Sundance

This year's program features eight days of an eclectic mix of songwriters and artists, from legendary icons to rising stars, all hand-picked by ASCAP.

The Sundance ASCAP Music Café will be located at Rich Haines Gallery (751 Main Street, Park City, UT). It is open to Festival credential holders from January 17 to 24. Doors open at 1:30 p.m. with performances starting at 2:00 p.m.

To view a complete schedule of performances and for artist profiles, please visit  www.ascap.com/sundance.

If you are working on stories about music -- and the starring role it plays in film -- we hope you will consider ASCAP and our songwriters and composers as part of your coverage.  If you are interested in setting up in-person interviews, or shooting live video and/or photos at the Café, please let us know as soon as possible so we can help coordinate. Space is limited.

Thanks!

Kelly

-- 

Kelly MacGaunn
Bobbi Marcus Public Relations & Events, Inc.
o. (310) 889-9200
c. (818) 430-8926 

kelly@bobbimarcuspr.com

On-site contact:

Tim Hayes 

ASCAP

c. (508) 207-5964

thayes@ascap.com

2014 Sundance ASCAP Music Café Performance Schedule

(Subject to change)

For the latest information on ASCAP events at the Sundance Film Festival, as well as on-site coverage, follow ASCAP on  Twitter, stay connected through Facebook and visit www.ascap.com.

Friday, January 17

2:00 - 2:30 - The Falls

2:40 - 3:10 - Lily Kershaw

3:20 - 3:50 - Robert DeLong

4:00 - 4:30 - Guy Sebastian

4:40 - 5:05 - Monarch

Saturday, January 18

2:00 - 2:30 - The Falls

2:40 - 3:10 - Savoir Adore

3:20 - 3:50 - Robert DeLong

4:00 - 4:30 - Guy Sebastian

4:40 - 5:05 - The Mowglis

Sunday, January 19

2:00 - 2:30 - Savoir Adore

2:40 - 3:10 - Moors

3:20 - 3:50 - The Mowglis

4:00 - 4:30 - Carina Round

4:40 - 5:05 - The Wind + The Wave

Monday, January 20

2:00 - 2:30 - Venus and the Moon

2:40 - 3:10 - Jeremy Messersmith

3:20 - 3:50 - Years & Years (from the film God Help the Girl)

4:00 - 4:30  - Kris Gruen

4:40 - 5:05 - The Wind + The Wave

5:20 - 6:00 - Richie Sambora

Tuesday, January 21

2:00 - 2:30 - Sondre Lerche

2:40 - 3:10 - Jeremy Messersmith

3:20 - 3:50 - The Devil Makes Three

4:00 - 4:30 - Matthew Perryman Jones

4:40 - 5:05 - Rae Spoon (from the film My Prairie Home)

Wednesday, January 22

2:00 - 2:30 - CLARA - NOVA

2:40 - 3:10 - Matthew Perryman Jones

3:20 - 3:50 - Escondido

4:00 - 5:30 - CMA Songwriter Spotlight - Brandy Clark, Brett James, Chris Stapleton & Lee Ann Womack

5:45 - 6:30 - KT Tunstall

Thursday, January 23

2:00 - 2:30 - Cardinal Sons

2:40 - 3:10 - Sarah Lee Guthrie & Johnny Irion

3:20 - 3:50  - Escondido

4:00 - 5:30 - CMA Songwriter Spotlight - Brandy Clark, Brett James, Chris Stapleton & Lee Ann Womack

5:45 6:30 - The Autumn Defense

Friday, January 24

2:00 2:30 - Greyson Chance

2:40 3:10 - CLARA - NOVA

3:20 3:50 - Sean Watkins

4:00 4:45 - The Autumn Defense

5:00 5:30 - The Parlotones

Music in Film

The 2014 Sundance Film Festival includes many films that prominently feature the music of ASCAP's composer and songwriter members. ASCAP composers who have scored Festival films this year include: Joshua Abrams (Life Itself), Ernest Adzentoivich (They Came Together), Will Bates (I Origins), Willis Earl Beal (Memphis), Daniel Bensi (Jonathan's Chest and The One I l Love), Jason Bentley (Under the Electric Sky), Dominic Bisignano (Kekasih), Wendy Blackstone (WHITEY: United States of America v. James J. Bulger), Brooke & Will Blair (Blue Ruin), Todd Boekelheide (Marmato), Jonathan Boulet (Phantom Limb) John Jennings Boyd (The Bravest, the Boldest), Michael Brook (Fed Up), Francois-Eudes Chanfrault (SACEM) [Jamie Marks is Dead], Vincent Courtois (SACEM) [Ernest and Celestine], Kaloyan Dimitrov (PRS) [Viktoria], Stuart Earl (PRS) [Lilting], Dave Eggar (Difret and War Story), James Ewers (PRS) [Notes on Blindness], Nima Fakhrara (The Signal), Matt Fitzpatrick (Catherine), Flying Lotus (Imperial Dreams), Jeff Grace (Cold in July), Nathan Halpern (Rich Hill), Daniel Hart (Dig), Curtis Heath (Hellion), Dickon Hinchliffe (Locke), Henk Hodstede (BUMA) [Blind], Katerina Holmberg (PRS) [The Return to Homs], Ian Hultquist (Ivory Tower), Chuck Johnson (Private Violence), Jed Kurzel (APRA) [The Babdook], Fela Kuti (SACEM) [Finding Fela], Sondre Lerche (The Sleepwalker), Laurent Levesque (SACEM) [My Sense of Modesty], Scott McGuigan (Nick Offerman's American Ham), Stephin Merritt (I'm a Mitzvah), Michael Montes (Ping Pong Summer), Miles Mosley (Me + Her), Phil Mossman (I Origins), Stuart Murdoch (PRS) [God Help That Girl], Matt Novack (They Came Together), Chuck Palmer (War Story), Charlton Pettus (Rudderless), Tom Phillips (Freedom Summer), Joel Pickard (Drunktown's Finest), Gaël Rakotondrabe (Mr leos caraX), Vernon Reid (Through a Lens Darkly: Black Photographers and the Emergence of a People), Scott Salinas (Happy Valley), Niklas Schak (KODA) [Sepideh], David Schommer (Difret), Cyrus Shahmir (The End of Eating Everything), Philip Sheppard (PRS) [Revolution], Ben Sidran (Hoop Dreams), Simon Steadman (Rudderless), Jess Stroup (Camp X-Ray), Patrick Taylor (Fishing Without Nets), Kirsty Tickle (APRA) [Phantom Limb], Hanan Townshed (APRA) [The Better Angels], Brocker Way (The Battered Bastard of Baseball) and Marcelo Zarvos (Little Accidents).

About ASCAP

The American Society of Composers, Authors and Publishers (ASCAP) is a professional membership organization of songwriters, composers and music publishers of every kind of music. ASCAP's mission is to license and promote the music of its members and foreign affiliates, obtain fair compensation for the public performance of their works and to distribute the royalties that it collects based upon those performances. ASCAP members write the world's best-loved music and ASCAP has pioneered the efficient licensing of that music to hundreds of thousands of enterprises who use it to add value to their business - from bars, restaurants and retail, to radio, TV and cable, to Internet, mobile services and more. The ASCAP license offers an efficient solution for businesses to legally perform ASCAP music while respecting the right of songwriters and composers to be paid fairly. With over 480,000 members representing more than 9 million copyrighted works, ASCAP is the worldwide leader in performance royalties, service and advocacy for songwriters and composers, and the only American performing rights organization (PRO) owned and governed by its writer and publisher members. www.ascap.com