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Discover New Films
Director: Matthew Solomon.
In August 2011, David and Laura Cole decided to move to Los Angeles from London. David left one week earlier to handle their move. David's increasing awareness of their new apartment's haunting was all captured via his video chats with his wife.
Director: Aurelia Burckahrdt.
Director: Ferenc Moldovanyi.
“Expanding upon themes he explored in Children: Kosovo 2000 (SDFF 24), Ferenc Moldoványi’s latest documentary is at once hypnotically beautiful and acutely disturbing. Shot over a two-year period in four countries on four continents—Ecuador (South America), Mexico (North America), Democratic Republic of Congo (Africa), and Cambodia (Asia)—Another Planet unfolds as a cinematic tone poem in the tradition of Koyaanisqatsi, exposing the unequal distribution of wealth around the world as a major humanitarian crisis. Framed by pastoral sequences in which a Tarahumara shaman imparts a dream of paradise on earth, the film moves quickly and seamlessly between the lives of seven children inextricably linked by their shocking and tragic experiences of daily exploitation and abuse. We meet lonely, aimless urchins, barely eking out a living on the streets. We see child laborers toiling in brick factories, garbage dumps, and brothels, only to be beaten when business is down. And perhaps most harrowing of all, we get to know the child soldiers of Congo as they are turned into killing machines.
Throughout this journey, Moldoványi’s unwavering vision reminds us of the eternal coexistence of beauty and horror all over the world. Informed by the haunting cinematography of Tibor Máthé as well as Tibor Szemzö’s ethereal soundtrack, Another Planet crosses cultural boundaries to forge a commentary on the human condition as damning as it is open-ended.” 31st Starz Denver International Film Festival Official Catalogue
"This globe-spanning ﬁlm hits hard on many levels—visually, intellectually, emotionally. Beautifully shot in Ecuador, Mexico, Africa and Asia, Moldoványi’s ﬁlm presents images that sparkle in the eye even as they punch you in the heart. Moldoványi introduces us to children in Cambodia, Ecuador, Mexico and the Democratic Republic of Congo, each of whom is struggling to survive. Working long hours, often in dangerous and dirty conditions, these children show us a side of existence that many have never seen or even imagined. While many in the US hold childhood as a special and protected time of nurtured innocence, this film reminds us all that for many children life is a brutal and precarious game of survival. With subjects that include children scavenging dumps for recyclables, child soldiers and child sex workers, this film offers a sympathetic and unblinking eye. The children themselves are our strongest storytellers, and they open up to Moldoványi’s camera to give us their own perspective. Their frankness astonishes as they talk matter-of-factly about their jobs and the consequences of not earning. The children either are at the mercy of adults—often the parents who force them to work and beat them when they don’t earn enough—or have been abandoned by adults altogether. While the film is not a gentle journey, it imagines a better world, a greater one. The filmmaker relies on your humanity and empathy to be moved by these children, while never directly suggesting a call to action. This film offers an unprecedented opportunity to explore another planet, a trip definitely worth taking."
SILVERDOCS: AFI/Discovery Channel Documentary Festival
Director: Mike Dolan.
A young married couple wander through a sultry night in a small city before meeting with a mysterious old woman.
Director: Dover Kosashvili.
The pivot point is an emotional and psychological triangle: a civil servant, Laevsky (Andrew Scott, appalling and appealing); his married mistress, Nadya (Fiona Glascott, a milky beauty); and a zoologist, Von Koren (Tobias Menzies, suitably rigid). The story gets going with Laevsky bitterly complaining about Nadya to an older friend, a doctor, Samoylenko (Niall Buggy). Laevsky claims to no longer care for Nadya, who, having left her husband, now inspires her lover’s contempt or, perhaps, fatigue. Like a caged animal, he wants out and claws at Samoylenko as Von Koren watches and seethes, stoking his loathing for Laevsky. For his part, by cutting to Nadya during Laevsky’s rant and capping the scene with a disapproving look from Von Koren, Mr. Kosashvili suggests that his own sympathies are divided.
Director: Jean Counet.
An authentic portrait about a Russian girl feeling happy and sad in the same time.
Director: Jan-Willem Breure.
We live in a society that condemns pedophiles, though biological instinct and world cultures throughout history suggest that an attraction to adolescents is as natural as it is unavoidable. The fashion industry on the one hand sexualizes ever-younger girls while those who act on these instincts are reviled. The apparent hypocrisy at the heart of society forces the question: What do we mean when we talk about Pedophilia? Are All Men Pedophiles?
Director: Chkiri Lahoucine.
Is the true story of a Moroccan artist who sings jazz, Toufik young talent arriving in Europe to develop his talent and plot its path as an artist, knowing he has left his family (a little girl and her woman) in Morocco. It cap several doors to find work and survive in Brussels the capital of Europe but his life will not unfold as it should!
Director: David Moolten.
Once a child laborer who trekked from Mexico to the fields of California to pick strawberries, Jose Hernandez recently traveled into space as an astronaut on the Discovery space shuttle. His story honors both the desperate struggle of immigrants and the greatness of which they are capable. This film and spoken word performance are a tribute.