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Established 1995 serves and documents relentless the festivals community, offering 92.000 articles of news, free blog profiles and functions to enable festival matchmaking with filmmakers.


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MEET YOUR EDITOR Bruno Chatelin - Check some of his interviews. Board Member of many filmfestivals and regular partner of a few key film events such as Cannes Market, AFM, Venice Production Bridge, Tallinn Industry and Festival...Check our recent partners.  

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Hype Fest in action

Friday, July 29th - Opening Night Party

Saturday, July 30th & Sunday, July 31st.
11am - Noon: we will kick off both days of screenings with a filmmaker meet and greet. Join us for coffee and donuts at CineSpace and get amped up for a great day of screenings.

We will have complimentary IZZE soda and Liquid Salvation water available both days.

And if you need a break, complimentary mini massages will be provided on Sunday afternoon courtesy of Origins.

It's going to be a great weekend and we hope you will join us!

Saturday July 30th - Screening and Event Schedule
11am - Coffee and Donuts at CineSpace.
12pm - Screening Program "A Day In The Life"
1:30pm - Screening Program "The Future"
3pm - Screening Program "Altered States"
4:30 pm - Screening Program "IFILM: Shorts We Love"

6-8pm - Saturday Sushi Mixer at The Well. 6255 Sunset Blvd. (Enter on Argyle). Join us for delicious sushi after the first day of screenings (no host bar). Open to everyone!

Sunday, July 31st - Screening and Event Schedule
11am - Coffee and Donuts at CineSpace.
12pm - Screening Program "Dates & Soulmates"
1:45 pm - Screening Program "Dreams and Desires"

3 - 4pm Mentor Sessions: Filmmakers and badgeholders may sign up for 15-minute one-on-one meetings with various industry notables. A sign-up sheet will be available at the opening night party and at CineSpace.

4:15pm - Screening Program "The End"
6pm - Global Student Animation Awards Screening Presented by Stash Magazine

7- 11pm - HypeFest Closing Night Party and Awards!
HypeFest is proud to welcome our closing night sponsor the Tucson Film Office (

The party kicks off with complimentary vodka cocktails from 7 - 8:30, followed by our award festivities. Awards for Best Screenplay, Style Council, D.I.Y., the Audience Award and more will be presented. In addition, Stash Magazine will give its award to the best animation project. This year our prizes include camera rental packages from sponsors Moviola and AMP Filmworks, as well as books and software from Michael Wiese and Media Services and gift certificates from Amoeba, Kung Pao Kitty, Agua Spa at The Mondrian and more. Plus the ever popular and highly coveted HypeFest cheerleader trophy! After the awards presentation, the party continues with the funky stylings of DJ Starskee Suave.

This event is a list-only event. To RSVP, please email (Badgeholders may attend without RSVP.)

The Tucson Film Office offers free location scouting assistance and liaison services in Southern Arizona and along its border with Mexico. Locations range from desert to pine covered peaks, architecture spans 17th Century Spanish to Antoine Predoc-designed space-age. All illuminated by year round sun. Fly direct - Tucson to Los Angeles is an hour and a half with dozens of flights each day. An experienced crew base awaits.

Parking in the area can be difficult and we recommend you park your car in a pay lot while you attend the screenings.

Your best bets are:
The Doolittle Theatre parking lot - entrance at 1623 N. Vine St. (btwn Hollywood and Selma). This parking lot may be full for part of Sunday due to the Hollywood Farmer's Market. Once you park go to the far end of the parking lot and you can exit the lot directly on to Ivar, right around the corner from CineSpace.

The Sunset + Vine parking structure - enter on Sunset. Park all day for $6.

There are other pay lots on Hollywood at Vine and on Cahuenga at Hollywood Blvd. There is also some street parking available (read all posted signs carefully!) On Sunday, during the Farmer's Market please allow extra time for parking.

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About Editor

Chatelin Bruno

The Editor's blog

Bruno Chatelin Interviewed

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