Filmfestivals.com + fest21.com merger
Enjoy here the best of both worlds: Portal with Film & Fest News and Social network for the festival community.
Since 1995 we connect films to festivals and document the world of festivals worldwide.
There are currently 0 users and 45 guests online.
LFF - Dean Spanley
The premier of Dean Spanley on Friday began with some controversy on my row, when the woman sat next to me pointed out that Sandra’s patent heeled boots were the same pair that she had worn last year. I put her mind at rest by confirming that I had seen Sandra in a new pair the day before. As someone else sagely pointed out, there is a credit crunch on and those boots aren’t cheap.
So, once we had that cleared up, onto the movie.
It’s difficult to give you a synopsis of the plot of Toa Fraser’s second movie without really spoiling it for you. Set in Edwardian London, the movie deals with a journey of emotional discovery for four men; Fisk Senior (the delicious Peter O’Toole), Fisk Junior (Jeremy Northam), Dean Spanley (Sam Neil) and Wrather (Bryan Brown). O’Toole is on brilliant form as the curmudgeonly, acerbic Fisk, his blue eyes twinkling with the fun he has in putting down his son and everyone else around him. But it is at the emotional climax that O’Toole really shows his worth – the others are good, but they are in the presence of true greatness here. Northam is solidly excellent as the frustrated son and curious explorer. Neil has an almost duel role (without giving too much away) and both he plays with massive honesty and sensitivity. And what can I say about Bryan Brown (other than for some reason I was convinced he was dead and am very pleased to see that was an urban myth)? As in Cocktail, Brown is full of mischief, greed and warmth.
When she introduced the movie Sandra described it as unlike any movie you have ever seen before, and she wasn’t far wrong. It is strange, yet real, fantastical, yet believable and both laugh out loud funny, and heartbreakingly sad. The film walks a fine line between reality and absurdity and almost always stays balanced. I believed as much as the characters believed, the strange truths become more and more plausible as the plot develops. You never once feel that the eccentricities of the characters make them impossible to warm to or like. In fact I would quite happily have joined them for supper one Tuesday evening.
I know I should probably talk about the direction and the cinematography and the beautiful London that they create. But honestly, this movie is about four actors having the time of their lives with a brilliant script. Go see it!
The Bulletin Board
Follow us on the web:
Useful links for the indies:
Comments for user content