Baltic Event Co-production market.


DATES IN NOVEMBER
Black Nights Film Festival 16 Nov - 2 Dec
PÖFF Shorts 20 Nov - 25 Nov
Just Film 16 Nov - 2 Dec
Industry@Tallinn & Baltic Event 26 Nov - 30 Nov


Tallinn

Estonia



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