Pro Tools

Your twin community sites have now merged into one single url.
Enjoy here the best of both worlds: Portal and Social network for the festival community.
Our mission since 1995 connecting films to festivals and documenting the world of festivals worldwide.
We offer the most comprehensive festival directory of 6 000 festivals, browse festival blogs, film blogs...and promote yourself for free.
Who's online
There are currently 1 user and 191 guests online.
|
film
Director: SImon Foster.
Four children go in search of a magical tree that can grant three wishes. But granting the third wish has disastrous consequences.
Director: PA Nilsson.
Tomas is a drug addict which is going to leave the abuse with his girlfriend Susanna for a new start after a lot of broken promises.
Instead, he´s going for a another journey and the dream turns into a nightmare. He realize that Susanna is going in the same direction but he can´t do anything. When Tomas and Susanna meet again, she´s fed up with his lies. But now Tomas needs her more than ever...
Director: Troy Romeo.
A young man who falls in love with a woman he thinks is his female co-worker, discovers that his own computer may offer him more than any human ever could.
Director: Brad Robinson.
A biting satire on how obsessed our culture has become with reality television, Public Interest delves into the minds and actions of those who put these programs on the air, those who aspire to be on them, and ultimately, the American culture that has become obsessed with them. Looking not only at how crazy the phenomenon has become, but also how outrageous it could easily get, Public Interest is a 'must see' for anyone who loves OR hates reality television.
Director: Anna Condo.
fresh look at a classic…
Great writers have left us with characters that still exist today, it is simply their backdrop that
has changed. PROUD IZA is, a contemporary retelling set in New York City of “The
Necklace” by Guy de Maupassant. First published in 1884, the stirring story of greed, pride
and vanity has become one of the author’s most popular works and is notorious for its
surprise ending.
Director: Cecil Wolberton.
A documentary of six friends coming back from a 15 month combat tour in Iraq.
Director: Rick Danford.
A conservative Nanette Bentley spends a quiet evening at home performing her Obsessive
Compulsive Rituals that she feels keep her safe. As the night creeps in, so does the stalking
shadow of her past-Who is it and what do they want?
Just when Nanette thought it was all in her head- she opens her eyes to a startling wake up
call from her alarm that flat lines her into a world of domestic abuse, rape and murder.
What ritual will she attempt to use to get her out of this one? She asks, as she comes face to
face with her Alarm…The Wakeup call to Die for.
To learn more about this film and what we have planned for it upon completion, feel free to
visit the Official Site at the Alarum My Space Page.
http://www.myspace.com/alarum
Director: Ahmad Abdalla.
The name in Arabic: Masr El Gedida is a pun, because, as mentioned above, it can be translated into: “New Egypt” and that's what the whole film is about: it tracks the story of five modern Egyptian youths in the course of one night. They are all spending their afternoon/ evening struggling to achieve something before the day ends, and they all fail to make any achievements. All their day's work ends up without being done, but with a vague promise to have it done the next day. This makes all the main characters do - for the next day - almost the same things they did during the day we're shedding light on in this film.
Director: Ibrahim El Batout.
From once being the capital of Egypt during the Pharaonic era and a sacred location marked by the visit of Jesus and the Virgin Mary, Ein Shams has become one of Cairo’s poorest and most neglected neighbourhoods. Through the eyes of Shams, an eleven year old girl inhabitant of this neighbourhood, the film captures the sadness and magic that envelops everyday life in Egypt. In a series of heart-rending events, the diverse characters of the film showcase the intricacies of Egypt’s political system and social structure, and give a glimpse into the grievances of the Middle East region and the complex relationships of its nations.
Director: Benoît Ameil.
An addicted mother, starved children, a father a bit more down to earth and... George Clooney. Add a touch of French cooking and get "A Juicy Turkey" ! Imagine what your life could be if your wife became George Clooney dependant...
www.ajuicyturkey.com / www.ladinde.fr
Director: Talal Khoury.
Through the lens of a wildlife documentary, we meet the Burrowing Owl who has recently lost his life-long mate to a large predator that is hunting in his natural habitat. How will he survive in this dangerous wilderness alone? A story of love lost and survival.
The Nantucket Film Festival is accepting film and screenplay submissions for its 16th edition, to be held June 22-26, 2011. Unique in its dedication to supporting and promoting the art of screenwriting, the Nantucket Film Festival has been a standout on the festival circuit, screening imaginative films with an eye for great storytelling. The films shown at NFF are comprised of independent, studio-produced, foreign, documentary, animation, and short works in every genre.
All film submissions are eligible for an array of awards, including Showtime’s Tony Cox Award for Screenwriting, Best Storytelling in a Documentary, Best Writer/Director, Audience Award and the Adrienne Shelly Excellence in Filmmaking Award that honors the outstanding achievement by a female filmmaker with a $5,000 cash prize.
Showtime’s Tony Cox Screenplay Competition provides—in addition to a $5,000 cash prize and an all-expense paid trip to the Festival in June—a once-in-a-lifetime opportunity to participate as one of four writers in the Screenwriters Colony annual, month-long retreat to Nantucket in the fall. The Colony offers screenwriters a place to work where they are encouraged to find their voice and push the boundaries of their craft under the guidance of established film professionals. Recent Screenwriter’s Colony mentors have included: Campbell Scott, Oren Moverman, Bingham Ray, L.M. Kit Carson, Coleman Hough, and Lawrence Inglee. Competition finalists are invited to a Mentor Brunch where they can discuss their projects with the Screenwriters Tributee. Barry Levinson inaugurated the program in 2009. The Competition has also served as a launching platform for promising screenwriters. Writer/director Debra Granik won the Competition in 2002 for her script Down to the Bone. Her new film, Winter’s Bone, leads the 2010 award season with an impressive number of nominations.
The Festival offers the perfect environment for filmmakers and screenwriters to meet with actors, producers, and development executives, resulting in successful collaborations. Rosie Perez met director/producer Liz Garbus of Moxie Firecracker Films and produced the Puerto Rican documentary, Yo Soy Boricua, Pa’que tu lo Sepas! Sophie Barthes met actor Paul Giamatti while attending the Festival as the 2006 Competition winner for her script Cold Souls; Giamatti went on to star in the film. As one of the 2009 Competition Jurors, Lili Taylor was so impressed by Jenny Deller’s script Future Weather that she signed on to star in the upcoming film.
For more information, visit www.nantucketfilmfestival.org or email info@nantucketfilmfestival.org.
This outdoor film festival shoots essay features, documentaries, shorts, pocket movies and music videos in an amphitheatre equipped with one of the widest projection screens in Italy which rises having an artificial lake all around.
This particular festival embraces directors Internationally. After 13 years of existence our goal remains the same, exchanging ideas,presenting new artistic tendencies without preliminary committees or competitions
The short films (fiction, experimental and animation) with english subtitles. It is preferable that the duration of the films does not exceed 20 minutes.
The flourishing Jameson CineFest will celebrate its 8th edition in September 2011, housing in a new cultural complex House of Arts. Each year, after a careful pre-selection, the top 15-20 features and 40-50 shorts, documentaries and animation films have the opportunity to compete in the official program. Most of the films came from Central Europe, from the US and Germany, but we received films from Indonesia to South America. Jameson CineFest provides an unique look into young international cinema's landscape, screening the best flicks from all over the world.
Many attractive supplementary programs, exhibitions, concerts, film history workshops, roundtable discussions will accompany the nightly screenings. Our CineClassics series started in 2010: explore with us Hungary's exceptionally rich film heritage: Oscar winner British screenwriter Emeric Pressburger was born in Miskolc, legendary founder of Paramount PicturesAdolph Zukor in the nearby village Ricse, 20th Century-Fox founder William Fox in Tolcsva, in the heart of the renowned Tokaj wine region, just to name a few. The 2009 conference dedicated to Emeric Pressburger (with the participation of his Oscar winner grandson Kevin Macdonald), and the 2010 workshop about Zoltan Korda was a true gem.
Jameson CineFest is one of the most attractive festivals of Central Europe, where our guests can get know the fresh cavalcade of world cinema, the hidden treasures of film history, fine food and drinks, concerts and parties - with true Hungarian hospitality.
See you in Miskolc in September 2011!
The Camden International Film Festival (CIFF) is committed to
supporting and generating interest in independent documentary films.
The annual festival presents a snapshot of the cultural landscape
through the year’s best non-fiction storytelling, connecting filmmakers
with eager audiences and industry representatives to discuss
documentary film as an art form, a catalyst for change and as an outlet
for the independent voice.
The Central Florida Film Festival intends to use independent film to create a community of cultural experience and creative art education throughout the region. We are open to
Documentary, Narrative Shorts and Feature length films.
Terror Film Festival is a bad-azz international film festival presented by Princess Horror and founded for the purpose of offering Filmmakers, Screenwriters and Fans more.
RIIFF, the largest festival in New England, has become a leading juried competition in the U.S. and is an Academy (AMPAS) qualifying Festival, Best Short; RIIFF showcases int`l features, documentaries and shorts & promoting opportunities for distribution.
PVJFF showcases new (and not so new) releases including features, documentaries & shorts from around the world. Runs 2-3 weeks in the Spring at numerous college and commercial venues. 30+ collaborators work together to create this diverse series and to deepen cultural interest and foster cultural understanding.
Drawing an audience of over 35,000, the Portland International Film Festival (PIFF) is the biggest film event in Oregon, premiering over 100 international shorts and feature films to Portland audiences each February. Audiences can experience a variety of parties, visiting artists, and plenty of festival adventure taking in this feast of cinematic fare.
A juried survey of new moving image arts by independent Northwest film and video makers, the Festival draws over 300 entries in all genres each year and is judged by a prominent filmmaker, curator or critic. Now in it's 36th year, the Festival provides a forum where outstanding independent work receives public recognition, critical appraisal, and an engaged and enthusiastic regional audience. Past judges have included Gus Van Sant, Matt Groening, Todd Haynes, Christine Vachon, Bill Plympton, Dan Ireland, Karen Cooper of Filmforum, B. Ruby Rich, Amy Taubin, Jim Hoberman, and John Cooper, Sundance and Outfest programmer. Generally, 30-45 shorts, features, and documentaries are screened during the Festival, then 10-15 shorts are selected for the Best of the Northwest Tour program which travels the following year throughout the Northwest to media arts centers, museums, arts councils, and universities. Total audience exceeds 6000.
|
|