| FILM
CREDITS |
| Producer |
Carole
Laure, Lewis Furey, François Pouliot |
| Director |
Lewis Furey |
| Screenplay |
Pascal Arnold,
Lewis Furey, based on the play "Beyond Mozambique" by
George F Walker |
| Photo |
Gerard Simon |
| Editing |
Veronique
Parnet |
| Decor |
Frederick
Page |
| Music |
Vic Emerson |
| Cast |
Carole Laure, Nigel Bennett, Paul Ahmarani, Veronique Le Flaguais,
Andrew Tarbet, Tom Barnett |
| Running
time |
90
min |
| Distribution |
Magouric
|
|
|
You may remember
her as Gerard Depardieu's melancholic wife and Patrick Dewaere's
lover in Bertrand Blier's Oscar-winning Get Out Your Handkerchiefs
(1978).
The sheer magic of international casting led her to meet the great
Greek tragedian Irene
Papas in Michael Cacoyannis's Sweet Country
(1985), about the Chilean dictatorship.
Actress/singer/dancer Carole Laure is probably the best reason
for watching Lewis Furey's latest cinematic venture, about 6 people
stomping through lust, dreams and delusions and a most outrageous
serial killer mystery in ramshackle downtown.
Lewis Furey, whose filmography seems to allow him to tackle almost
any kind of cinematic experiments (Shadow Dancing
is a supernatural thriller, Shades of Love an improbable
gay romance), certainly took a great sadistic pleasure in letting
his camera whirl around his character's intertwined obsessions,
but his mind-boggling efforts eventually lead to nothing more
than a big boisterous and gory whirligig leaving the viewer mindless
and exhausted.
Worth the ride though, for Laure's dazzling whirls and whisks,
and Nigel Bennet's whiplash tongue.
Robin
Gatto
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|