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Belgium
- French Premiere
A
comme Adrienne
Adrienne is not my mother. She is not Jewish.
She is 77, the age limit for reading Tintin comics.
I met her five years ago, at Edouard's, where I'd gone to ask my
friend to lend me a dinner jacket for the premiere of my film Life
Lessons, at the Brussels Opera House. She came to see the film,
and then saw others, and we began to meet often.
One evening she invited me to dinner, and at the end of the meal
she began to recite a Persian folk tale. I told her that I'd like
to come and film it the following week.
Adrienne lived in Iran for fourteen years, with her husband, a surgeon
working in the holy city of Meshed. When he died, she returned to
Brussels to be near her children and grandchildren.
Having learnt Persian and actively collected and translated the
folk tales of the province of Khorasan, she finally put some of
the Orient in her pocket and a lot of sun in her storytelling. Filmmaking
may have changed Adrienne's life, but Adrienne has certainly worked
at changing mine.
The film ends with a folk tale. An episodic tale, like "Thousand
And One Nights." The whole film leads up to it. But isn't Adrienne's
whole life a tale?
Filmography:
1995-1997: Mes entretiens filmés
1998: Le Voyage à Moscou
1999: L'Image, le Monde
1999: Voyage au pays de ma mère
1999: Le Rat botté (Mes sept lieux)
1999-2000: Histoire de ma vie racontée par mes photographies
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| Director |
Boris
Lehman (Belgium) |
| Original
Version |
French |
| Photography
|
Antoine-Marie
Meert |
| Sound |
Bernard
Declercq, Henri Morelle, Irvic d'Olivier |
| With |
Adrienne
Fonck-Boulvin, Édouard Higuet, Laurent d'Ursel |
| Editor |
Daniel
De Valck, Ariane Mellet |
| Production |
Dovfilm,
Boris Lehman |
| Distribution |
Dovfilm |
| Music
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improvisée
au centhour par Djalal Akhbari |
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