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The joint initiative from animaze and filmfestivals.com (launched in 2015) stops this year to leave room for Annecy and Marche du Film and their NEW INITIATIVE ANIMATION DAY: May 19, 2019
Yellow Submarine "Once upon a time…or maybe twice…there was an unearthly paradise called Pepperland…"
We are very happy to announce our first Animation that Matters Award for ADIC 2018 Yellow Submarine....of course all you need is love...(and thebeatles) Gerald Pottertion key contributing animator to receive the prize designed by artist PAB.
The Beatles’ legendary animated hit film YELLOW SUBMARINE is returning to cinemas across the UK and Ireland on 8 July 2018. An unmissable cinema event, this momentous big-screen revival will give generations of audiences the golden opportunity to revisit Pepperland for the 50 th anniversary of the film’s original release.
On the occasion of The Animation Day in Cannes the film will be awarded "The AnimationThat Matters Award" it will be remitted in Cannes to Gerald Potterton for his contribution as one of the main animators, and one of the last alive.
Synopsis
An icon of psychedelic pop culture, Yellow Submarine is a colourful musical spectacle and an exhilaratingly joyful cinematic experience for all ages – filled with visual invention, optical illusions, word play, and glorious, glorious music.
Once upon a time….or maybe twice….there was an unearthly paradise called Pepperland, 80,000 leagues under the sea it lay, a place where beauty, happiness, and music reign supreme.
But this peaceful harmony is shattered when the Blue Meanies invade with their army of storm bloopers, apple bonkers, snapping turtle turks, and the menacing flying glove in an attempt to stop the music and drain Pepperland of all colour and hope. So it’s The Beatles to the rescue, as our animated heroes team up with Young Fred and the Nowhere Man and journey across seven seas to free Sgt Pepper’s Lonely Hearts Club Band, make peace with the Meanies, and restore music, colour, and love to the world.
But beyond all the glorious music, Yellow Submarine is a landmark in animation, with Heinz Edelmann’s inspired art direction conjuring up a non-stop parade of wildly different styles and techniques. From the paper-doll residents of Pepperland, to the tinted photography of the soot covered roofs and smokestacks Liverpool, the menagerie of fanciful characters in the Sea of Monsters, the kaleidoscopic colour-splashed rotoscoping of Lucy in the Sky with Diamonds, the vertigo inducing op-art of the Sea of Holes, and the triumphant euphony of the It’s All Too Much finale, the film is simply a joy.
Abramorama closed a deal with Apple Corps Ltd. and Universal Music Group (UMG) to theatrically release The Beatles’ classic 1968 animated feature film, Yellow Submarine, across North America this July in celebration of its 50th anniversary. Abramorama, Apple Corps Ltd. and UMG have teamed to give Beatles fans of all ages the opportunity to come together and share in this visually stunning movie and soundtrack. Abramorama originally partnered with Apple Corps, Imagine Entertainment, White Horse Pictures, StudioCanal and UMG’s Polygram Entertainment on the Ron Howard documentary The Beatles: Eight Days a Week – The Touring Years. Abramorama has a proven track record in the music-driven film space, partnering numerous times with Neil Young, Pearl Jam and Green Day and now once again with Apple Corps Ltd.
Yellow Submarine was restored in 4K digital resolution by Paul Rutan Jr. and his team of specialists at Triage Motion Picture Services and Eque Inc. The film’s songs and score were remixed in 5.1 stereo surround sound at UMG’s Abbey Road Studios by music mix engineer Peter Cobbin. Due to the delicate nature of the hand-drawn original artwork, no automated software was used in the digital clean-up of the film’s restored photochemical elements. This was all done by hand, frame by frame.
Richard Abramowitz, CEO of Abramorama said, “We’re thrilled to have the privilege of bringing Yellow Submarine back to the big screen so that 3 generations of happy Beatles fans can enjoy the ground-breaking animation and classic tunes and that have long been part of our collective cultural DNA.”
Directed by George Dunning, and written by Lee Minoff, Al Brodax, Jack Mendelsohn and Erich Segal, Yellow Submarine began its voyage to the screen when Brodax, who had previously produced nearly 40 episodes of ABC’s animated Beatles TV series, approached The Beatles’ manager Brian Epstein with a unique vision for a full-length animated feature.
Yellow Submarine, based upon a song by John Lennon and Paul McCartney, is a fantastic tale brimming with peace, love, and hope, propelled by Beatles songs, including “Eleanor Rigby,” “When I’m Sixty-Four,” “Lucy in the Sky With Diamonds,” “All You Need Is Love,” and “It’s All Too Much.” When the film debuted in 1968, it was instantly recognized as a landmark achievement, revolutionizing a genre by integrating the freestyle approach of the era with innovative animation techniques.
Inspired by the generation’s new trends in art, the film resides with the dazzling Pop Art styles of Andy Warhol, Martin Sharp, Alan Aldridge and Peter Blake. With art direction and production design by Heinz Edelmann, Yellow Submarine is a classic of animated cinema, featuring the creative work of animation directors Robert Balser and Jack Stokes with a team of animators and technical artists.
Apple Corps Ltd. was founded by The Beatles in 1968 to oversee the band's own creative and business interests. As part of its management of The Beatles’ entire intellectual property canon, the London-based company has administered the legendary band’s recorded catalogue, with more than 800 million physical and digital albums sold to date.
Apple Corps has also piloted innovative Beatles projects, which have become benchmarks for pioneering accomplishment, including the record-breaking, 30 million-selling album The Beatles 1, the universally acclaimed The Beatles Anthology series, the Grammy®-winning CD, vinyl, digital and streaming release of The Beatles’ 13 remastered studio albums, 2017’s chart-topping remixed and expanded Anniversary Edition for Sgt. Pepper’s Lonely Hearts Club Band, and in partnership with Imagine Entertainment, White Horse Pictures and Polygram Entertainment/UMG, the Grammy®-winning 2016 feature documentary, The Beatles: Eight Days A Week – The Touring Years, directed by Ron Howard.
In Apple Corps’ first major theatrical partnership, The Beatles LOVE by Cirque du Soleil® has played to nearly nine million audience members since its June 2006 opening at the Mirage in Las Vegas. The Beatles’ LOVE also resulted in a double Grammy®-winning album and a Grammy®-winning feature film, All Together Now, which details the fascinating story behind the unique partnership between The Beatles and Cirque du Soleil that resulted in the creation and launch of LOVE.
The Beatles debuted for streaming worldwide on December 24, 2015 with the band’s 13 U.K. studio albums and Past Masters (Volumes 1 & 2), The Beatles 1962-1966, The Beatles 1967-1970, and The Beatles 1, followed by The Beatles’ Anthology, Volumes 1-3 music collections and the LOVE album. Songs by The Beatles were streamed more than four billion times in the first two years.
And continuing the commitment to preserving the archives and legacy of The Beatles’ catalogue, The Beatles’ Help!, Yellow Submarine, and Magical Mystery Tour feature films have in recent years been painstakingly digitally restored for DVD, Blu-ray™, and iTunes release. Visit www.thebeatles.com for more information.
About Universal Music Group
Universal Music Group (UMG) is the world leader in music-based entertainment, with a broad array of businesses engaged in recorded music, music publishing, merchandising and audiovisual content in more than 60 countries. Featuring the most comprehensive catalog of recordings and songs across every musical genre, UMG identifies and develops artists and produces and distributes the most critically acclaimed and commercially successful music in the world. Committed to artistry, innovation and entrepreneurship, UMG fosters the development of services, platforms and business models in order to broaden artistic and commercial opportunities for our artists and create new experiences for fans. Universal Music Group is a Vivendi company. Find out more at: www.universalmusic.com.
About Abramorama
Abramorama is the preeminent global rights management partner for music films today and is recognized for the consistent high quality of its work on award winning feature films. An innovator in the focused, personalized form of film distribution and event cinema, Abramorama provides invaluable alternatives to filmmakers and content owners. An industry leader in marketing, promotion, and global distribution, Abramorama continues to trail-blaze exciting new pathways for filmmakers to find their audience.
Over the course of more than 15 years, Abramorama has successfully distributed and marketed hundreds of films, including Ron Howard’s Grammy Award®-winning The Beatles: Eight Days A Week – The Touring Years; Danny Clinch and Pearl Jam’s Lets Play Two; Amir Bar-Lev's Long Strange Trip – The Untold Story of the Grateful Dead; Paul Dugdale and Myles Desenberg’s Above & Beyond Acoustic – Giving Up The Day Job; Corbett Redford and Green Day’s Turn It Around: The Story of East Bay Punk, John Scheinfeld’s Chasing Trane – The John Coltrane Documentary; Sam Pollard’s Two Trains Runnin’; Brett Bern's BANG! The Bert Berns Story; Brett Morgen and National Geographic’s seminal Jane; Tomer Heymann's Mr. Gaga; Charles Ferguson’s Time To Choose; Asif Kapadia’s Senna; Neil Young’s Greendale; Cameron Crowe’s Pearl Jam Twenty; Sacha Gervasi’s Anvil! The Story of Anvil; Banksy’s Academy Award® nominated Exit Through the Gift Shop; the surprise indie hit Awake: The Life of Yogananda; Laurie Anderson’s astonishing New York Times critics’ pick, Heart of a Dog, Showtime’s National Board of Review Winner Listen to Me Marlon and Draft House Releasing’s 2016 Documentary Academy Award®-nominee and IDA Best Documentary Winner The Look of Silence. Abramorama is a founding partner of The Seventh Art Stand program, an act of cinematic solidarity against Islamophobia, that ran in more than 50 theaters across the United States in May of 2017. For more information visit www.abramorama.com.
CHATELIN Bruno 
