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Kiyoshi
Kurosawa - Interview
With
more than 20 films and several festival retrospectives
dedicated to his work (Festival d'Automne des Cahiers
du Cinema, Honk Kong, Biennale du Cinema Japonais d'Orleans),
the Kiyoshi Kurosawa of Japanese film - named after the
great Akira - is beginning to be known by movie buffs
worldwide. At this year's Locarno he was recently dubbed
King of the B's, a title he certainly
deserves for his ability to constantly re-shape and revive
the genre.
Cure (1997) was Kiyoshi Kurosawa's masterpiece,
a powerful horror film that came at a time when Japan
was experiencing a resurgent interest in horror films
along with most of Asia (Korea, Japan, Taiwan and Hong
Kong). The revival is mostly accredited to the recent
success of Ring (from Far East Film). more
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Werner
Schroeter - Portrait
Along with Werner Herzog, Rainer Werner Fassbinder and
Volker Schloendorff, Schroeter is considered one of the
leading lights of the New German Cinema of the 1970s.
Born in 1945, in Georgenthal, Germany, Werner Schroeter
studied psychology at the University of Mannheim. In 1972,
he began his career as a theater and opera director, staging
Oscar Wilde's "Salomé" (1973), Victor Hugo's "Lucrecia
Borgia" (1974), August Strindberg's "Mademoiselle Julie"
(1977) and Richard Wagner's "Lohengrin" (1979). more
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Mike
Figgis -
Portrait
Mark
your calendars - November 1999 - Mike Figgis makes Film
History. In another fifty years, film historians will
point back to this date as a landmark in the evolution
of film production. Why? Feature films shot on digital
video have existed for 5 or 6 years. Nothing new there.
Several overlapping dialogue-saturated soundtracks have
more or less existed since Robert Altman started clarifying
his intent by muddling his sound design in the early 1970s.
Nothing new there either. But with Time Code,
Figgis has come up with an original work that is a subtitler's
nightmare so extreme it may well prevent distributors
from bringing out the film in non-English speaking countries.
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Robert
Kramer -
Portrait
Born
in 1939 in New York, N.Y., Robert Kramer died in November
1999 in Rouen, France of spinal meningitis.
Better known in Europe than the United States, Kramer's
work exemplifies the political ideals of American counter-culture
of the 60s. Kramer worked closely with a grass roots collective
that made 16 mm and films about current events using donated
film stock from tv news stations on the East Coast. The
results were projected in church basements and community
centers, often leading to what is now referred to as "empowerment."
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Jean-Daniel
Pollet - Portrait
Born
in 1936 in Lille, France, Jean-Daniel Pollet studied the
technical aspects of filmmaking as part of his military
service. Later, Pollet was an assistant to Julien Duvivier
on the set of L'homme à l'imperméable, an
experience from which Pollet learned "everything that
you shouldn't do."
The youngest member of the French New Wave, Pollet contributed
an episode to Paris vu par... (Six of
Paris) in 1965, along with fellow New Wave luminaries
Eric Rohmer, Jean-Luc Godard, Claude Chabrol, Jean Rouch
and Jean Douchet. Pollet's segment, "Rue Saint-Denis,"
concerned the famous street of prostitution as evoked
by actor Jean-Pierre Melki's visit to a prostitute. Customer
and client have a very unusual dinner together. more
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Alex
Kirschner -
Interview
Today
was Swiss cinema day in Locarno, with an award ceremony
and a midnight swinging party held in its honour. Organised
by the SSA, Suissimage and the Suisa Foundation, the award
ceremony held at the Grand Hotel towering above Locarno
bestowed prizes to Best Script and Best Score for a feature
film. The later prize went to young composer Alex Kirschner
for the film Irrlichter by Christoph Kühn,
a Swiss/Austrian/German co-production. more
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Robert
Frank - Portrait
Swiss-born
Robert Frank returns to his home country at the Locarno
Film Festival! The 76-year old legendary photographer
and video artist studied in Zurich, his birthplace before
immigrating to the USA. In 1958, he published the legendary
photography book, "The Americans", a mapping of 60s America,
contributing radical innovations to the prevailing photographic
conventions of the time. His films often mix his public
and private life as in Conversations in Vermont
(1969) and Life Dances On (1980). His half-hour
35mm film Sanyu, presented in Locarno in
the Filmmakers of the Present section, is about a close
friend who died 40 years ago in Paris, the Chinese painter
Sanyu. more
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Terence
Davies - Portrait
While
any number of films shot in Toronto have fooled us into
believing they were taking place in New York, few productions
have called upon Glascow, Scotland to stand-in for New
York in the early 1900s. Terence Davies' new film, an
adaptation of Edith Wharton's novel, The
House of Mirth, is a romantic tale set in
early 20th century Glascow-on-Hudson in which a woman
risks losing her chance for happiness with the only man
she has ever really loved. more
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Terence
Davies - Press conference highlights
Looking
at other period pieces...
"It's always odd to be mentioned alongside a Scorcese
film... But it is great for my vanity! (laughs) I do love
The Age of Innocence. There is a great shot
in this film... I would have died for such a shot! And
I probably will... The others I am afraid I don't respond
to. I can't feel anything for Jane Campion's Portrait
of a Lady... Perhaps it is because I am getting
old and miserable... (getting dramatic) I am getting miserable
and I love it!" (laughs). more
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Michael
Almereyda - Press conference highlights
"Don't
you think the references to Pepsi and Blockbuster are
somewhat jarring?"
"The only criticism about the film that really meant anything
to me was precisely this criticism, which I think is born
of cynicism. It is a complete misunderstanding of my intentions.
That contrast was meant exactly as a contrast to the world
of Shakespeare. And we in fact were not paid by Pepsi
or Blockbuster, but we had to pay them...more
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Bryan
Singer - Interview
B.S.:
We have no specific stories in the works, but definitely
this film introduces the universe of the X-Men, in the
same way that the comic books introduce the super-heroes
and their characters. They are always introduced with
the notion of expansion and growth. That's the way I approached
them.
C.P.: Some of the actors have already signed for one or
two sequels. Is it the same for you?
B.S.: No. I might be interested but I'm not obligated.
It depends on the circumstances. I did my deal so I wouldn't
be forced to do another movie. more
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Bryan
Singer - Portrait
Like
Charles Foster Kane in Xanadu, Bryan Singer
lives alone in an unfurnished mansion in Los Angeles.
The 34-year-old filmmaker is not, however, a mutant recluse,
especially now that he's completed his fourth feature
film, X-Men. "The house has been completely
empty for two years except for a bed, my television with
a VCR and DVD and a fish tank. When I have friends over
we have pizza on the floor," Singer recently told the
New York Times.
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Paul
Verhoeven - Portrait
Paul
Verhoeven is to receive the 12th Leopard of Honour and
is in Locarno to promote his latest film, Hollow
Man, a science fiction thriller about scientists
who learn how to make people invisible. It stars Elisabeth
Shue and Kevin Bacon, who will be in Locarno before heading
to Deauville where they will promote the film at the festival
of American Film.
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