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A thousand generations live in you now. See Star Wars: The Rise of Skywalker in theaters December 20.

James Bond 007 No time to die 2020 Daniel Craig, Rami Malek

Trailers in 2020


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Dan Harris: Imaginary writer lives his fantasy.

Flashback a few years to a (then) 22 year-old Dan Harris was offered to write
X2: X-Men United after director Bryan Singer read the screenplay for IMAGINARY HEROES. That same year Harris’ photography was published in the NY fashionista Visionaire and was profiled by Variety as one of the top 10 screenwriters to watch.

Heroes vs. Heroes

It just kept getting bigger and better. Dan Harris and writing partner Michael Dougherty are now busy working on the upcoming SUPERMAN RETURNS feature film. The pair also penned the screenplay for Wolfgang Peterson’s ENDER’S GAME plus the screenplay for LOGAN’S RUN remake.

Ironic that a now 26 year old Harris would be hand picked to rework the futuristic fable of a society where turning 30 spells RIP.

A recent conversation with the exiled Harris (the studio has sequestered him to Australia to write SUPERMAN RETURNS in solitude - a tough gig, right?- where in between fits of kawala cabin fever he’s birthing big ideas for Clark Kent, a new Charlie Chan pic in pre-production and five or six drafts for FANTASTIC FOUR.

But first, a brief history.

X marks the man

Before this Pennsylvania native earned his BA from Columbia University (2001)
Dan Harris’ short film “Urban Chaos Theory” won the grand prize at NoDance in Park City and his bizarre short “Killing of Candice Klein” premiered at Sundance.

Shortly before migrating to California, he and long-term writing partner Michael Dougherty sold a horror pitch to Phoenix Pictures…and never looked back.

Dan down-under

I really thought IMAGINARY HEROES was very touching, but there is very sharp humor throughout. What is your approach to writing comedy?

Well, it was the biggest challenge of the film -- keeping the tone unique and the right blend of comedy and drama... the idea being just when you think the film is going in one direction, it changes, story-wise and tonally. The movie can fall very quickly into melodrama if there isn’t enough humor, and the humor isn't biting enough.
I consider IH a black comedy with drama, not necessarily the other way around.

Did you see a central character from the first draft or did the final script unexpectedly gravitate toward the struggle of younger son Tim Travis
(Emile Hirsch)?

I always envisioned the movie as an ensemble, but seen through the eyes of Emile's character. That this was a world whose characters are all important to the story, like a giant tapestry, where each person affects everyone else, but we need, as the audience, an entrance point, a set of eyes to use as our own, and I thought Emile's character was the right one -- the most affected by the story, and the cleanest, (almost most adult) viewpoint.

When you're collaborating with your writing partner, do you both share the process/dig for ideas together OR pass drafts, ideas and outlines back and forth?

Well… I think every writing team works differently, but Mike (Dougherty) and I have found what works for us. We talk aloud and collaborate openly on the story, outlining in a room, sometimes in a notebook or on the wall, but together, out loud. We then break the story up into its respective scenes and/or sequences, and split them up -- basically saying, this is my favorite scene, I want this one, etc... Then we break and work on them individually, then switch, and rewrite each other’s, then switch and rewrite again, finally combining them.

Exploring the comparisons of writing for "Super" characters and "Everyday" persons, the similarities may involve empowerment and/or personal demons BUT where are the subtle differences?

Well I think honestly it doesn’t matter for us whether we're writing Wolverine or someone like Sandy Travis (Sigourney Weaver). I mean, they all have demons and they all have subtleties, ticks, lines, little things they do that make them real people. I guess in a film like IMAGINARY HEROES I just get to spend a lot more time nurturing those smaller characteristics, and probably they end up defining the character, more so than Wolverine, who is first and foremost a Hero.

(Moving on) You seem to "genre-hop" with such ease and great success.
What film in recent memory presented a genre/style of filmmaking that inspired you to explore that kind of storytelling?

That’s actually a very important question for me -- in two ways firstly, I admire most and want to emulate directors like Peter Weir or Stanley Kubrick, who genre-hopped with every film they made, the only thing in common being that they were great stories with the perfect balance of character and genre/concept...
Secondly, films that influenced me the most when I was a teenager, that ultimately influenced the tone and treatment of IH itself, were a series of movies released in 1994/1995 – USUAL SUSPECTS, PULP FICTION, FARGO. They were really important to me in many ways, but mostly because they taught me that a film can be anything. Film can cross all boundaries, tonally, story-wise, genre-wise. PULP FICTION screwed with timelines. FARGO used humor in moments where no one thought it could work.

USUAL SUSPECTS changed my idea of what kind of truth a film could tell. These films were the inspiration, telling me that I can make a drama that moves from tone to tone and tells an honest story. It works when the audience is along for the ride.

(Lastly) How will you approach the SUPERMAN saga and tell a fresh story from such familiar comic book lore?

I'm kind of banned from talking about SUPERMAN! Everything is sooo top-secret.

Damn. Thought I could break you. Well… how are you evolving as a writer/director and will you ever separate those 2 tasks to focus on one exclusively?

Yes, well, my goal in the next few years is to be able to write on big projects that I love, with people I love working with (Bryan Singer/Mike Dougherty), but then build a directing career that makes movies somewhere between the IH and X2s of the world -- that is, up next, the kind of movies Spielberg made in the 80s. Films about real people, going through difficult things in the midst of something greater, something vaguely Sci-fi -- a large concept behind an intimate story.

Thanks Dan, you seem like a very nice/down-to-earth guy. Good luck with all your future projects. Take it easy. Talk soon.

And thank you very much, Craig -- it was a pleasure.

The suburban comedy/drama, IMAGINARY HEROES, a Sony Classics release, is now in theaters everywhere. The film stars Sigourney Weaver, Emile Hirsch and Jolly
Jeff Daniels (in a quietly menacing performance.) Don’t miss it.

Craig Parish

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