Pro Tools
•Register a festival or a film
Submit film to festivals Promote for free or with Promo Packages

FILMFESTIVALS | 24/7 world wide coverage

Welcome !

Enjoy the best of both worlds: Film & Festival News, exploring the best of the film festivals community.  

Launched in 1995, relentlessly connecting films to festivals, documenting and promoting festivals worldwide.

Sorry for the interruption, we needed to correct and upgrade some modules. Working on a new website.

For collaboration, editorial contributions, or publicity, please send us an email here. You need for put your full detail information if you want to be considered seriously. Thanks for understanding.

User login


RSS Feeds 

Martin Scorsese Masterclass in Cannes services and offers


IDFA International Documentary Festival Amsterdam

The 23rd edition of the International Documentary Film Festival Amsterdam (IDFA), the world's largest and most prestigious film event devoted exclusively to non-fiction film and media, will run from 17 - 28 November in the city of Amsterdam.




One of the things that a documentary film can do best is to provide a much deeper analysis and background to stories that one first encounters on the daily news or in the newspapers. A case in point is THE GREEN WAVE, a bracing and inventive look at the “green uprising” that spontaneously grew following the fixed Iran elections of 2009. Famous for being the first “televised uprising” that was broadcast to the world by Twitter, the film uses a range of cinematic technique, including original footage, reflective memoir, talking head interviews and expressionistic animation to explain with diverting complexity the inspiration and aspiration of the revolt. 


Iranian director Ali Samadi Ahadi joined forces with German producer Oliver Stoltz of Dreamer Joint Venture to offer a portrait to the world of the political and emotional underpinnings of the news story and to communicate how it resounds as a turning point in Iranian society (despite the rather inglorious short term outcome). Much like the recent Oscar-nominated films PERSEPOLIS and WALTZ WITH BASHIR, the director decided to include expressionistic animation as one of the elements of telling this essentially political story. “For me, it was the only way to make this film”, the director commented in an interview with IDFA Daily’s Geoffrey Macnab. “The animation conveys the sheer brutality of the suppression of the Green Wave movement in a way that re-enactments never could.” Also striking is the use of grainy video taken by mobile phones and broadcast over Twitter, which brings a shocking immediacy to scenes of violence, chaos and police brutality. It is one thing to read about it in a newspaper story or hear a television commentator describe it and quite another to witness it first-hand, realizing that the person who has captured the images is as much a target of the next blow as the one who he/she is capturing. When the Iranian government kicked out all foreign media services, shuttered local media and laid down a strict curfew, the brave men and women who risked personal imprisonment by capturing the events on their mobile devices is indeed striking. It is a stirring endorsement of the courage of those on the front lines of democratic change in Iran and a milestone in the use of new technology to override the censorship of dictators. 


A large part of the film’s effectiveness is it use of multiple layers of information. There are the touching interviews of those who were on the front lines (and who suffered both immediate violent attack and protracted prison sentences because of their actions), the blog entries that the filmmakers assembled, the recollections of Facebook entries and blogs, as well as tweets that condensed the passion of the moment into an emotive phrase.  They are like snapshots in a slide show that accumulates its power from the progression of multiple images and perspectives. The film was made quickly, over a period of 10 months, impressive considering that a third of the film consisted of drawn animation sequences. It has not yet been seen in Iran and will probably never be officially sanctioned, considering its blistering attack on the repressiveness of the current regime. But the same technology that allowed the events to be shared with the world will also allow the film to be seen (even under clandestine circumstances) in the country where they occurred. “It will definitely happen”, Ahadi declared at the close of his interview. “Iranians are very fast and very good at copying and sharing. In these days, no one can shut out the world no matter how much political power they have.”  Sandy Mandelberger, IDFA Dailies Editor

Comments (1)

You call the director, Ali

You call the director, Ali Samadi Ahadi, an Iranian, yet isn't he a German citizen?


The Bulletin Board

> The Bulletin Board Blog
> Partner festivals calling now
> Call for Entry Channel
> Film Showcase
 The Best for Fests

Meet our Fest Partners 

Following News

Interview with EFM (Berlin) Director



Interview with IFTA Chairman (AFM)



Interview with Cannes Marche du Film Director
 dailies live coverage from

> Live from India 
> Live from LA
Beyond Borders
> Locarno
> Toronto
> Venice
> San Sebastian

> Tallinn Black Nights 
> Red Sea International Film Festival

> Palm Springs Film Festival
> Kustendorf
> Rotterdam
> Sundance
Santa Barbara Film Festival SBIFF
> Berlin / EFM 
> Fantasporto
Houston WorldFest 
> Julien Dubuque International Film Festival
Cannes / Marche du Film 



Useful links for the indies:

Big files transfer
> Celebrities / Headlines / News / Gossip
> Clients References
> Crowd Funding
> Deals

> Festivals Trailers Park
> Film Commissions 
> Film Schools
> Financing
> Independent Filmmaking
> Motion Picture Companies and Studios
> Movie Sites
> Movie Theatre Programs
> Music/Soundtracks 
> Posters and Collectibles
> Professional Resources
> Screenwriting
> Search Engines
> Self Distribution
> Search sites – Entertainment
> Short film
> Streaming Solutions
> Submit to festivals
> Videos, DVDs
> Web Magazines and TV


> Other resources

+ SUBSCRIBE to the weekly Newsletter
+ Connecting film to fest: Marketing & Promotion
Special offers and discounts
Festival Waiver service

User images

About IDFA International Documentary Festival Amsterdam

Online Dailies of the International Documentary Film Festival Amsterdam 


View my profile
Send me a message