|
Belgium
/ France
Esprit
de Bière
(Beer)
Dark or light, beer exalts and numbs. It inevitably leads to big
talk or big hangovers. It unifies and divides. It sums up gestures,
desires and failures.
Beer, we return to it and absorb it. In us, it is transformed and
it transforms us in turn. It engenders minuscule utopias, lasting
one night. In a certain manner, it also sums up the strange relationship
we have to things, to the world: we swallow it without really knowing
what it is and what it is composed of. It is at the same time a
clear and a confusing substance. Essay in liquid archaeology blending
outsider pedagogic and the search for self, Beer leads its investigation
of this golden beverage as a commissioner would of a crime. Beer
is thus first analyzed as a substance, as matter (real, chemical,
physical...). Then, its cycle becomes the object of particular attention.
Cycles that address man in his desires for bonds and exchanges.
Cycles which remind us how-even beer-may be a matter of (self) contemplation.
Filmography:
1991: Un pò di febbre
1993: Sottovoce
1995: De bouche à oreille
1997: Tableau avec chutes
1997: Panamarenko : portrait en son absence
1997: La complainte du progrès
|
| Director |
Claudio
Pazienza (Italie) |
| Original
Version |
French, Italian |
| Subtitles |
French |
| Photography
|
Rémon
Fromont |
| Sound |
Irvic
d'Olivier |
| With
: |
Adrienne
Fonck-Boulvin, Édouard Higuet, Laurent d'Ursel |
| Editing |
Yvan
Flasse |
| Production |
Komplot
Films, Claudio Pazienza |
| Distribution |
Komplot
Films sprl |
| Coproduction
|
Heures
d'Été Productions, Patrice Nezan ; Arte Belgique, Carine
Bratzlavsky ; RTBF, Anne Hislaire ; WIP (Wallonie Image
Production), Christine Pireaux |
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