Moving Picture

Blame it on Rio

Oceano Vieira de Melo (below), the editor and publisher of Brazilian industry bible, Jornal do Video, answers your most pertinent questions about the costs and other factors involved in releasing a film theatrically in Brazil

Q 1 What number of prints is considered a major release?

A By Brazilian standards 80 prints is already a wide release and is normally the reserve of the Majors. In 1995 only three independent releases crossed the 80 print barrier. They were The Mask (PlayArte); Dumb and Dumber (Top Tape); and the Japanese production Knights of the Zodiac (AB International).

Q 2 What works best: posters, TV, radio or coverage in the press?

A Television is still the best way to reach the masses but the high cost in Brazil doesn't always make it a worthwhile gamble. History shows it is not uncommon to have costly TV campaigns for films that fail miserably at the box office.

Q 3 Does a visit to Brazil of the film's stars and/or the film's director help to promote the film?

A No question: the presence of an actor or a famous director will always help promote a film. Recent visitors to Brazil include Christopher Lambert, Jean-Claude Van Damme and Patrick Swayze, all popular actors in Brazil who have been rewarded by their films doing US$1 million plus in revenues.

Q 4 What is the relationship with the exhibitors? Is it difficult to programme smaller films?

A The relationship between distributors and exhibitors in Brazil is excellent but that doesn't stop the exhibitors basing their release schedule primarily on commercial criteria and interests.

Q 5 Do the Majors dominate Brazilian screen time?

A In 90% of the cases yes, but in 1995 - it should be remembered - the independents grabbed a17% market share.

Q 6 How many screens are there in Brazil?

A 1400.

Q 7 Who are the principal exhibitors?

A A. Severiano Ribeiro; B. Havai; C. Sul/PlayArte; D. Paris

Q 8 Do the exhibitors contribute to the cost of publicising a release?

A Yes, but only for the advertising.

Q 9 With how much?

A Generally 30%

Q 10 How much does a 30 second spot on TV Globo cost?

A US$50,000

Q 11 And on the second network, SBT?

A US$20,000

Q 12 What does a full-page ad in one of the major daily newspapers, such as O Globo or Folha de São Paulo, cost?

A US$30,000

Q 13 And a page in a wide circulation magazine such as the weekly news magazine, Veja?

A US$40,000

Q 14 And a film or video magazine aimed at the public?

A US$12,000

Q 15 What would it cost to have 500 posters printed and posted in São Paulo?

A US$700

Q 16 What is the cost of a local radio spot?

A US$5,000 for 30 seconds (primetime radio)

Q 17 And on national radio?

A There is no such coverage.

Q 18 Is merchandising used by the independents to help launch a film?

A Rarely.

Q 19 Is the Internet used to promote the release of a film?

A Not yet.

Q 20 Is censorship still a problem in Brazil?

A No, but the exhibitors and distributors are responsible legally for suggesting to the appropriate authority what age group the film is suitable for.

Q 21 What percentage do the costs of alternative promotions normally total as part of the overall promotional budget?

A 5%

Q 22 How much will it cost me to dub my film into Portuguese?

A US$18,000.

Q 23 And to subtitle a print?

A US$1,500.








                                             






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