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By Maria Esteves - March 30, 2009
The Broadway revival of "HAIR: The American Tribal Love-Rock Musical," presented by The Public Theater, directed by Diane Paulus and choreographed by Karole Armitage, opens at the Al Hirschfeld Theatre, New York, Tuesday, March 31, 8:00 pm.
"HAIR: The American Tribal Love-Rock Musical," is powerful, electrifying, with one emotional crescendo after another, includes interactive audience participation. The historical musical captures a...
You can tell this "Docu-mind " !
Neither native nor naive, the movie wants to be a modern syntax, a symbolic combination of the strange pictures could be interpret personally by the spectators, at the age of globalization. ( Jean claude Serra)
"Sean Penn's Puzzle" is not a plain docudrama. It should be seen many times to understand completely. The film is challenging our looking style to
story-telling, plot, and classical portrait of actors,etc.
It's very exotic and ofcourse a tribute to Sean penn. ( Edward Mckee)
Saturday, March 14-----Aside from its role as a key cultural event for the city of Miami, the Miami International Film Festival is also ground zero for the awareness of new films from Spain and Latin America to the international marketplace. Through the MIFF Reel Education Seminar Series, local indies and visiting filmmakers from around the world have been able to hear from industry experts on topics ranging from film financing, Equally as potent is the networking between filmmakers that h...
Wednesday, March 11-----For the dozens of independent filmmakers who have descended on Miami for the Miami International Film Festival, the sunny climate and welcome atmosphere is a rare oasis of warmth in a world that has become decidely chilly.
At a seminar held earlier today as part of the MIFF Reel Education Seminar series, representatives presented a rather downbeat picture of the cold realities of the international marketplace. "Pre-s...
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Green House development programme aimed at Mediterranean documentary film makers
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3rd Annual International Film Festival Summit Europe :April 7-8, 2009 ParisOpening Keynote Presented by Marco Müller, Director of theVenice International Film Festival Since 1980,he has worked as a film critic and historian, creating and directing severalseries of books on the cinema for a number of publishers, has personallycurated some monographic publications and has regularly written essays andarticles on cinema. Since 1978, his new role as "festival maker" hasprogressively estab...
Tuesday, 10 February----The 45th edition of the INTERNATIONAL FILM GUIDE, the definite yearbook of world cinema, had its first international exposure this wee, at the 59th Berlin International Film Festival. The Guide, again edited by film scholar Ian Haydn Smith and published by Wallflower Press, the largest independent film book publisher in the UK, was first published in 1963, and enjoys an unrivalled reputation as the most authoritative and trusted source of information on contemporary world...
Quick summary of the changes which include :
- New cleaner look
- Transfer of the Festival Directory database, the renowned Festival Directory from Filmfestivals.com to Fest21.com whith easier search options, simplified update process
- Opening of a major Film database
- Launch of the new video platform (still in beta)
- Launch of Fest21 e-commerce store
- More Professional functionnalities and promotion options
This new version will also...
The Perfect Pitch is a new program to premiere at The European Independent Film Festival, taking place March 13th-15th, 2009, at La Bibliotheque Nationale de France, Francois Mitterand, in Paris. The program begins with a series of workshops - taking place on Friday, March 13th- related to preparing and executing a pitch presentation. Following the workshops each participant will have the opportunity to pitch in a practice pitch session, from which twenty individuals will be selected to pit...
An overview on 2007: demand and offer for European films are on the increase, whilst cinema-going experiences a slight dip
A tendency to decline but not everywhere: this sums up the 2007 trend as regards cinema-going in Europe. The exact opposite of 2006, where the plus sign was the general rule, although, there again, with some exceptions. The positive side of 2007 comes from European films: in EU countries film production is on the increase with their market share growing as well.