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			Jan 29 2012 12:00AM
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		<title>
			<name>35th Göteborg International Film Festival inaugurated!</name>
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		<category>
			News Festival
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			Tonight the 35th edition of Göteborg International Film Festival was inaugurated. Opening film was the award-winning Swedish drama Avalon with Johannes Brost in the lead role. The audience can now look forward to ten days full of film screenings, seminars and parties!<br/><br/>Sweden's Minister of Culture Lena Adelsohn Liljeroth held an opening speech before the curtain went up, as did the Festival's managing director Michael Fellenius and artistic director Marit Kapla. The Mai Zetterling scholarship was awarded to Eric Gandini, director of Videocracy and director Lisa Ohlin received the Göteborg Grand Film Award for her film Simon and the Oaks.<br/><br/>After the film the inauguration festivities continued at the new Clarion Hotel Post, where artists like Ane Brun, Familjen and Invasionen gave concerts. <br/>
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			Jan 18 2012 12:00AM
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		<title>
			<name>far East FilmFestival in Udine 14 means...</name>
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		<category>
			News Festival
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			 <br/>…emotions, energy, participation… <br/><br/>20th to 28th April 2012 - Teatro Nuovo "Giovanni da Udine" &amp; Visionario<br/>A dimension that is spreading from the big screen to television and home video! <br/><br/>With one eye fixed on contemporary Asia and the other on South Korea in the ‘70s, the grand festival in Friuli will present over sixty titles, <br/>while also taking a look at production and distribution.<br/><br/> After fourteen editions, a successful Festival stops being an event and transforms into something more. More than a bet that has been won, more than a promise that has been kept. A dimension happily shared by those that create it and those who live it…<br/>Emotions, energy, participation: Far East Film, the great festival dedicated to Asian cinema, is ready to blow the candles out on its fourteenth birthday cake! A truly anticipated calendar event, from 20th to 28th April in Udine, a dimension that has by now transcended the single cinematographic vision and is spreading from the big screen to everything that revolves around it.     <br/>It is enough to think about the production sector (the fourth edition of the workshop Ties That Bind will hold its first part from 22nd to 26th April in Udine - and its second part from 8th to 11th October in Busan, South Korea - uniting 5 Asian producers and 5 European producers with the objective of making a film in coproduction between the two continents), or the fact that from 17th January, the name Far East Film will become the trademark for a new home video series created by the collaboration between the very Friulan Tucker Film and CG Home Video (the first two titles to be released are Ip Man by Wilson Yip and the legendary A Hero Never Dies by Johnnie To, both celebrated at the Festival but unpublished on the market).  <br/>Then, we must not forget about television and distribution. Thanks to Carlo Freccero, numerous Far East Film titles have found a prime time space on Rai 4: the collection is entitled Missione Oriente and it goes without saying that the series is doing extremely well! In addition to TV we have another collaboration between Tucker Film and the Festival, which will see on 8th March (International Women's Day), on the silver screens across Italy, an authentic treasure from art house films Made in Asia: the very moving A Simple Life, from Hong Kong director Ann Hui, already in competition at the Venice International Film Festival where it won the Coppa Volpi for best performance by a female actor. <br/>And there we have it, the Far East Dimension. A few brief tasters from the upcoming 2012 edition, consisting of over sixty films. European and International Premieres gathered together in a vast selection drawn from the best catalogues in Hong Kong, China, Japan, South Korea, Thailand, Malaysia, Indonesia, Philippines, Singapore and Taiwan. Entering the Teatro Nuovo "Giovanni da Udine", with its 1,200 seats (which are always packed) or the Visionario, will therefore be like entering a cinema in Seoul, Tokyo or Manila, to enjoy the very same films that the people actually living in those great cities go to see every day. We're also taking a full immersion into the very much anticipated return of the Cosplay Contest, taking place on Sunday 22nd April in the centre of Udine, a fashion show of costumes, clothes, and make-up inspired by the shapes and forms of the protagonists from the worlds of manga, anime, comics, cinema, TV series, music and videogames, all with pan-Asian origins.<br/><br/>Udine, however, will not only be giving its attention to contemporary Asia but will also be looking at its past, through the study of 10 films unseen in the West, from one of the darkest periods (yet culturally one of the richest) in the history of South Korea: the Seventies. Entitled The Darkest Decade: Korean Filmmakers in the 1970s, this valuable retrospective, authored by Darcy Paquet, will show us how despite the difficult political and social environment, equally repressive and characterized by ferocious censorship, and notwithstanding the careers of several talented directors being abruptly suspended (Lee Jang-ho was arrested in 1975 for using marijuana, and banned from making films until the assassination of President Park Chung Hee; Shin Sang-ok had his license to make films revoked by the government in 1975, and was subsequently kidnapped and taken to North Korea), several directors managed to remain active throughout the 1970s, and produced some of their most memorable works in this period. <br/>The Darkest Decade is a celebration of their achievements, and an opportunity to tell, for the first time outside the confines of South Korea, the story of their struggles. And this too is Far East Film!<br/> <br/><br/>
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		<pubDate>
			Jan 18 2012 12:00AM
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		<title>
			<name>International Film Festival Rotterdam attracts filmmakers from around the globe</name>
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		<category>
			News Festival
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		<description type="header">
			The International Film Festival Rotterdam (IFFR) welcomes some 2,500 professional guests this year. Filmmakers expected to attend include Michel Gondry, Wang Xiaoshuai, Lucas Belvaux, Miike Takashi, Mohammad Rasoulof, Tsukamoto Shinya, Aki Kaurismäki, Andrea Arnold, Steve McQueen, Julió Bressane, Kobayashi Masahiro, Eric Khoo, Bouli Lanners, Ruben Östlund and Garin Nugroho as well as some 250 other filmmakers.
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		<description type="body">
			The International Film Festival Rotterdam (IFFR) welcomes some 2,500 professional guests this year. Filmmakers expected to attend include Michel Gondry, Wang Xiaoshuai, Lucas Belvaux, Miike Takashi, Mohammad Rasoulof, Tsukamoto Shinya, Aki Kaurismäki, Andrea Arnold, Steve McQueen, Julió Bressane, Kobayashi Masahiro, Eric Khoo, Bouli Lanners, Ruben Östlund and Garin Nugroho as well as some 250 other filmmakers. <br/> <br/>Actors expected to attend include Sophie Quinton and Nicole Garcia, for their roles in Lucas Belvaux's 38 TEMOINS / 38 WITNESSES which opens IFFR 2012 as a world premiere; Silvia Calderoni and Elisa Sednaoui (also top fashion model for recent Armani and Cavalli campaigns), for their roles in Davide Manuli's LA LEGGENDA DI KASPAR HAUSER / THE LEGEND OF KASPAR HAUSER; Aggeliki Papoulia, for her role in ALPS by Yorgos Lanthimos; Niels Gomperts and Jeroen Willems, for their roles in Christophe van Rompaey's LENA.<br/> <br/>CineMart, IFFR's co-production market that takes place January 29 - February 1, will be attended by some 800 delegates (sales agents, distributors and funding bodies) from seventy countries as well as by the filmmakers and producers from the thirty-six CineMart Projects 2012.<br/> <br/>Counting 341,000 audience visits for its 2011 edition, the International Film Festival Rotterdam is one of the largest film festivals worldwide. <br/> <br/>The IFFR's festival program consists of three main sections: Bright Future - idiosyncratic and adventurous new work by novice makers, including the Tiger Awards Competitions -, Spectrum and Spectrum Shorts - new and recent work by experienced film makers and artists who provide, in the opinion of the IFFR, an essential contribution to international film culture -, and Signals, a series of thematic programs and retrospectives offering insight in topical as well as timeless ideas within cinema.<br/> <br/>Thursday January 19 the full IFFR 2012 lineup will be published as a supplement to Dutch national newspaper de Volkskrant and online on www.filmfestivalrotterdam.com.<br/>
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