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The 74th Berlin International Film Festival will take place from Feb 15 - 25, 2024 / EFM : Feb 15-21
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 Panorama Crossing Borders
PanoramaCrossing BordersYoung, political, combative: the 70th Berlinale Panorama tells of migration and the search for and discovery of an inner notion of home, the overexploitation of our planet and it unveils bold narratives of queer identities. Directors Karim Aïnouz, Andrea Štaka and Francisco Márquez as well as the actors Ben Whishaw, Sandra Hüller and Stellan Skarsgård all present new films in the programme.
“The Panorama programme is emblematic of the urgency for political action and civil disobedience. Filmmakers and protagonists are standing up against authorities,” observes new section head Michael Stütz. “Russian citizens who have been left behind socially stagger between neo-imperialist subservience and making angry accusations against their president. A young woman whacks patriarchal dominance in the face with a shovel. And, in Sweden, self-determined young people are defining their own gender. They are all engaged in a search, stimulating change and breaking out. The films display the power of resistance and the scope of what is possible.” Stütz has also selected Kitty Green’s #MeToo drama The Assistant for the programme, a film that has already prompted much media discussion. Further, he has included Bettina Böhler’s cinematic portrait of artist Christoph Schlingensief, who died in 2010, as well as the Danish genre thriller Kød & Blod (Wildland). Where Do You Come From, Where Are You Heading?Where are the borders between one’s origins, homeland and the idea of home? This question imbues the 2020 Panorama. It is addressed in many films, including the partly autobiographically inspired works of three German directors: Faraz Shariat’s Futur Drei (No Hard Feelings), Uisenma Borchu’s Schwarze Milch (Black Milk) and Visar Morina’s Exil (Exile). Matias Mariani’s debut film, Cidade Pássaro (Shine Your Eyes), follows Nigerian musician Amadi into the high-rise canyons of São Paulo. In search of his missing brother, he immerses himself in Brazil’s African diaspora. In Mogul Mowgli, young British rapper Zed tries to find his place in the world, torn as he is between an international music career and the traditions of his conservative Pakistani parents. Riz Ahmed shines in this debut film by Bassam Tariq who co-wrote the screenplay with his actor. In Nardjes A., director Karim Aïnouz, whose work has already won multiple international awards, sets off in search of his Algerian roots. He becomes caught up in the peaceful protests of the “Revolution of Smiles” directed against Algeria’s long-term president Abdelaziz Bouteflika. Filmed entirely on an iPhone, Aïnouz’s documentary focuses on the young Nardjes and her activism in a time of political upheaval. Fighting for NatureThe earth’s exploitation and destruction at the hands of humans is another key focus in the programme, in Georgis Grigorakis’ Digger, for example. As diggers roll in and construction cranes arrive, the machinations of an oil company divide a community in the Greek provinces. Fernando Segtowick’s documentary, O reflexo do lago (Amazon Mirror), portrays the depletion of Amazonia in haunting black and white images. The Brazilian director takes the construction of the Tucuruí reservoir as the starting point for an investigation into the past and present exploitation of the region. The Italian drama Semina il vento (Sow the Wind), by Danilo Caputo, is set near Ilva, Europe’s largest steelworks that has been poisoning Apulia’s environment for decades. Young agricultural scientist Nica is fighting to save her family’s olive grove. Against the wishes of her profit-orientated father, she searches for an ecologically sustainable solution for the centuries-old trees. Queer Realms of PossibilityNew queer cinema initially heads back into the past with Eric Steel’s Minyan, which depicts a gay coming-of-age story in the Jewish diaspora of Brooklyn in the late 1980s. In Las mil y una (One in a Thousand), Clarisa Navas’ protagonists explore the sexual realms of possibility between first love and the violent reality of social housing projects in contemporary Argentina. The long-term observational documentary Always Amber, by Lia Hietala and Hannah Reinikainen, accompanies Swedish transgender teenagers Amber and Sebastian who increasingly become the authors of their own lives. The films in the 2020 Panorama display a noticeable change: time is running out, societies have their backs against the wall. In the midst of global crises, cinema demands, and finds, stimuli for change. Films in the PanoramaA l'abordage One summer night in Paris, Félix meets Alma by chance and they get along beautifully. He decides to surprise her at the place where her family is holidaying in the south and enlists his best friend in an adventure that will not leave them quite the same. Always Amber Amber belongs to a queer generation which no longer wants society to dictate their identity. The teenagers proudly inhabit a spectrum of fluid identities and master their first loves and losses. The Assistant Jane has started her dream job as a junior assistant to a powerful entertainment mogul. Her day is much like any other assistant’s, but she is soon confronted with an abusive daily routine, only to discover the true depth of the system into which she has entered. Aufzeichnungen aus der Unterwelt (Notes from the Underworld) A love letter to Vienna’s underworld of the 1960s that is also a social portrait of post-war Austria. Viennese folk singer Kurt Girk and his friend Alois Schmutzer discuss their lives in Vienna’s criminal milieu – for which they served long prison terms. Bloody Nose, Empty Pockets A final binge in a closing bar on the edge of Las Vegas. With clear-sighted observation, the film allows us to share the familiarity between the regulars, creating the impression that we are sitting amongst them. Cidade Pássaro (Shine Your Eyes) Musician Amadi has not heard from his older brother Ikenna in a long time. He travels from Nigeria to the Brazilian metropolis of São Paulo but cannot find him. Cidade Pássaro is an enigmatic exploration operating on several levels. Days of Cannibalism Documentary meets genre cinema in this Western from today’s Lesotho, where modern pioneers of capitalism clash with local traditions, and aspiring Chinese merchants compete for supremacy with traditional Basotho cattle breeders. Digger When Jonny visits his reclusive father Nikitas in his cabin in the woods after 20 years, the hermit ignores him. But to prevent the muddy ground from being pulled out from under their feet for profit, father and son must dig deep into it. Eeb Allay Ooo! Monkey repellers such as Anjani have an exceedingly tricky job in downtown New Delhi. With the sensitivity of a documentary and an Indian sense of humour, the film depicts the harsh life of a migrant and subtly mirrors today’s social realities. Exil (Exile) The signs that the pharmacologist Xhafer, who is originally from Kosovo, is being bullied at work are increasing – or is it just his imagination? Exile portrays an individual caught between integration and loss of identity. Futur Drei (No Hard Feelings) German-Iranian Parvis’s life revolves around pop culture, Grindr dates and raves. Through refugee siblings Banafshe and Amon, Parvis rediscovers his roots. A sensitive film about first love and life as a migrant in Germany. Håp (Hope) When Anja is diagnosed with a brain tumour, everyday life in her patchwork family implodes and her cooling relationship with her partner Tomas is faced with a new kind of reality. I Dream of Singapore An insightful documentary about migrant workers in Southeast Asia. After an accident in Singapore, Bangladeshi Feroz gets help from a human rights organisation. This hypermodern city-state is chewing up and spitting out poor migrants to power its boom. Jetzt oder morgen (Running on Empty) Lisa Weber’s portrait of Claudia, who had a son when she was 15 and who now lives with him, her mother and her brother in Vienna, is an affectionate and gentle film about the passing of time, and about what goes on when nothing seems to be happening. Kød & Blod (Wildland) After her mother’s death, Ida moves in with her aunt and cousins. Theirs is a loving family, but it soon transpires that the clan is engaged in criminal activities. A female-driven exploration of family conflict fueled by affection and cut-throat ethics. Kotlovan (The Foundation Pit) A found footage film compiled from countless YouTube videos in which the people of Russia make a direct appeal to president Putin. A kaleidoscope of the mood in the country – from submissive pleas to pure rage about injustice and rampant corruption. Las mil y una (One in a Thousand) Set in a community of project houses, Iris, a young woman with a tough past, meets Renata and feels immediately attracted to her. A tender coming-of-age film about friendship and first love in a hostile environment. Mare Routinely, but with dedication, Mare runs her small family’s modest household, even though a new washing machine is not the only thing that is missing. When a chance encounter rekindles her libido, she does not hold back for long. Minyan New York in the 1980s. David, 17, who is beginning to live out his homosexuality in the East Village gay scene, gradually questions the strict rules of his Jewish community. Mogul Mowgli Zed, a young British rapper, is about to start his first world tour, when a crippling illness strikes him down, and he is forced to move back in with his family. He tries to find himself between an international music career and Pakistani family traditions. Nardjes A. Accompanying activist Nardjes with his camera, Karim Aïnouz documents the youth culture, which is confidently taking to the streets for a democratic future in Algeria, whose independence their parents and grandparents have already fought. One of These Days In the Texan “Hands on a Hardbody” competition, contestants stand around a new pickup truck for days, touching it with one hand. Whoever holds out the longest wins the truck. A psychological portrait of poverty, wealth and despair. Otac (Father) Nikola’s children are taken away from him after social services decide that he is too poor to provide them with a decent living environment. He sets off on foot to lodge a complaint in Belgrade. A moving tale about inequality. Pari Iranian mother Pari’s search for her missing son in Athens will force her on a journey to the dark corners of the city, as well as into the hidden depths of her own self. Petite fille (Little Girl) The touching portrait of eight-year-old Sasha, who questions her gender and in doing so, evokes the sometimes disturbing reactions of a society that is still invested in a biological boy-girl way of thinking. O reflexo do lago (Amazon Mirror) A black and white film about the people who live near one of the world’s largest hydroelectric plants in Amazonia. In the shadow of this environmentally destructive project, they eke out involuntarily meagre lives, without electricity or infrastructure. Schlingensief – In das Schweigen hineinschreien (Schlingensief – A Voice That Shook the Silence) Using unpublished and newly digitalised archive footage and film material, Bettina Böhler has brilliantly assembled this film about the life and work of the exceptional artist Christoph Schlingensief, who died in 2010. A cinematic tour de force. Schwarze Milch (Black Milk) In Uisenma Borchu’s second semi-biographical film, a young woman is searching for her roots and discovers an idiosyncratic, radical sensuality that not only transgresses Mongolian conventions but also those of the supposedly more liberal West. Semina il vento (Sow the Wind) After years of absence, Nica returns to her native village. Her grandmother’s olive trees are threatened by a bug infestation. Against her father’s will, she fights to preserve the trees and maintain family traditions. Si c'était de l'amour (If It Were Love) The creation and performance of Gisèle Vienne’s dance piece “Crowd” is superbly transposed to the screen in this sensual documentary. An exhilarating neon-lit fresco of a young party crowd set to the pulsating beat of loud electronic music. Suk Suk A chance encounter brings Pak and Hoi together in Hong Kong. Both are grandfathers and both have lived married lives, providing for their families. A passionate and delicate film about love later in life. Surge Joseph leads an unexciting life between his flat and a soulless job at the airport. An impulsive act of rebellion propels him on an unbridled and reckless trip through central London in which he experiences what it feels like to be alive. Un crimen común (A Common Crime) Cecilia is too afraid one night to let her housekeeper’s son into the house. The next day his dead body is found. Francisco Márquez has created a ghostly shimmering narrative that describes the injustices of Argentinean society. Vento Seco (Dry Wind) Between work, swimming and anonymous sex, Sandro lives a rather monotonous life in the hot and arid expanse of Goiás in Brazil. When Maicon, a Tom-of-Finland comic strip lookalike, appears in his small town, his life takes a turn. Welcome to Chechnya The first documentary about the activists who join forces to save other people’s and their own lives in the face of the systematic persecution of the LGBTQI* community carried out by the Chechen authorities. A tour de force charged with resilience and courage. As of January 21, 2020
Panorama 2020: (Un)common Grounds
Ike Barry and O.C. Ukeje in Cidade Pássaro by Matias Mariani Section head Michael Stütz is already outlining Panorama’s first themes with the films selected so far: Faraz Shariat (No Hard Feelings), Uisenma Borchu (Black Milk) and Visar Morina (Exil) embody filmmakers of an emerging, headstrong generation. They deliver pluralistic post-migration viewpoints. Director Siamak Etemadi (Pari), who hails from Iran and works in Greece, exemplifies current transnational filmmaking. Welcome to Chechnya by previous Oscar nominee David France shows the brutal and systematic persecution of the LGBTQI* community in the Russian republic. Documentary cinema is also prominently represented by Patric Chiha, Tizza Covi and Rainer Frimmel as well as TEDDY winner Sébastien Lifshitz.
The Assistant
Jane has started her dream job as a junior assistant to a powerful entertainment mogul. Her day is much like any other assistant’s, but she is soon confronted with an abusive daily routine, only to discover the true depth of the system into which she has entered.
Aufzeichnungen aus der Unterwelt (Notes from the Underworld)
A love letter to Vienna in the 1960s, and simultaneously a genre film of Austrian postwar history. Viennese folk song singer Kurt Girk and his friend Alois Schmutzer talk about their lives in the Viennese underworld – for which they endured long jail sentences.
Bloody Nose, Empty Pockets
A final binge in a closing bar on the edge of Las Vegas. With clear-sighted observation, the film allows us to share the familiarity between the regulars, creating the impression that we are sitting amongst them.
Cidade Pássaro (Shine Your Eyes)
Because he has not heard anything from his older brother Ikenna, musician Amadi travels from Nigeria to the metropolis of São Paulo. But Ikenna remains missing. Cidade Pássaro (Shine Your Eyes) is an enigmatic exploration on multiple levels.
Digger
When Jonny visits his father Nikitas in his cabin in the woods after 20 years, the hermit ignores him. But to prevent the muddy ground from being pulled out from under their feet for reasons of profit, father and son must dig deep into it...
Eeb Allay Ooo!
Monkey repellers such as Anjani have an exceedingly tricky job in downtown New Delhi. The film depicts the harsh life of a migrant and subtly mirrors the social realities of today with the sensitivity of a documentary and an Indian sense of humour.
Exil (Exile)
The signs that Kosovo native and pharmacologist Xhafer is being hazed at work are increasing – or is it just his imagination? Exile portrays a person in the stress field of integration and loss of identity.
Futur Drei (No Hard Feelings)
German-Iranian Parvis’s life revolves around pop culture, Grindr dates and raves. Through the refugee siblings Banafshe and Amon, Parvis rediscovers his past. A sensitive film about first love and the life as a migrant in Germany.
Håp (Hope)
When Anja is diagnosed with a brain tumour, the everyday life of her patchwork family implodes and the cooling relationship between her and her partner Tomas is confronted with the new reality.
Jetzt oder morgen (Running on Empty)
Lisa Weber’s portrait of Claudia, who had a son when she was 15 and now lives together with him, her mother and her brother in Vienna, is an affectionate and gentle film about the passing of time and about what happens when seemingly nothing is happening.
Kød & Blod (Wildland)
Ida moves in with her aunt and cousins following her mother’s death. All is full of love but it soon becomes clear that the clan engages in criminal activities. A female-driven exploration of family conflict fuelled by affections and cut throat ethics.
Las Mil y Una (One in a Thousand)
Set in a community of project houses, Iris, a young woman with a tough past, meets Renata and feels immediately attracted to her. A tender coming of age story about friendship and first love in a hostile environment.
Pari
Iranian mother Pari’s search for her missing son in Athens will force her on a journey to the dark corners of the city, as well as into the hidden depths of her own self.
Petite fille (Little Girl)
The touching portrait of eight-year-old Sasha, who questions her gender and in doing so, evokes the sometimes disturbing reactions of a society that is still invested in a biological boy-girl way of thinking.
Schwarze Milch (Black Milk)
In Uisenma Borchu’s second semi-biographical film, a young woman is searching for her roots and discovers an idiosyncratic, radical sensuality that not only transgresses Mongolian conventions but also those of the supposedly more liberal West.
Si c'était de l'amour (If It Were Love)
The creation and performance of Gisèle Vienne’s dance piece “Crowd” is exceptionally translated into cinematic language in this documentary of sensual tendencies. An exhilarating neon light fresco of a young party crowd to the beat of loud electronic music.
Suk Suk
In Hong Kong, Pak and Hoi meet by chance. Grandfathers today, they lived married lives, providing for their families. A passionate and delicate film about love later in life.
Welcome to Chechnya
The first documentary about the activists who join forces to save other people’s and their own lives in the face of the systematic persecution of the LGBTQI* community carried out by the Chechen authorities. A tour-de-force charged with resilience and courage.
22.01.2020 | Berlin's blog Cat. : FESTIVALS
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Berlin 2019: The dailies from the Berlin Film Festival brought to you by our team of festival ambassadors. Vanessa McMahon, Alex Deleon, Laurie Gordon, Lindsay Bellinger and Bruno Chatelin...
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