Sept 28 - Oct 5
General Public Access

The Pleasures and Displeasures of Attending Festivals
by Klaus Eder,
General Secretary of FIPRESCI

Klaus Eder

I am writing these lines in a hotel room in San Sebastian, Spain. It's a room with a view on the Concha - the beach, the bay, a blue sky. You've got some reason to envy me. One of the attractions of the San Sebastian International Festival is indeed San Sebastian. The marvelous old city. The bars with those delicious small sandwiches which they call tapas. The beach, 36 degrees, the other day. If you're politically interested: the manifestations pro and contra the separatists of the ETA. Want me to continue?
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San Sebastian Rewards "Ruination"
21 - 30 September
Hotel Maria ChristinaOn Saturday night, September 30, the San Sebastian Festival awarded its prizes at the closing gala. How fitting for a Mexican - and not just any Mexican, his name is Arturo Ripstein - to receive the Golden Shell for the Best Film and Best Screenplay: The Ruination of Men. Several other prizes were bestowed on European filmmakers, but when it comes comes to acting, San Sebastian once again honored the best in the Spanish world. And let us remind you that the jury was headed by British director Stephen Frears.

Vancouver Int'l Film Festival: Mid-Fest Report
21 September - 5 October
More concentrated than other festivals this size, Vancouver appears to selectively invite industry guests most likely to foster unique and profitable relationships with attending filmmakers. In attendance this week are several festival directors and programmers scouting films for their own programs, including those from Rotterdam, Pia, Human Rights, Melbourne, Taos Talking Pictures, Fantasia, Toronto, Wellington, Portland, Thessaloniki, Brisbane, San Francisco, Tromso, Deauville, Cinequest, AFI and Cleveland Festivals among others.


New Academy Award Established
An Academy Award category for feature-length animated films, the first new award category since 1981, was created September 26 by the board of governors of the Academy of Motion Picture Arts and Sciences. It could be presented for the first time at the 74th Annual Academy Awards in March, 2002.

Pusan International Film Festival
6 - 14 October

The 5th annual Pusan Film Festival will open with Indian director Buddhadeb Dasgupta's The Wrestlers, which was screened at Venice and will make its Asian premiere in Korea. The fest will close with In the Mood for Love from Hong Kong director Wong Kar Wai. In between, the fest will feature 18 world premiere films from international directors
.



Iranian Films Find Homes in USA
Three Iranian films have been acquired for US distribution this month, thanks partly to their success on the festival circuit. They are: Jafar Panahi's The Circle (which won the Golden Lion at Venice), Bahman Farmanara's Smell of Camphor, Fragrance of Jasmine and Hassan Yektapanah's Djomeh (screened at Cannes) each secured a deal this week just before the start of the New York Film Festival.

Lions Gate Films Picks up The Golden Bowl
Although Miramax abandoned its US commitment to The Golden Bowl (after its creators Ismail Merchant and James Ivory refused to trim the 184-minute film), all is not lost for the period piece. Lions Gate has recently snapped up the rights and will release the film in Spring 2001
.



La comunidad (Common Wealth) by Alex de la Iglesia
Common WealthOn the eve of the screening of Common Wealth at the 48th San Sebastian Film Festival, State councilor Jose Luis Ruiz was brutally assassinated by the ETA and a group of demonstrators planted themselves the following day in front of the Festival's centre. The tone seemed to be set for what proved to be Iglesia's goriest movie, with such set pieces as a man sliced in two parts by an elevator, another one beating Carmen Maura black, blue and red, and the same bleeding to death in a bathtub only to rise a moment later. But more than ever, Iglesia's violence is of a comic book nature.

El Celo (Presence of Mind) by Antoni Aloy
The casting of El Celo adds to the mystery of the film: how did Antoni Aloy, a young Spanish director aged only 31, convince Harvey Keitel and Lauren Bacall, one of the last feminine legends of Hollywood cinema, to play in his first feature? "Very simply" answered the Spanish whiz-kid. "We sent them the script, and much to our surprise, they replied that they were very interested in the project."


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