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The Grand Winner at San Sebastian

The Ruination of Men

The Ruination of Men by Arturo Ripstein
A famous Mexican folk song says that "damn women are the ruination of men..." The ruination of the main character of our story is precisely two women and baseball. Two women who fight for the corpse of the man they shared in life and a game of unforeseeable consequences. Golden Shell Award for Best Film at San Sebastian.


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Fom Locarno to Dinard, a Festival Favorite

The Closer you Get

Aileen Ritchie Aileen Ritchie

The Closer You Get by Aileen Ritchie
The most obvious description of the film would be to call The Closer You Get a mix between The Full Monty (1997) from Peter Cattaneo and Waking Ned Devine (1999), which took place in a small Irish village with just 52 habitants. The director's greatest feat is to have created a group of characters that are believable and to have them live in a perfectly credible environment, a full-fledged village. Well received by the audience at Locarno, the film will be shown this weekend at Dinard Festival of British Films.


Interview


Movies in the news Reviews

Filmmaker Spotlight
Laurent Bécue-RenardLiving Afterwards by Laurent Bécue- Renard
Laurent Bécue- Renard's remarkable documentary film follows three Bosnian women who have lost their husbands in the massacres. In Harrison's Flowers, Elie Chouraqui's foray into the atrocities of the Bosnian conflict, the editor of a prestigious US photo magazine confesses: "We were completely mistaken. We didn't have the faintest idea of what this conflict was going to be. It's not just another bit of skirmish. It's a damn bloody ethnic cleansing." In Living Afterwards, no explosions there, no gruesome dismemberments in front of the camera... but the tears and confessions of Sedina, Jasmina and Senada are tantamount to anything exposed during the conflict. Living Afterwards was awarded the Planet Prize at the Marseille International Documentary Film Festival. Laurent Bécue-Renard opens up. more

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Interview

Titans Rival Olympians
Despite predictions of weak box office receipts (blamed on the Olympics, which finished October 1), the US box office rebounded this weekend, with the opening of Remember The Titans, the football drama starring Denzel Washington. This was followed by The Exorcist, Almost Famous, and Urban Legends: Final Cut. The cheerleading hit Bring It On rallied to remain in the top five, squeaking by in the fifth position. In the UK, Stuart Little was yet again the top draw, followed by Me Myself and Irene and Hollow Man. Rounding out the UK top five were Scary Movie and the festival favorite Billy Elliot from Stephen Daldry. In France the top film was Hollow Man, followed by What Lies Beneath, and O' Brother. In Australia, while national attention was focused on the Games, the number one box office draw was Big Momma's House followed by Scary Movie and Pokemon.

Billy Elliot Pirouettes to BIFAs
Stephen Daldry's Billy Elliot has been nominated for five BIFAs (British Independent Film Awards), including best British independent film and best director. The film (screened at Cannes under the title Dancer) follows Billy Elliot, a 13-year old miner's son who takes boxing lessons to please his macho father but falls in love with ballet. Jamie Bell was nominated for best onscreen newcomer for his role as Billy, while his costar Julie Walters was nominated for best actress. Other films given nods are Terence Davies' The House Of Mirth, Kevin MacDonald's Oscar-winning documentary One Day In September, Nigel Cole's Saving Grace and Paul Pawlikowski's The Last Resort. Nominees for best English-language foreign independent film include Boiler Room, Chuck And Buck, Jesus' Son, Nurse Betty and The Straight Story.

Alec Baldwin Directs The Devil
Actor Alec Baldwin will make his directorial debut (and star with Anthony Hopkins) in a remake of The Devil and Daniel Webster for Cutting Edge Entertainment and El Dorado Pictures. Baldwin will star as Jabez Stone, a writer who sells his soul to the devil in exchange for fame and fortune. Shooting is expected to begin in January 2001.

Swedish Beauty Daniel Fridell
Festival: Toronto 2000
It's summer 1964 and the arrival of Sofia, a Brigitte Bardot look-alike, to a small town in Sweden motivates two 15 year old boys to become filmmakers. Their goal: to see a woman naked. They hire Sofia to be in their film and to their surprise fall in love rather than lust.

6ixtynin9 by Pen-ek Ratanaruang
Festival: Toronto 2000
A young woman named Tum gets fired from her much needed job then finds a box of organized crime money left outside her door. She keeps it, setting off a bizarre chain of events as she is pursued by the criminals.

Pandaemonium by Julien Temple
Festival: Toronto 2000
Set against the philosophical revolution of the late 18th Century and the beautiful English countryside, Pandaemonium follows the friendship between poets Samuel Taylor Colerige and William Wordsworth.

Eisenstein by Renny Bartlett
Festival: Toronto 2000
Eisenstein is an examination of the interior life of the great 1920's Soviet director Sergei Eisenstein as he creates great films, grapples with the state and his critics and ultimately his own character.

waydowntown by Gary Burns
WaydowntownFestival: Toronto 2000
Set in downtown Calgary, waydowntown follows a group of employees who bet a month's salary on who can last the longest without going outside.

Low Self Esteem Girl by Blaine Thurier
Festival: Toronto 2000
Low Self Esteem Girl was developed from director Blaine Thurier's weekly cartoon strip. The story follows a girl named Lois whose relationships with a series of quirky (and sometimes cruel) men lead to a violent, almost farcical confrontation between clashing religious groups.

The Hotel Splendide by Terence Gross
Festival: Berlin 2000, Cannes Market 1999
The damp, dilapidated hotel is fastidiously run by the family of the late and still overbearing 'Mummy' but the stiff operation is put under threat by the return of the chef's former sous chef and lover, the colourful Kath. With emotions running high behind the peeling façade, a gastronic competition is deemed the only way to set things straight. However, this sure-fire plan for disaster soon becomes a recipe for love and the end of 'Mummy's' macabre hold over the hotel.

 


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