"I
can only think one day ahead, other-wise I'd go crazy," noted
director Rudolf Thome during the second week of a four-week
shoot in the summer of 1999.
Fortunately,
the sexagenarian, who is represented in the Competition for
the first time (he is a five-time Forum participant), did
not go nuts. Instead, he has made a film that critic Norbert
Grob has designated "the first important German film of the
new millennium."
A
composer (Hanns Zischler) celebrates his 60th birthday with
the seven most important women in his life and a party kicks
off that has its hellish moments. Hellish, because that's
how people are: wrathful and wild. But they're also wonderful.
Thome's
film is full of unflinching lyricism. A man speaks to a
tree, and a nun dances to rock 'n' roll. Love forms a motif
throughout the Berlin director's 30-year career, notably
in the trilogy Forms Of Love, made between
1987 and 1989.
Silke
Schütze