New York Lesbian And Gay Film Festival -- 1 - 11 June

Overview

New York's annual celebration of the best in international gay and lesbian cinema, celebrates its 12th anniversary with over 150 films and videos from Argentina, Australia, Belgium, Brazil, Canada, China, France, Germany, India, Ireland, Italy, Japan, Mexico, The Netherlands, The Phillipines, Singapore, South Africa, Spain, Switzerland, the UK and the USA. Films will screen at The New School and New York University's Cantor Film Center.

The Festival opens with the New York Premiere of But I'm A Cheerleader (US), a candy-colored satire on the absurdity of "curing" homosexuality starring Natasha Lyonne (Slums of Beverly Hills) and featuring over-the-top cameos by Cathy Moriarty (Raging Bull), Bud Cort (Harold and Maude), John Waters favorite Mink Stole and diva drag queen Ru Paul. The film, a hit at the Sundance Film Festival, will be released later this year by Lions Gate Films.

The Festival will present two New York-based productions as Centerpiece Films. Chutney Popcorn (US/India), the directorial debut of Nisha Ganatra, is a provocative, sexy comedy on the culture clash betwen a traditional Indian mother and her New York-bred, motorcycle-riding lesbian daughter. Urbania, directed by John Shear, is a haunting journey into one man's psyche as he tries to make sense of the loss of his lover from AIDS. The film features a standout performance by New York stage actor Dan Futterman (The Birdcage).

World Premieres at the Festival include Get Your Stuff (US), an affectionate comedy about a gay male couple's attempts to adopt a baby to complete their perfect Beverly Hills lifestyle directed by Max Mitchell; Hammering It Out: Women In The Construction Zone (US), a video documentary on women who work in the very male dominated field of construction directed by Vivian Price; Love=Me (US), an inventive romantic comedy-drama about a triangle between two beautiful Latino women and the sexy male charmer that they meet, directed by Cuban-born Agustin; Shatzi is Dying (US), directed by Jean Carlomusto, is a documentary look at two lesbians and their beloved aging Doberman, whose imminent death makes the women confront their own mortality; and The Wolves Of Kromer (UK), a modern day fairy tale about homophobia and being an outsider directed by Will Gould, with narration by pop music legend Boy George.

US Premieres at the Festival include The Attack Of The Giant Moussaka (Greece), an outrageous camp sci-fi flick directed by Panos Koutras about a giant mousakka (Greece's national dish) that terrorizes the city of Athens; Chrissy (Australia), an intimate and deeply moving portrait of a young lesbian living with AIDS directed by Jacqui North; In Efren's Paradise (The Phillipines), a powerful melodrama directed by Maryo De Los Reyes, a social worker's orderly life falls apart when he becomes romantically involved with an attractive and mysterious male hustler; Love At First Sight (Italy), a satiric screwball comedy about a Mafioso who falls in love at first sight with a macho policeman, directed by Vincenzo Salemme; The Night Larry Kramer Kissed Me (US), a filmed version of the acclaimed stage play with David Drake reprising his role as a gay man who chronicles the key events in his sexual and political coming of age, directed by Tim Kirkman (Dear Jesse); The Story Of Pupu (Japan), a road movie about a pair of anarchistic gals that plays like Thelma and Louise on acid, directed in high style by Kensaku Watanabe; Tour Abroad (Germany), a tender road movie that follows the adventures of a gay Turkish folksinger and the 11 year old daughter of his recently deceased friend, sensitively directed by Ayse Polat; and Water Drops On Burning Rocks (France), a hit at the Berlin Film Festival about the relationship between a middle aged businessman and the attractive teenager he picks up one night based on an early stage play by legendary German filmmaker Rainer Werner Fassbinder and directed by cult French director Francois Ozon (See The Sea, Sitcom).

Closing the Festival is the New York premiere of The Broken Hearts League (US), an ensemble comedy drama about a group of gay men in the gay mecca of West Hollywood and their search for love, happiness and fulfillment. Written and directed by Greg Berlanti, the producer of the hit television series "Dawson's Creek", the film features an attractive cast that includes Dean Cain (Adventures of Superman), Timothy Olyphant (Go), Andrew Keegan (Party of Five) and veteran actor John Mahoney (Frasier). The film will be released later this year in the US by Sony Pictures Classics.

 

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Wrap-up

After a dizzying and diverse program of over 150 individual films from all over the world, the New Festival - New York Lesbian and Gay Film Festival - concluded on Sunday evening, June 11, with a gala Awards Ceremony held at the New School Auditorium, where most of the screenings of the 10 day event were held.

The Best Dramatic Feature Award, sponsored by Fine Line Features, was awarded to the French film Water Drops on Burning Rocks (Gouttes d'eau sur pierres brūlantes), a scathingly brilliant satire about the relationship between a middle-aged man and the attractive male teenager he picks up. The film, a hit at this year's Berlin Film Festival, is adapted from an early unperformed play by German icon director Rainer Werner Fassbinder. The director, Francois Ozon, whose controversial features See the Sea (1998) and Sitcom (1999) were both shown at the Festival in previous years, is fast emerging as one of France's most provocative new talents. The film has been picked up for US distribution by Zeitgeist Films release and will open July 12 at the Film Forum in New York.

A Special Jury Mention went to Straightman, directed by Ben Berkowitz and produced by Ben Redgrave. The film takes an amusing and in-depth look at two male friends and the pressures that affect that friendship when one of the men discovers his true sexual identity.

The Best Documentary Award, sponsored by Showtime Pay Television, was given to Our House: A Very Real Documentary About Kids of Gay and Lesbian Parents, directed by Meema Spadola. The director, herself the daughter of a lesbian, interviews children of gay men and lesbian in different parts of the United States. Aside from the usual difficulties of growing up, these remarkable young people have learned to cope with the varied reactions of classmates, teachers and others in their community to their unusual family lives. Our House will be shown on the Public Broadcasting Service throughout the month of June, which is Gay Pride Month.

The Best Short Film, sponsored the gay magazine The Advocate, was awarded to Jake: Today I Become A Man, directed by Stacey Foiles which weaves a beautiful portrait of an eloquent young drag performer.

This year's Audience Award, sponsored by The Sundance Channel, Time Warner Cable and internet portal Gay.com went to Big Eden, an endearing human story set in small town America about a disillusioned and lonely New York artist who returns to his home town and rekindles a roman with his best friend from high school and the object of his unrequited love. The film, directed by Thomas Bezucha, lovingly deals with the topics of unconditional love, acceptance, and the meaning of home.

The Peter S. Reed Achievement Award for an established body of work was granted to New York-based filmmaker Su Friedrich, who began making films in 1978 and has produced 12 award-winning personal films, including Hide and Seek and Rules of the Road. Friedrich pioneered a modern lesbian aesthetic in contemporary films and was the writer/director/producer/camerawoman and editor on all of her films. Friedrich was the subject of a retrospective at the 9th New York Lesbian and Gay Film Festival in 1997.

Among the films that were strongly received by critics and audiences alike were Chutney Popcorn, a serious comedy about a lesbian Indian photographer who decides to have a baby in spite of the objections of her lover and her homophobic mother directed by Nisha Ganatra; Rollercoaster, a Canadian film by first-timer Scott Smith, which poignantly follows five troubled teenagers who live in a group home outside Vancouver; Aimee and Jaguar, a gorgeously photographed German film directed by Max Farberbock, which chronicles the true story of a relationship that grows in wartime Berlin between a German Jew who secretly works for the Resistance and the wife of a German army officer; Get Your Stuff, an affectionate Beverly Hills-set comedy drama about two men who decide to have a child; and Urbania, a probing drama about a young man who begins to lose his sanity after his lover has died of AIDS, with a standout performance by theater actor Dan Futterman (The Birdcage) in the lead role.

"We try to program alot of different material that appeals to a cross-section of our audience" is the way Festival Director Basil Tsiokos describes his programming philosophy. After four years as a Festival assistant and member of the Programming Committee, Tsiokos took the reins of the Festival this year from retiring Festival Director Wellington Love. "I see it as my job to broaden out the definition of what is gay and lesbian cinema", Tsiokos explained, "and to try and attract as broad an audience to the festival as possible."

When asked which of this year's selections created the most controversy, Tsiokos cited The Story of Pu Pu, an anarchic buddy movie about two women who become queer bandits of the road, directed by Japanese cult director Kensaku Watanabe, which had "many walkouts because of the extreme violence and its disturbing weirdness"and Oi! Warning, a controversial German film that explores the homoerotic undercurrents in the skinhead subculture, that was criticized by some for its "nauseating violence and the eroticism of skinhead racists".

Another film that split audiences down the middle and generated the most heated post-screening discussion was The Bradfords Tour America, an hour long documentary about a filmmaking team (a gay man and a lesbian woman) who disguise themselves as married conservatives to infiltrate the true feelings of ordinary people about homosexuality and the "homosexual political agenda". "Some people felt that the deception of the filmmakers was really exploitative and could be used negatively against our community", Tsiokos offered, "but others argued as passionately that only through this deception could the filmmakers record the honest responses of people who otherwise would hide their bigotry".

Tsiokos mentioned the scarcity of quality films by lesbian directors or on lesbian topics. "With the notable exceptions of such crowd-pleasers as But I'm A Cheerleader and Chutney Popcorn, it's been an off year for lesbian films", Tsiokos offered. In spite of the recent successes of lesbian films such as Go Fish and Boys Don't Cry, Tsiokos explained that lesbian filmmakers have more trouble accessing funding for their projects and that they have always been greatly outweighed by the number of gay male directors and subject matter that appeals to gay men. "However I have been in touch with some of the leading lesbian filmmakers who are all at work on their new projects", Tsiokos added. And no doubt many of those films will find their way to the 13th edition of the Festival, which will again be held in early June of 2001.

FilmFestivals.com reporter
Sandy Mandelberger

NYGay



Water Drops on Burning Rocks, But I'm a Cheerleader, Urbania, Chutney Popcorn
The Broken Hearts League