Sundance Film Festival



 
Sundance Film Festival

Sundance Film Festival
January 18 - 28, 2001


 
 
 
88 min, 2000, Canada

Synopsis

One night, Bibianne hits a man with her car while driving drunk; she flees the scene, and the man crawls home to die of an internal haemorrhage. Bibianne becomes suicidal, but somehow manages to save herself after plunging into the river in her car. Determined to set things right, she ends up meeting the man's son, Evian (Jean-Nicholas Verrault), who falls in love with her, not knowing she's his father's accidental murderer. Bibianne has been given a second chance -- but will her guilt allow her to take it?

 

Montreal filmmaker Denis Villeneuve burst on the scene during Radio Canada's 1990/91 Europe-Asia Race, during which he directed 20 short videos and won first prize. He went on to direct many award-winning music videos, and appeared as an actor in the 1995 film Zigrail. In 1996, Villeneuve wrote and directed a segment of the anthology film Cosmos, which won that year's Prix International des Cinemas d'Art et d'Essai at Cannes. His first feature, August 32 On Earth (1998), was selected as the official Canadian entry for Best Foreign Language Film at the 1999 Academy Awards. Maelstrom is Villeneuve's second feature film.

Filmography

Maelstrom (2000)
August 32 On Earth
(1998)

"The ocean doesn't want me today," grouses the sepulcheral voice of Tom Waits, as Bibianne Champagne (Marie-Josee Croze) propels herself headlong through a tide of self-destructive behavior which just keeps on rising ever higher, ever blacker and ever deeper with each new drink, cigarette and anonymous, unprotected fuck-of-the-night. Since she conducts her entire life like a drive-by, it should come as no particular surprise when--too craven, apparently, to kill herself outright--she finally manages to kill someone else.

But the true mystery and miracle of Maelstrom is less why Bibianne's life is being narrated, out of linear sync, by a series of half-dead talking fish--and more how Croze and director/screenwriter Denis Villeneuve manage to make us actually care about this arrogant, angst-ridden spoiled brat of a protganist. Together, they paint a rivetting portrait of a woman patently unafraid to be just as inaccessible and dislikable as any given male antihero--one who constantly flaunts her emotional dysfunction in the face of everyone she meets, as though daring them to do something about her own behavior: To control her, at any cost, since she obviously can't control herself.

Strong stuff, definitely--but though Villeneuve wraps his contemporary fairy-tale in a blanket of seductive, watery imagery, he never allows it to file off the rough edges of Croze's angry pain. Which is not to say that Maelstrom has no hint of transcendence, either. Grave, dark and weirdly natural as one of the Grimm Brothers' original translations, this is a film which argues for personal responsibility--and accountability--even while plumbing the very depths of this superficial, aimless whirlpool we call "modern" life; suffering, it seems to say, doesn't get you anything but membership in the human race. Which means that the rest (ie, what you eventually decide to do with these multifoliated opportunities you're constantly handed) is left entirely up to you--and since no one, human or fish, knows when the chopper's going to descend, you might at least let yourself have a little fun while you're at it.

Gemma Files

FILM CREDITS
Director Denis Villeneuve
Screenplay Denis Villeneuve
Photo Andre Turpin
Editing Richard Comeau
Setting Sylvain Gingras 
Costume Denis Sperdouklis 
Music Pierre Desrochers  
Cast
Marie-Josee Croze
Stephanie Morgenstern
Jean-Nicholas Verreault
Pierre Lebeau
 
Production Roger Frappier  
  MAX FILMS 
Agent/Distributor Alliance Atlantis Pictures Int