Filmfestivals.com + fest21.com merger
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Since 1995 we connect films to festivals and document the world of festivals worldwide.
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nesta's.fest21.com, the Signature Sketch collection of caricature filmic moments in the festival community.
Nesta storyboards, and designs film and tv sets.
Nesta's sketchbooks are full of the character and environment settings of both cinema and literary worlds, they are an original storyboard collection of festival travel sketches, with pen and paper.
Nesta's Sketch Collection covers The Berlinale Talent Campus, Edinburgh Film & Literature Festival, Cannes Film Festival, Venice Film Festival, Viennale Festival, London BFI Film Festival, Discovering Latin America Film Festival, Hay on Wye Literary Festival at Hay ... the International Film Festival Summit talks and the fictional San Lorenzo Festival... aswell as various Key London cultural events, Millers Academy of Arts and Science, Intelligence Squared, YouGov and TED Salon talks.
Happy to hear your thoughts!
Future of Cinema Panel Sketch, Cannes 2008
FUTURE OF CINEMA SALON
Festival de Cannes
May 21 2008
Current vision by
+44 (0)7770 890609
FUTURE OF CINEMA SALON Festival de Cannes May 21 2008
INT. JEAN LOUIS BORY PALAIS K
The Panel discussion is introduced by WAYNE CLARKSON,
executive director of Telefilm Canada, co producer of this
year’s opening film titled BLINDNESS
We appear like one of the most
wired agencies in the World ...
WAYNE fiddles with the microphone fashioned to his lapel and
the wires clipped to his belt
... the Federal Agency Of the
Canadian Government for Digital
ANA suggestively gestures as a puppeteer...
Someone is pulling the strings
behind the curtain! Since we are
here, in a THEATRE, I do not have
control of my laptop!
There, the need for opening eyes
with 26 books on film starts here
with a social media, and the
Audience is catching up!
GAURAV DARTS his eyes from left to right
It’s a technique called twitter!
ELLIOT KOTEK removes his spectacles, STROKES beard and
adjusts his collar
It’s no more film, it’s close to a
We must find ways to SEE the
Audience, create a new kind of
ANA and WAYNE exchange seats, BRUNO exits STAGE LEFT to be
seated in the audience
Let’s communicate with each other
and BE entertained, the Rise of the
GAURAV gestures by pressing his palms together and looks
STAGE RIGHT to MARSHAL MARC HALPERIN!
...You have to get theatrical, or
nothing. The words we use will go
away, yes, death of the critics...
there has to be a community
Like a shiny toy with GLEAM in the eyes
...There are 300 million on line in
China beating piracy in
You have got to have feelings!
Bring on the BLOGGER VOICE
MARSHAL MARC HALPERIN
I got that REAR WINDOW VERTIGO!
You know we are not in the Art
House ghetto. To the audience
theatre offers them the opportunity
to get out of their homes and the
3D experience enhances this!...
Thoughts TURN to the U2 3D show at Cannes in 2007
...It’s about figuring a way out the
Money can get back to the
producers, and it really comes down
to awards, in a Deluxe package!
People want to attend the Festivals
from “The Living Room Set”.
Bring on ELLIOT KOTEK, voice of the Critic, the Community,
and now the Festivals
Making something for Art’s Sake you
do not even expect to make any
The audience GASPS
...Branding the beginning, having the
wreath on the film, Cannes
The audience’s eyes ROLL
MARSHAL MARC HALPERIN
A 170 million dollar Crystal Skull...
PAUSE as ELLIOT turns his head toward MARC
...And a 3.4 million dollar canvas
sells for 15 million dollars.
ELLIOT’s gaze turns to CAMERA
The Studios are looking to the
Audience. We need to build in the
Audience a Studio mind-set, a
reason to leave home, a cheap
Yes and the difference is Air
An Inflatable screen and Soccer!...
BRUNO faces the audience for question
Did you know on Bebo you can TALK
to the characters?
And on GOOGLE it’s 300 spoofs for
The Bulletin Board
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