|
||
Pro Tools
FILMFESTIVALS | 24/7 world wide coverageWelcome ! Enjoy the best of both worlds: Film & Festival News, exploring the best of the film festivals community. Launched in 1995, relentlessly connecting films to festivals, documenting and promoting festivals worldwide. Working on an upgrade soon. For collaboration, editorial contributions, or publicity, please send us an email here. User login |
EditorEstablished 1995 filmfestivals.com serves and documents relentless the festivals community, offering 92.000 articles of news, free blog profiles and functions to enable festival matchmaking with filmmakers. THE NEWSLETTER REACHES 199 000 FILM PROFESSIONALS EACH WEEK (december 2020) .Share your news with us at press@filmfestivals.com to be featured. SUBSCRIBE to the e-newsletter. MEET YOUR EDITOR Bruno Chatelin - Check some of his interviews. Board Member of many filmfestivals and regular partner of a few key film events such as Cannes Market, AFM, Venice Production Bridge, Tallinn Industry and Festival...Check our recent partners. The news in French I English This content and related intellectual property cannot be reproduced without prior consent. ![]() Bruno Chatelin will attend The Film Festival Summit in Austin (Dec 4/6) with a busy agenda2011 Conference Agenda in Austin, Sunday December 4th, 2011
2:00 pm 2:30 pm - 3:00 pm 3:20 pm - 3:30 pm
3:30 pm - 4:45 pm This unique panel discussion will explore a behind-the-scenes look at one of the most successful film festivals. Panelists will discuss critical areas such as talent selection, corporate sponsorship, membership, filmmaker services and more. Attendees will learn how each department effectively works together, providing the best experience for film festivals and audiences alike. Moderator: Dana Harris, Editor-in-Chief, indieWIRE Janet Pierson, Festival Producer, SXSW 4:45 pm - 5:10 pm Back by popular demand you'll have the opportunity to meet with your conference 'Living Group'. Attendees will be grouped together so that starting on day one you have the chance to meet new contacts and maximize your conference experience. In addition to meeting your Living Group for the first time you will also take part in an interactive discussion and problem solving activity on some of the most pressing issues festivals are currently faced with. Each group will be asked to submit 3 solutions that will be turned in to the IFFS staff and all results will be made available to attendees on the last day of the conference. Hosted by: Cevin Cathell 5:10 pm - 5:40 pm 5:45 pm - 6:30 pm
An unconference is a meeting where the participants drive the activity. There’s no set agenda and no set Don’t miss this guided open forum to engage your colleagues and gain insight to the most pressing issues you and your festival are facing. This session will provide attendees an opportunity to both, ask questions and get answers on specific issues facing their film festival. Come prepared to engage one another and share pearls of wisdom that have been learned over the years. At the close of each day attendees will have the chance to revisit pressing issues and share in this interactive environment.
Topics can include, but are not limited to: 6:30 pm - 8:00 pm Brought to you by: You won’t want to miss this year’s opening cocktail reception where you will have the opportunity to meet new colleagues and catch up with old friends. You will also have the opportunity to meet with and learn about some of the latest technology and service providers working with the festival community. Monday December 5th, 2011
8:30 am 9:30 - 9:45 am
Bryan Lhuillier 9:45 - 10:45 am This panel will provide a curated discussion of the best and worst of festival war stories. Panelists and the audience will share stories from decades of dealing with filmmakers, sponsors, and party crashers. (Names will be changed to protect the guilty and innocent) The spirit of this panel is meant to be a highly interactive and fun discussion of why we all love (and sometimes hate) this industry. Attendees will have the opportunity to submit their stories in advance and be selected as a panelist. Moderator: Laurie Kirby, Esq., Executive Director, International Film Festival Summit Nancy Schafer, Executive Director, Tribeca Film Festival
10:45 – 11:30 am 11:30 am - 12:15 What priorities govern the programming choices film festivals make? How do personal taste and personal politics promote certain films over others to media, industry and audiences? In the decisions we make as advocates or even activists, what's at stake?
Cameron Bailey 12:15 pm- 12:30 pm
12:30 pm- 1:45 pm
Afternoon Breakout Tracks 1:45 pm - 2:45 pm Learn how the Oxford Film Festival increased attendance, sponsorship and buzz about their festival by making its own film. The directors of Oxford Film festival were looking for a way to increase awareness in the community about what it means to make a film – as well as to find a creative new way to involve sponsors. Thus the idea of the community film was born.
This short film was produced in less than two months before the festival. Kodak donated the film stock; Panavision donated the equipment. OFF hired crew from Memphis and Los Angeles and all actors were local volunteers. Local volunteers handled set design, craft services, transportation and other important areas of the filmmaking process. The result was a 10-minute short that world premiered at the festival and subsequently packed the theatre five times during the course of the weekend, increasing overall ticket sales and festival attendance. Additional screenings held post-fest, dvd and poster sales helped offset the cost. The main result was happy sponsors and a stronger awareness of the film festival and the process of filmmaking for the Oxford community.
Molly Fergusson 1:45 pm - 2:45 pm
This discussion will address the selection process and the merits and de-merits of programming based on talent. This seasoned group of professionals will share their insights and secrets surrounding the art of programming. Attendees will walk away with a cursory look into the behind-the-scenes decision-making process. Moderator: Peter Belsito, Co-founder, Film Finders Laura Henneman, Senior Programmer, Napa Valley Film Festival
2:45 – 3:45 pm
Panel Presentation “Event Management and Streamlining Festival Operations”
Dealing with tight timelines? Shrinking budgets? Looking for new venues? This panel will challenge you to evaluate and streamline festival operation methodologies with the goal of maximizing efficiencies and profitability while maintaining the audience and filmmaker experience. Deidre Haj, Executive Director, Full Frame Documentary Film Festival 2:45 – 3:45 pm
Panel “Marketing Strategies: Integrating Social Media and Technology”
Now that you have your film program completed, web site and traditional media all ready to go, don’t forget to engage your biggest fans via social media. Engaging your audience to attend your festival and visit your web site is critical for a successful campaign. This year the IFFS is presenting a timely social media workshop to help festivals optimize content and buzz around their festival. Moderator: Mark Pogachefsky, President, MPRM Communications Brian Newman, Founder, Sub-genre 3:45 – 4:30 pm Brought to you by: 4:30 - 5:30 pm : Fire-side Chat “A Conversation with Matthew Modine: How to Attract Above-the-line Players to Your Festival” Join actor and filmmaker Matthew Modine as he screens his new award-winning film, Jesus Was a Commie, and provides an actor's point of view on film festivals and what attracts above-the-line players. Matthew Modine's roles include Private Joker in Stanley Kubrick's Full Metal Jacket, the title character in Alan Parker's Birdy, high school wrestler Louden Swain in Vision Quest, and the oversexed Sullivan Groff in Weeds. Most currently he can be seen in HBO's Too Big to Fail and will be appearing in the The Dark Knight Rises directed by Christopher Nolan. Matthew's new purposefully provocative short film, Jesus Was a Commie won the Founders Prize for Best Short Film at the Traverse City Film Festival. It was also awarded the Oldenburg Star recognizing bravura and compassion in visionary filmmaking at the Oldenburg International Film Festival in Germany. In addition to festivals, the film has screened at the Society of Illustrators, NYC and LA Soho Houses, Yale University and the Metropolitan Museum of Art in NYC. Jesus Was a Commie elegantly and intelligently captures an audience desperate to understand what is happening across our country. Using unambiguous language that openly presents two swamplands America is presently bogged down in; environmental degradation and partisanship. Modine's words are as plain and simple as a parable from his films title character. Jesus was a Commie is an avant garde dialectial conversation about the world and the prominent issues of modern society. Co-Director/ Editor Terence Ziegler, Producer Adam Rackoff, USA/ 2011. Interested media please contact Workhouse, CEO Adam Nelson directly via email nelson@workhousepr.com or by telephone +1. 646. 205. 2540 Robin Bronk is CEO of The Creative Coalition, the national, nonprofit advocacy organization of the arts and entertainment industry. The Creative Coalition's Spotlight Initiative champions the art and craft of independent filmmaking by providing alternative marketing and public relations resources that allows the film’s message to reach beyond the movie screen through its outreach to leaders in business, entertainment, arts and policy. Robin also is the producer of Barry Levinson's Poliwood, currently airing on Showtime, and the author of Five Minutes With the President (Harper Collins) and the recently released Art & Soul (Hearst Books). To invite Jesus Was a Commie to screen at your festival, please contact: jesuswasacommiefilm@me.com. Hosted by: Robin Bronk, CEO, The Creative Coalition 4:30 - 5:30 pm Brought to you by: Make no mistake. This is a digital world and there is no going back. Since the Cannes Film Festival broadcast “The Last Broadcast” digitally at the Cannes Film Festival in 1999 , this technology, like a freight train, just keeps coming. As of June, 2010, there were close to 16,000 digital cinema screens With top Independent Art Houses in the United States including many Landmark Theaters, The Angelikas in New York and Houston, The Charles in Baltimore and many others now using digital technology, festivals have to grapple with yet another format. And the digital issues aren’t just at the screening. There are digital online submission companies now, festival apps and digital distributors that want to represent your filmmakers. By replacing film prints with hard disks the issue of how to do this and with whom is a big question.
Hear from the experts on apps, digital servers, digital submissions and exhibition as well as festivals that have mastered this tricky minefield. Learn from soup to nuts about the digital world and how to control it and not let it control you.
Moderator: Paul Cohen, Director, Torchlight Program, FSU College of Motion Picture Arts Anne Chaisson, Director of Development, Nantucket Film Festival
5:30 pm - 7:00 pm Brought to you by:
Cocktail Reception & Presentation of the Fourth Annual Excellence Awards
After a full day of presentations, interactive panel discussions and networking events take the edge off with a cocktail and toast an end to the second day of this year's summit. Take a tour of the exhibit hall and discover the products and services that can help take your festival to the next level! 9:00 pm - 12:00 pm Brought to you by: TBA Tuesday, December 6th, 2011
8:45 am 9:45 am - 10:00 am 10:00 - 11:00 am
This panel discussion examines the emergence of innovative new strategies for marketing as well as digital distribution, and best practices for festivals to control what happens to the films they screen, and the models filmmakers are using for distribution. With the seemingly continuous evolution of the independent film industry, festivals must continue to evolve and adapt, as well. We will learn how to create a win-win situation between film festivals and filmmakers, distributors, and content owners. Moderator: Brian Newman, Founder, Sub-genre Peter Belsito, Co-Founder, Film Finders
11:00 - 11:45 am 11:45 - 12:30 pm
Keynote Presentation “Beyond the Festival: A Tribeca Case Study”
The Tribeca Film Festival began rather uniquely as a festival with a mission to help rejuvenate a neighborhood struggling in the aftermath of 9/11. In the decade since, Tribeca has evolved into a world class film event, known for its discovery of new artists and its commitment to community. With the universe of film dramatically evolving, Tribeca is reinventing itself as well as the festival paradigm to encompass distribution platforms, education, exhibition and the on-line world. Nancy Schafer Executive Director Tribeca Film Festival 12:30 pm - 2:00 pm Afternoon Breakout Tracks
2:00 pm - 3:00 pm
Operations Fast Track - Capital Ballroom A
Wondering how you can ink more sponsorship, sign multi-year deals or just trying to solidify your selling strategy? If you answered yes to any of these questions your festival can’t afford to miss this panel. Hear examples of proven branding and sponsorship strategies to target, pitch, contact, and retain sponsors year after year. Moderator: Lesa Ukman, Chairman, IEG, LLC Liana Bender, Development Director, California Film Institute
2:00 pm - 3:00 pm
Strategic Fast Track - Austin North Meeting Room
Brought to you by: Panel “Box Office Technology Solutions: Engaging New Audiences and Expanding your Box Office”
From ticketing, to patron management, to audience engagement, using the latest technology allows you to focus on growth and prosperity for your festival now and in the years ahead. Our expert panelists will address how to choose a system that will enable you to leverage technology and accomplish your goals. Moderator: Keith Weckstein, VP Tribeca Cinemas & Ticketing, Tribeca Film Festival
3:00 – 3:30 pm 3:30 – 4:30pm
Operations Fast Track - Capital Ballroom A
Volunteers & seasonal staff are often the life blood that allows a festival to run smoothly year after year. Effective management of this process and these individuals cannot be overlooked. Our panelists will address and dissect the unique and creative ways this can be accomplished. Attendees will walk away with a number of proven solutions to train, staff, and keep their program going strong. Moderator: Monica Hinckley, Volunteer, Intern & HR Coordinator, Seattle International Film Festival Richard Paradise, Festival Director, Martha’s Vineyard International Film Festival 3:30 – 4:30pm
Strategic Fast Track - Austin North Meeting Room
Find out how Nashville Film Festival went from almost being cancelled one year to a high-profile and successful event with a 92% return of its seasonal personnel. (Hint: They don’t do it for the money.) We will show you how we create processes that impact the organization and flow as they allow for transparency. (The filmmakers want to know.) We will tell our success stories and bring our systems. (Steal what you want.) We will share our festival components and how we communicate. (If you can do it better than us, we applaud you.) Join Managing Director Ted Crockett and me as we promise to work hard to prepare a great presentation and give you time to ask questions about what’s important to you, play hard while we are in Austin and laugh along the way. Brian Owens 4:30 - 6:00 pm
01.12.2011 | Editor's blog Cat. : actor Adam Nelson Adam Rackoff Alan Parker America Ann Arbor Film Festival Anne Chaisson Artistic Austin Film Austin Film Festival Austin North Author Baltimore Barbara Morgan Box Office Technology Solutions Brad Carroll Brian Newman Brian Owens Bryan Lhuillier California Candidate Position Carl Spence CEO chair Chairman Chris Holland Christopher Nolan Claudette Godfrey co-director Co-Director / Editor co-founder Co-founder & Executive Director Contact Details coordinator Cultural Activist Dana Harris Deidre Haj Director Director Director , Seattle International Film Director of Digital Content & Operations Director of Festival Director Sonoma International Film Festival Director, International Film Festival Director, New Media Film Festival Donald Harrison Editor Editor-in-chief Eleonora Granata Jenkinson Employment Relation Entertainment Entertainment Eric Bergez Evan Saxon Eventbrite executive Executive Director Executive Director , Ann Arbor Film Fantastic Fest Festival Relations Film FILM Film and Film Festivals Film festival Film Finders FSU College of Motion Picture Arts FSU College of Motion Picture Arts Anne Chaisson Full Frame Documentary Film Festival Full Frame Documentary Film Festival Germany Graham Leggat Harper HBO Houston Human Interest Human Interest IEG LLC IndieFlix indieWIRE Intern International Film Festival Summit International Television James Chippendale Janet Pierson Jesus Was jesuswasacommiefilm@me.com Join Jon Fitzgerald Keith Weckstein Kodak Kristin McCracken Laura Henneman Laurie Kirby Lee Ann Kim Lesa Ukman Liana Bender Living Group Los Angeles Louden Swain Managing Director Mark Fishkin Mark Pogachefsky Martha Matthew Modine Meira Blaunstein Memphis Metropolitan Museum of Art Micah Ginn Michigan Mill Valley Film Festival Mill Valley Film Festival Mill Valley Film Festival Molly Fergusson Monica Hinckley More MPRM Communications Music of Texas Nancy Kennedy Nancy Schafer Nantucket Nantucket Film Festival Nashville Film Festival nelson@workhousepr.com New Media Film Festival New York New York New York Festivals New York Festivals officer Operations Director Owner Oxford Film festival Paul Cohen Person Career Person Communication Person Email Address Peter Belsito president Producer Producers Product Manager Production Programmer Programmer & Operations Manager public relations Qube Cinema Inc. Rachel Malish Rebecca Feferman Richard Paradise Robin Bronk Rose Anderson Russ Collins Sales & Marketing Americas San Diego Asian San Diego Asian Film Foundation San Francisco San Francisco Film Society Sara Barney Sarah Cathers Scilla Andreen SEATTLE INTERNATIONAL FILM FESTIVAL Shiftboard Inc. Sita Kaulesar South by Southwest South by Southwest Southwest Stanley Kubrick Susan Johnston Technology Technology Ted Crockett Terence Ziegler the Cannes Film Festival The Creative Coalition The Oldenburg International Film Festival the Oxford Film Festival the Traverse City Film Festival the Tribeca Film Festival Torchlight Program Toronto International Film Festival Toronto International Film Festival transportation Tribeca Enterprises Tribeca Film Tribeca Film Festival Tribeca Film Festival Tribeca Film Festival Ty White United States Valley Film Festival VP Woodstock Film Woodstock Film Festival WRESTLER Yale University Yale University PEOPLE
|
LinksThe Bulletin Board > The Bulletin Board Blog Following News Interview with EFM (Berlin) Director
Interview with IFTA Chairman (AFM)
Interview with Cannes Marche du Film Director
Filmfestivals.com dailies live coverage from > Live from India
Useful links for the indies: > Big files transfer
+ SUBSCRIBE to the weekly Newsletter DealsUser imagesAbout Editor![]() (Filmfestivals.com) The Editor's blog Be sure to update your festival listing and feed your profile to enjoy the promotion to our network and audience of 350.000. View my profile Send me a message The EditorUser pollsUser contributions |