The Ins and Outs of Internet Film Distribution
The
Internet is by far the most powerful marketing tool available to the
independent producer. It goes without saying that independent productions
are hopelessly outgunned when contending with a Hollywood marketing
campaign that involves TV, magazines, radio, billboards and newspapers.
The Internet is proving to be the one form of media where your production
can compete on the same level as a major studio.
Especially in light of the recent productions such as The
Blair Witch Project, web campaigns have taken on a new significance.
Fortunately, creating an effective Internet presence does not necessitate
having an immense staff or a mammoth budget. The greatest advantage
of the Internet is that a single individual can create the same footprint
as a Fortune 500 company with a cleverly designed and executed site.
Jacques Thelemaque, President of Filmmaker's Alliance and member of
the Board of Directors of The Los Angeles Independent Film Festival,
believes that the Internet levels the playing field with its extremely
low barrier-to-entry and unlimited distribution. "Where digital production
has democratized filmmaking opportunities, the Internet has democratized
distribution and exhibition opportunities," Jacques said.
However, it is important to remember that although your site
can be built in a matter of days, it takes months for it to grow into
an effective marketing tool. For this reason, your site should go
up as early as possible. If you wait until the film is ready to distribute,
you've missed the boat. As a general rule of thumb, web sites take
six months to mature. In your first three months, you will see very
little traffic. In each of the following months, sharp increases and
bursts in activity are typical. Somewhere in the six-month range,
traffic begins to become consistent and visitor averages are roughly
the same from day to day. This is a sign of maturity and a result
of word-of-mouth and other online marketing techniques that I will
address later. This is why it is so important to have at least a few
brief pages up as soon as you know your film is going to production.
The first step towards building your site is to obtain your
own domain name. Always get a ".com" extension (i.e. www.bighit.com).
If you get ".net" or ".org" extension, you will lose untold numbers
of visitors to whoever has bighit.com. Do not use a hypen or "the"
in your domain name. This is a common mistake, even with the Hollywood
studios. Although you would normally want to be consistent in branding
the name of your project, don't be afraid to truncate your domain
names. Instead of the full name thebighit.com, it should be simply
bighit.com. Always make domain names as short as possible so your
visitors can easily remember and enter them.
Providing users with a means to submit their e-mail addresses
for updates on your film should be top priority when your site first
goes up. The email list is more powerful than your web site, because
you can actively reach those people, instead of waiting for them to
visit your site. You must frequently provide updated content to those
on the list to keep interest up and encourage repeat visits. It will
serve you to great advantage to address the list as if it were going
out to a single individual rather than giving the appearance of a
mass mailing to hundreds or thousands of people. This personal touch
encourages a feeling of camaraderie between fan and filmmaker. The
members of this list will be your most loyal following and the core
group that will generate the buzz you need for your film to be successful.
A word of caution about email lists: Do not include other members
of your list in the message header. This not only ruins the espirit
de corps you are cultivating but also provides spammers with a list
of targeted email addresses. Plenty of software programs exist to
assist you in managing email lists-- they are well worth the expense.
The initial content of your site should be the biographies
and pictures of your principals as well as the premise and possibly
a treatment of your script. There is a plethora of sites that thrive
on news about in-progress film productions, or projects in development.
Many of them invite updates and reports on productions. Providing
information on your project, along with its URL, is a great way to
bring traffic to your site and generate some crucial early interest.
If done properly, you can generate a certain amount of excitement
over your "hot new project" in development and possibly draw the interest
of equity investors.
The next step in the process is submitting your site's URL
to the search engines. Although much ado is made about "spoofing",
a technique aimed at boosting a site's rankings with the search engines,
it is a time-consuming process and doesn't always prove effective
or productive. Your best approach is to be certain that your page
titles and meta-information are sharp, concise and relevant to your
content.
At this point, pursue exchanging links with other web sites.
A sincere compliment and a polite request are highly effective. This
serves four functions.
The obvious one will be attracting traffic directly to your
site. The second is that, if you have thorough coverage, it will create
the impression of omnipresence. Although a surfer may not click on
the link the first time he or she sees it, after encountering it on
a dozen other sites, assumptions will be formed about your reputation
and popularity. The third function is similar to the second but in
a more mechanical way. Search engines like Altavista (which will bring
you the majority of your traffic) will give you more favorable positions
in their rankings based on your "popularity", determined by how many
sites are linked to yours.
Most importantly, you have made an initial contact with all
the site administrators, whom you will need to know later on in your
campaign. In an industry that thrives on networking, this is your
means of gaining essential support. As an avid user of email, Joel
S. Bachar of Blackchair Productions in Seattle and founder of the
Seattle Independent Film and Video Consortium, knows this law well.
"When used effectively, the Internet can be the best tool you have
to promote your film," Bachar said. "And to make important connections
both locally and globally."
Traffic Monitoring software is your most valuable ally in determining
how to build and expand your site as you react and adapt to your market.
Webtrends software is the industry standard for Internet marketers
to analyze server logs, which contain detailed information about the
users that visit your site. Webtrends crunches that data and provides
you with information about your users geographic and electronic origin,
your site's most-requested and least-requested pages, busiest days
of the week, busiest hours of the day, entry points, exit points and
a slew of other data compiled into three-dimensional graphs. I cannot
imagine maintaining a web site (or business) without this tool.
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Although
it will require a certain amount of discipline, keep a production journal
of your film and post it periodically to your site. A weekly journal
entry is the perfect episodic content for a web site that will keep
people coming back. Entries can be updated to your splash (main or default)
page, then mirrored to the email list. The email should simply be a
teaser of the journal with a link to entice visitors to the site. Don't
be afraid to be personal in your journal entries. This is a great human-interest
hook and will draw repeat visitors to your site.
Depending on how comfortable you are with releasing information
about your production, scanning storyboards and script excerpts make
great content. If you are ambitious, you may want to add interviews
with cast and crew. As soon as you move to production, gear up your
online updates. Add production stills to your site as soon as they become
available. Through my experience of publishing production journals,
I have first-hand knowledge of the intense interest in the nitty-gritty
details of actual film productions. If your film is reasonably successful,
keep in mind that you may be able to leverage this content at a later
date, combining your journal with your script, production stills and
storyboards for publication in the form of a book.
In
the final stages of post, adding sneak trailers to your site (e.g. The
Phantom Menace) is also great way to spark interest in your
film. Most non-linear editing systems (including Avid Media Composers
and Adobe Premiere) will spit out a QuickTime movie you can post directly
to your site. Everyone loves a trailer, especially one of an up-and-coming
independent film. They are becoming especially popular now that the
"big pipe" is becoming a reality with the fast download speeds of DSL
and cable modems. Moe Belli, editor and creator of Cyberfilmschool.com,
one of the most renowned and popular filmmaking site on the web, predicts
that the ability to deliver rich content will translate into significant
changes for independent filmmakers. "With the increase in available
bandwidth, the Internet is developing into the perfect dynamic medium
for presenting and marketing films," Belli said. "And at a relatively
low cost to the independent film maker."
However, you still cannot have large video files streaming off
your server to large numbers of users. Be especially wary if your online
marketing campaign is successful and there is a high demand for your
video content. Streaming video will eat up your bandwidth at an alarming
rate and possibly choke up the performance of your site to the point
that even simple HTML files can't be accessed. Whether this happens,
and when, hinges on your Internet Service Provider (ISP) and the volume
of your traffic. As a simple rule of thumb, don't make your trailers
any longer than three minutes. Keep a careful watch on access times
and if they slow significantly, consider paying for more dedicated bandwidth
or moving to a higher-performance host. If you are lucky enough to have
this happen, don't kill your marketing momentum with a slow-responding
web site.
Once your film is completed and ready for distribution, it's
time to start pitching webmasters for free banner space. If you are
not familiar with banner advertising, a banner is a standard size graphical
advertisement at the top of a web page that can be found on most sites.
"Clicking" on the advertisement will take users directly to the advertised
web site. Many professional web sites run their banners in a random
rotation to optimize the number of banners impressed per user. Be sure
to create at least five different banners that share common design elements
to maximize the effectiveness of your banner ad campaign.
The objective is to get your banners into the rotation on as
many film-related web sites as possible. This is not very difficult
if you understand the psychology of the site administrators. Literally
thousands of sites on the web are related to film and filmmaking, the
majority of which were created by aspiring filmmakers. In the independent
film business, perhaps more than any other industry, people are willing
to help each other out. If you approach these webmasters (read: struggling
filmmakers) with an appeal as one filmmaker to another, you might be
surprised at the positive response. This will be especially effective
with second and third tier sites, whose webmasters are most likely envisioning
being in your shoes some day.
If your banners are well crafted, it will also be to their advantage
to run your banner. Movie banners have a widespread appeal and offer
variety in the ad rotation. A well designed banner for a hot new film
also brings with it a certain amount of cachet. If you have been accepted
to a well-known festival, they will want the brand association with
your film and the festival. Keep in mind that only the top 10 percent
of these sites are making any money selling their banner space in the
first place, so giving a few thousand impressions away is no great loss.
As your film tours the film festival circuit or movie theaters
across the nation, times and locations of these showings should be the
main focus of your site and mailings. Motivate your core group of supporters
on your email list to attend local screenings and spread the word at
film festivals. They are the ones who will want to wear your T-shirts
and hats, circulate your posters, among other things. Use the promotional
potential of free giveaways as an incentive to attend events, screenings
and festivals. If your film will have a city by city theatrical release,
you may want to reach out to regional web sites that have a localized
focus. Event-focused, community web sites, such as Kulshan.com, provide
an avenue for reaching the entertainment market within specific cities
and regions.
With an online campaign, successfully reaching your target market is
not dependent on spending money. Having a budget certainly helps but
for the most part, time is your biggest expenditure. The only limit
to the potential of your web campaign is the creativity and ingenuity
of the individuals behind it.
FilmFestivals.com
reporter
Glen Berry

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