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22
- 29 January - Park City
Slamdance
awards Good Housekeeping and Dolphins
If
Sundance broke little new ground, Slamdance remained the haven
of cutting edge filmmaking with a far more international tone
than ever before. A record year for attendance, with well over
7,000 audience attending main screenings; another 3,000 attending
the filmmakers lounge fringe screenings, and over one million
hits on the web site for Anarchy OnLine, brought the Slamdance
brand to its widest-yet audience. Winners announced Saturday were
Good Housekeeping (Grand Jury Award for Best Feature),
Elevator World (Grand Jury for Best Short), Dolphins
(Audience Feature Award), and Mutual Love Life (Audience
Short Award).
Good
Housekeeping directed by Frank Novak features a white
trash couple in a crumbling marriage fronted by a wife who drives
a fork lift. Dolphins focuses on a woman in a mental
institution who dreams of dolphins. Chris Wilcha directed the
Documentary Award winner The Target Shoots First.
Wilcha's film is a 2 year study of the music industry set during
the grunge/Nirvana heyday.
"We consider Slamdance 2000 a big success for a number
of reasons," said Dan Mirvish, Slamdance Co-Founder. "Everything
went smoothly from a technical standpoint; everyone stayed healthy
(as compared to the 'Park City Virus' of 1999 which hospitalized
or felled half the festival staff), and we created a filmmaker
friendly vibe throughout the event.
"But even more noticeably," continued Mirvish, "it was
an incredible group of filmmakers with a decidedly international
perspective. Our increase in international submissions and festival
screenings comes in large part from our 'on-the-road' events in
Chile and at Cannes, as well as making our Internet web site the
main contact for submissions. Also, if you consider that we aren't
able to bring in any filmmakers on our dime, they have to bring
themselves in, the fact that we have such a strong filmmaker presence
at all the screenings speaks to the draw of the festival."
The
Slamdance Film Festival closed with the World Premiere of Dwight
Yoakam's directorial debut, the independent feature South
of Heaven, West of Hell on 28 January in the Main Screening
Room at the Treasure Mountain Inn. The film stars Dwight Yoakam
as Valentine Casey, a bachelor Marshal in the desolate Tuscon
territory of the early 1900's. The screening was followed
by the Closing Night Award Ceremony at Cisero's.
Special
Screenings & Lounge Films
Slamdance
began in January 1995 when a group of first-time directors screened
their films as an alternative to the Sundance Film Festival. Their
objective today is to support new filmmakers on an ongoing basis.
Slamdance 2000 screened six films in its Special Screenings
category, as well as a total of 30 features and shorts in the
Slamdance Filmmakers' Lounge. "The Filmmaker's Lounge proved so
popular in previous years, we have decided to turn it into a bona
fide second screening venue at Slamdance 2000," said Slamdance
Executive Director Peter Baxter. Several more films will be included
in the festival and will be announced shortly.
"We are delighted to be able to give more filmmakers
than ever a chance to participate in Slamdance," said Baxter.
"Our focus is still primarily on the first-time directors in competition,
but we recognize that there are a large number of films that fall
beyond that criteria, that deserve to be seen in the context of
Slamdance," Baxter added. "Slamdance has become an increasingly
international festival - about a quarter of our films come from
outside the U.S."
Another
change this year, is that films that screen in the Slamdance Filmmakers'
Lounge (sponsored by the Maryland Film Commission) will be eligible
for the "Spirit of Slamdance Award" - a coveted bronze Sparky
that will be uniquely voted on by all the participating Lounge
filmmakers. "We're doing a lot more with our Lounge venue this
year, and we wanted to figure out a way to recognize the filmmaker
who most embodies the Slamdance spirit," said Slamdance Co-Founder-at-Large
Dan Mirvish. "And if that means turning the Lounge into a bubbling
cauldron of glad handing, backslapping and baby kissing filmmakers
trying to win their colleagues' votes, then that sounds like fun
to me."
Highlights
among the Special Screenings were the U.S. premiere of Jason Priestley's
feature directoral debut, Barenaked in America-
a documentary about The Barenaked Ladies. The opening night film
for Slamdance was Road to Park City, by first-time
director Bret Stern. "We couldn't think a more appropriate kick-off
to the festival than a dark comedy about filmmakers desperate
to get into Sundance," said Slamdance Co-Founder-at-Large Dan
Mirvish. On the documentary side, Todd Robinson - whose Wild
Bill: Hollywood Maverick screened at Sundance a couple
of years ago - will debut his new feature Amargosa.
All
films screened in the Lounge are to be projected on a state-of-the
art digital projector, courtesy of Christie Digital (using the
TI chip), and with a line-tripler from Faroudja. "Slamdance is
no johnnie-come-lately to digital projection. We've always had
some screenings on video in addition to traditional film projection,"
said Baxter. "This has allowed greater flexibility for the low-budget
filmmaker who may not be able to afford video-to-film transfers,
as well as accommodating those who edit their films on non-linear
digital systems and can't afford an answer print or a Super16
blowup." Unlike Slamdance's Special Screenings and Competition
films, Lounge screenings are available free of charge. "This will
be one of the rare free things filmmgoers will find in Park City."
Screenplay
Competition
The
top three winners (1500 entrants) are:
First Place: Retro by Livia Linden and Percy
Angress
Second Place: The Beekeeper's Tango by Michael
Stark
Third Place: The Rape of Marta Alastor by
Brent Studler.
Competition Features Lineup
7-Teen Sips
Blink of an Eye
Dolphins
Double Parked
Good Housekeeping
Goods Kurds, Bad Kurds
Rata, Ratones, Rateros (Rodents)
Road to Park City
The Strange Case of Señor Computer
The Target Shoots First
Tuvalu
We Married Margo
Winners
will receive the coveted bronze Sparky statuette and the prizes
listed below.
The Awards are as follows:
GRAND JURY AWARD FOR BEST FEATURE, Sponsored by DVD Express Prize
- $5,000 DVD production service package from Bandwidth & Masterpiece.
GRAND JURY AWARD FOR BEST SHORT, Sponsored by Eveo, Inc. Prize
- a digital video camera worth $3,000 courtesy of Eveo, Inc. AUDIENCE
AWARD FOR BEST FEATURE, Sponsored by IndiePlanet.com. Prize -
a special one!
AUDIENCE AWARD FOR BEST SHORT, Sponsored by Dr. Rawstock Prize
- 5,000 feet of film stock from Dr. Rawstock.
KODAK VISION AWARD FOR BEST CINEMATOGRAPHY, Prize - $2,500 gift
certificate for Kodak film.
AWARD FOR BEST BLACK & WHITE FILM, Sponsored by Ilford Photo Prize
- $2,000 worth of Ilford black & white film.
AWARD FOR BEST EDITING, Sponsored by Trakker Technologies, Digital
Origin, Inc. & Partners Prize - a full digital editing system
courtesy of Trakker Technologies, Digital Origin, Inc. & Partners.
MOVIEMAKER BREAKTHROUGH AWARD, Prize - $15,000 worth of goods
& services towards the filmmakers¹ next project, courtesy of Moviemaker
Magazine.
BEST DOCUMENTARY, Sponsored by Christie Digital.
SPIRIT OF SLAMDANCE AWARD, Awarded to the Best of the Lounge Films,
voted on by the Lounge filmmakers Prize: $1800 worth of Studio
System Software courtesy of Creative Planet.
BEST SCREENPLAY, Awarded to the winner of the Slamdance '99 Screenplay
Competition 1st Place Prize - $2,000, 2nd Place Prize - $1,000
, 3rd Place Prize - $500.
AUDIENCE AWARD FOR BEST ANARCHY ONLINE FILM, Awarded to the Best
of the Anarchy Online films, voted on by the slamdance.com audience.
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